dask
dark and stormy knight
Not sure. It was in a set of 20 musicals I ordered from Amazon.Sounds interesting. Is it on Netflix by chance?
The Last Movie I saw was the new Batman movie. One of the best Batman movies in my opinion.
Not sure. It was in a set of 20 musicals I ordered from Amazon.Sounds interesting. Is it on Netflix by chance?
The Last Movie I saw was the new Batman movie. One of the best Batman movies in my opinion.
Spaceways (1953)
A man's wife and her lover disappear in such a way that he is suspected of murder, so he has to prove his innocence.
Wait a minute; isn't this supposed to be a science fiction movie?
Well, yes. It seems that the suspect is part of a secret project to send the first satellite into orbit. When the object doesn't fly quite as high as intended, it's suggested that he removed some of its fuel and replaced it with the bodies of the vanished pair. To disprove this hypothesis, he goes up to the satellite in another rocket. Along for the ride, sneaking on board in place of the guy who was supposed to go with the suspect, is the pretty female mathematician with whom he's having a romance. The audience already knows that the wife and lover ran off together, and that the man is a spy for the Reds. When she objects to this, he shoots her.
Much more of a soap opera, murder mystery, and espionage thriller than a space movie, this modest little film is an earnest attempt, with reasonably accurate science, but rather lifeless. Being based on a radio play probably has something to do with that.
Oh, I forgot the main violation in the film STAGECOACH:By an odd, happy coincidence I just happened to have a copy of the 1930 Production Code readily to hand - so read it all the way through. Not the most exciting thing I have ever read in the bath but it is pretty short. The only mention of pregnancy and childbirth comes in Section 2: item 8
"Scenes of actual childbirth, in fact or in silhouette, are never to be presented."
And that's it. So no, baby bumps weren't explicitly banned under the code but probably fell under one of the various exhortations to "good taste and decency" that litter the thing.
I've never actually read it through before. It's fascinating stuff.
Section XII Repellent Subjects
The following subjects should be treated within the careful limits of good taste.
1. Actual hangings or electrocutions as legal punishments for crimes.
2. Third-degree methods.
3. Brutality and possible gruesomeness.
Took me ages to work out that "Third degree methods" almost certainly meant police officers beating the crap out of suspects to get a confession. but "possible gruesomeness"?
This was the 2nd dubbed & rewritten version of PLANET OF THE STORMS, which was made in the USSR, etc. The 3rd one, I cannot recall its name, & the wiki page does not mention it, has the robot as a pimp & the dubbing is rather naughty. Also, a clip from a military film about VD was includedVoyage to the Planet of Prehistoric Women (1968). Prime.
This is a very peculiar film. I was expecting something camp and silly along the lines of Cat Women on the Moon or one of those old Zza Zza Gabor movies, but this is not one of those.
Quite distinctive style, odd and sombre mood and pacing. Atmospheric and mildly affecting if you are in the right mood. Basically a (quite good) old-style rocketship movie plus some odd hippy beach stuff.
An expedition to Venus is lost, so a rescue mission is sent out. Venus is a barren misty world with some rather ineffective man eating monsters in rubber godzilla suits, smoke machines, and a lot of beach. On the beach are late 1960s telepathic blond-haired Californian mermaid types (Mamie van Doren and pals) wearing clam shells for modesty. They wonder around and frolic in the sea, and repose on the rocks by the surf, never actually speaking, communicate in voice-over. They sense the earthmen as a threat (the earthmen kill a rubber pterodactyl the ladies worship as a god) and invoke a volcanic eruption and a deluge to kill the earthmen, who blast off in the nick of time. The mermaids and the earthmen never actually meet, but one of the men falls psychically in love with one of the women, and there is an undertone of longing in the narration.
This was so strange that I looked it up. Turns out the spaceship/explorer side of the movie was Russian, and it was spliced to the mermaid shots, which were filmed in California. Explains why the boys never meet the girls and why the rockets have red stars on their fins. A slightly hokey script ties the picture together. The male actors are dubbed, and the main narration is by Peter Bogdanovich.
The early spaceship scenes are well shot, and look like cover pics from some of the higher quality 50s & 60s SF magazines.
Interesting and worth a watch.
Invasion From Inner Earth (1974)
Unbelievably cheap and incoherent and content-free mess of a film. Starts with random images of people running, red smoke, a close-up of an eye, etc. The music under the opening titles is a blatant rip-off of the famous theme from The Good, the Bad, and the Ugly played on a cheap electronic organ.
What little plot there is involves a guy, his sister, and some vaguely scientific guys stuck in a cabin in the far north of Canada. (The role of Manitoba is played by Wisconsin.) The three science types tried to fly back to civilization, but the one guy who operates the airport told theM to stay away because everybody was dying, just before he keeled over himself. Lots of talking in the cabin follows. Red lights appear, obviously done by somebody off-camera with a flashlight. The one person they reach on the shortwave radio talks in a monotone, in the style of somebody pretending to be a robot.
The endless cabin scenes are intercut with odd stuff like UFO cult types on a talk show that, weirdly, is said to be broadcast after the sermonette and test pattern. A guy broadcasting from a radio station that only plays Dixieland jazz slowly goes nuts when he can't reach anybody. A drunk in a bar does something or other. One of the science guys, who up to now has been our excruciating comedy relief, offers his insane theory about what's going on. You see, Mars used to be really close to Earth, so the Martians went underground and are now emerging. One of the cabin guys finds a snowmobile, rides around, and a red light makes him vanish.
At the jaw-droppingly bizarre conclusion, the sister and the guy with the insane theory are walking in the snow, when they suddenly change into little kids wearing only loincloths walking through sunny fields of flowers. An atrocious film, tolerable only for the fascination of its ineptitude and irrationality.
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