Good film. Check out Peter Greenaway’s others, particularly Drowning by Numbers, and Belly of an Architect.
Barbarella (1968) dir. Roger Vadim; starring Jane Fonda, John Phillip Law, Milo O'Shea, Anita Pallenberg
From a decade awash in silly sci-fi movies ... I haven't watched this in years and I think that was an edited version.
Reviewing Jane Fonda's early career can be dizzying. From the relatively wholesome Barefoot in the Park to the smarm of Barbarella (by way of another movie) to two of the better movies of the time period They Shoot Horses, Don't They? to Klute. I wonder how many acting careers foundered on less ridiculous movies?
Anyway, if Barbarella is about anything it appears to be a female coming-of-age movie, if coming of age is only about learning about sex. It recounts the adventures of Earth agent, Barbarella, tracking the lost scientist, Duran Duran -- which may help explain some of the '80s, too -- and, takes place in a hep, groovy '60's psychedelic recreation of 1930's Flash Gordon sets. The cast does their best and Fonda almost sells being Bridget Bardot (who was originally asked to play the part, as was Sophia Loren, according to the introduction by Ben Manckiewicz) but lava lamp-like effects, and an appearance by David Hemming (who seems to enjoy himself) cannot redeem a silly script and bland direction. Note: The movie may have been predictive in one thing -- the inside of Barbarella's ship, if not covered in fur, then seems to anticipate the '70s fascination with shag carpeting.
Conan the Barbarian (2011) - Sub Xena acting and direction in this pretty awful take on Conan. Starts off with blood soaked hands lifting a baby Conan, lion king style, accompanied by the most bathetic shout imaginable, and goes down from there. Stick to Arnies version.
Frankly, given the cast, any of the original REH stories would have been butchered beyond belief. I agree that either of those stories would be fantastic if adapted correctly, however, Jasaon 'The Plank' Momoa could never play Conan properly. Just look at the travesty that Aquaman is. I know, Aquaman is , but he made it ridiculous in the extreme.
No. That's pretty accurate. Rather than wait until a writers' strike was over, they plowed ahead and Quantum... was disappointing. Skyfall, though was an improvement.Casino Royale (2006)
James Bond film as serious drama.
Quantum of Solace (2008)
James Bond film as generic action film.
That's oversimplified, but it'll do.
CAPTAIN NEMO AND HIS UNDERWATER KINGDOM 1969 -- G-rated adventure that I had seen before and got mixed up with another film. This is the one with the cat as a stowaway--the one with the chicken Herbert is War Gods of the Deep (not to be confused with Warlords of Atlantis or CITY BENEATH THE SEA which is a 1971 tv pilot turned into a movie--which seems to have taken a few ideas from this Nemo films, such as gold as a plot element).
The highlight is the arrival of Mobula, a giant stingray kind of thing which is sometimes cheap-looking but overall not bad. This, like WarGods and Warlords, was made in the UK and uses a lot of locals for them. It seems like there are less underwater kingdom movie set in the North American region. If City Beneath the Sea is any example to go by for quality, then it is best they be made across the pond.
GOLIATH AWAITS, the 1981 mini-series which I had not seen in almost 40 years (the same amount of time the ship survivors were underwater). All I remembered about it was Emma Samms peering through a port hole and somebody--maybe John Carradine, with a scarf around his neck. My recollection was right on. But I had totally forgotten what a big role Christopher Lee has in this--he is practically the star. Mark Harmon-- I kept imagining he was like Perry King genetically spliced with Tom Cruise and wondering why John Ratzenberger was in England before going to Cheers. Despite the presence of Robert Forster, Eddie Albert--and the rest--under the direction of Kevin Connor, there is a sense of prolonged waiting which is not entirely satisfying. I guess commercial breaks helped provide some variety. Frank Gorshin at times seemed to be doing an exaggerated Robert Shaw-Quint impression which provided extra amusement but I don't think I have the patience to wander the decks of Goliath again anytime soon.
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