There wasn't. I was just 'supposin' that if you matched him with John Huston you might get something like that movie.I've also seen that film. I recognised it from your description, but I wasn't aware of the P K Dick connection before.
There wasn't. I was just 'supposin' that if you matched him with John Huston you might get something like that movie.I've also seen that film. I recognised it from your description, but I wasn't aware of the P K Dick connection before.
I remember that film, & one other, Genesis II, whose plot was so similar that I thought the two were one film.PLANET EARTH 1974 - Pilot for a Gene Roddenberry series which recycles ideas from Star Trek and they would turn up in later Roddenberry projects as well (like the lapel badge that is a communication device).
John Saxon is a Buck Rogers/Kirk--20th century man resurrected in the year 2133. He's head of a science team that explores the strange new worlds of Earth in the future, ten years from now. There's a character portrayed by Ted Cassidy which I think would become Worf in Star Trek the Next Generation. The doctor has the telepathic powers of Spock.
A mutant gang appears which reminds one of Mad Max.
But the plot focuses on a village where women control men with a drug and Saxon has to infiltrate it to find a missing crewman.
It's amusing, often unintentionally. It plays like a really really hokey episode of Star Trek.
The male slaves are called "dinks" which inspires many a laugh as they use it often: "you are a dink," "I am a dink," etc.
I admire the actors for their ability to keep straight faces.
It lacks interesting visual design--the big set is the tunnel ship they use to travel around the planet but it only looks cool from the outside.
I loved that Simpsons parody of the guy clinking the bottles together!The plot is simple...
Nine gang members are caught a long way behind enemy lines when all the gangs in the city are after them.
Will any of them get home alive and before dawn?
I can see why this film made people nervous but after forty years, things have moved on.
Now it feels more like a fable or modern-day [ish] saga.
It isn't very violent by today's standards, but the repeatedly used epithets and attitudes towards women are of their time and might offend some. But this goes along with the characters in the story. These are not nice polite children, These are the fabled Warriors of CI!
It explicitly states that the tale is based in ancient Greek history [Anabasis by Xenophon], where legend and reality are sometimes the same things. This is made more so by the use of comic style intertitles to link the plot together. While it looks like cinéma vérité, it isn't. It is highly stylised. A hint of what high concept films of the eighties might be.
This version was Walter Hill's definitive cut of the film.
In the mid-80s I remember seeing another version of this film in a cinema late one night and then having to walk home down what seemed very dark dangerous streets of SW London. It might not have been 30 miles to Coney Island but the twenty-minute walk seemed to last forever.
I watched an obscurity on YouTube called SORORITY KILL, a 1974 shot on video tv-movie. Stars Nicholas Hammond, Joanna Cameron, Tony Geary as a psycho, and Larry Wilcox. As I watched, I began to feel as if the tv Spiderman, Isis, and Jon (from CHiPs) were trapped in an episode of Marry Hartman, Mary Hartman.
I reckon the look of the 2000AD character Robohunter is modelled on Charlton Heston’s character in Soylent Green.Soylent Green
Haven't watched this movie, for many, many years. The only thing I remembered about it was the ending (which is amongst the most memorable), but what I had forgotten was that it starts off as a murder mystery set in a dystopian world (2022in actual fact). It's a great movie, and a fitting epitaph for Edward G Robinson, who once again proves what a fine actor he is in his final movie.
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