Opening Chapter To A Novel PT II

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The Bloated One

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Dear All,​

I have had to re-invent myself as the Bloated One so I can log on at work. Apologies if it confuses!

Thanks to everyone for their suggestions on the first draft. I have added the beginning of the next chapter so you can see how it progresses. Adele, the subject of the next chapter is the ******* daughter of Vlad Tepes, half human, half vampyre. She is unaware of her father, having been taken from her Mother on the field of battle, and placed in an orphanage, and then, when old enough into a brothel. This chapter begins 21 years after the prologue.

*Apologies to any native French people reading this. I am after a French translation of, the room of little deaths, or similar. Any help would be appreciated.

Bit of history - Vlad Dracula was killed in battle against the Turks near the town of Bucharest in December of 1476. Some reports indicate that he was assassinated by disloyal Wallachian boyars just as he was about to sweep the Turks from the field.

First Part of the Novel's Synopsis - At a meeting between the Pontiff’s representative, and a Council of Vampyre Elders, The Church threatens them with extinction unless they kill and destroy the bodies of Vlad Tepes and Gregor his adviser. Despite holding back the Ottoman advance, the Church cannot condone Tepes’s wanton killing any longer.

Holding records of every living vampyre, the church’s threat is taken seriously. Six elders disguised as Wallachian boyars, murder Vlad Tepes and Gregor during a battle in 1476 with the Ottomans.

Their bodies, including a ring and casket are spirited away by an elder and hidden at the Snagov Monastery.

During the battle, the elder also ensures that Tepes’s baby daughter is taken from her human Mother, and sent first to an orphanage in France, and when old enough, to a brothel in Montmarte.

Let me know if the style is okay. Someone mentioned it would appeal to teenagers. This concerns me, as due to its subject matter, I am aiming it at an 'adult' audience.

TBO



Prologue

Bucharest, December 1476

Steaming breath burst inside the ice-cold room as accusations, threats, and insults flew about. Amidst the mayhem, a hooded figure sat quietly on a golden throne, listening, only his podgy, ring-encrusted fingers visible under his purple raiment. Finally, the hooded man stood up.

"Quiet!" His voice boomed across the hall with a loudness and authority that belied his small, crooked body. The noise abated. "Listen to me. Do as I say or die." He smiled at his Cardinals gathered about his throne, stretched out a finger and snarled at the Count and his camarilla. "We will annihilate you, you and your race. Agree to what we ask, or face extinction."

Ashen-faced, and with his knuckles white with anger, the Count glared from across the oak table.

Unmoved, the hooded figure lowered his hand, scratched his pointed chin and cleared his throat. "We have coexisted for hundred’s of years, but the Church will not allow the carnage to continue. You and your cohorts must destroy him and all his offspring. You have seven days." His piggy eyes scuttled from face to face, watching the Count and his entourage seethe and churn.

After a short silence, the Count unfurled his woollen cloak and wearily got to his feet. Exhausted by the hours, locked in fruitless recriminations he looked at his colleagues, took an ornate stiletto from his belt, and sliced the palm of his hand. He then slammed the bloodied palm onto the table making the Cardinals jump.

"I give you my blood and my word. We will do as you ask."

The piggy eyes bulged. "Good," rasped the hooded figure, "It’s settled then." He snorted loudly and bowed toward the Count.

The gathering rose from the table and, like a murder of angry crows dissatisfied with their meagre carrion, they lingered, waiting for their leader. The Count bowed deferentially, but his bloodshot eyes burned with hate.

A sardonic smile broke across the hunched figure’s face. Followed by his Cardinals, he stiffly shuffled from the room.

Chapter One

Adele

As the hot weather broke, rain poured through the Parisian streets, washing away months of summer dust. Adele raced for cover, fearful her velvet gown would be ruined. In amongst the alcoves of the small shops along the Rue de Montmarte she darted, cursing herself for forgetting her hood. Having waited in vain at the café for the rain to stop, she was now too close to her meeting to dawdle; as her Madame often remarked, time waited for no one, not even on her twenty first birthday.

With a skip and a jump, Adele reached the safety of Le Cabonaise. A quick check of her clothing satisfied her that but for a few minor patches she had arrived dry and unscathed. She knew nothing of this appointment, which was strange. Her normally verbose Madam said little of this special client.

Pushing the large oak door open, Bergerac greeted her with a toothy grin. His large creased forehead, bulging watery eyes and stooping gait was almost comical, but for the fact that he was a harsh and sinister man with a dreadful reputation. His family had protected the brothel for years, and it was accepted wisdom never to cross them. Adele smiled sweetly, eliciting an exaggerated windmill of a bow from the fat greasy man. She was half way up the wooden staircase before his swirling arms descended and completed their startling repertoire. He thought he was funny—a troll guarding a fairy castle he would say, but nobody laughed.

Adele ran along the darkened corridor, her damp shoes leaving a silvery trail of water on the crimson carpet. As she ran, cotton drapes billowed in the breeze coming through the open windows. Occasional rays of sunlight broke through the greyness, and shards of white diamonds danced on the floor.

Reaching her room, Adele removed her gown, mud splattered hose and shoes. Sorting through a drawer, she selected a pair of yellow cotton stockings, two pale blue garters, and sat on the edge of her bed to dress. She slipped on her best shoes, took a deep breath and checked her appearance. She pushed and prodded her ample bosom, till it ballooned precariously over her bodice - a trick Madam Bouverie had shown her.

Satisfied with her appearance, she got up and glided regally from her room to the staircase. At the door of the la salon petite mot*, as the girls called it she stopped, inhaled deeply, and slowed her breathing. Composed, she opened the door expecting to see a gentleman, but was puzzled to find a tall woman wearing a small riding hat, veil, and cape standing in the centre of the room with her back to her.

-----------​
 
Hi oh Bloated one,

Couple of things

Finally, the hooded man stood up
I would just say he, you use hooded one again later on anyway.

Ok the next bit had me a touch confused, cafe, carpets, bodice we seem to have 16-17th Century items and morality coming in, where the prologue seems earlier.

Also Adele seems very young the skip and a jump makes her a child, rather than a prostitute, who has lived in a brothel since she was old enough. How old is old enough, 12 maybe, in which case she is going to have a very different attitude, to my mind anyway. She seems a bit ideal.

The writing style is easy to read and the locations come nicely, just wondering what you want to convey.

I think the french phrase would be le Salon de la petite mort, or maybe le salon des petites morts.
 
Jarshen,

He is better.

Paris 1497 is the setting. I'll double check the rest, but I fear you are right - need to bring it into the 15th century.

With a skip and a jump - I'll change this to something like, carefully avoiding puddles, Adele reached the safety of Le Cabonaise.

Thanks for your thoughts on the French, I wonder what others might say?

Adele is central to the whole piece, so my intention is to build her life up slowly. The scene goes on to show her initiation as a vampyre.

Regards,

TBO
 
Holding records of every living vampyre, the church’s threat is taken seriously.
Undead surely (giggles)

isted for hundred’s of years,
hundreds, no apostrophe

Exhausted by the hours, locked in fruitless recriminations he looked at his colleagues,
No comma after hours.

As the hot weather broke, rain poured through the Parisian streets, washing away months of summer dust
No comma after "broke"

as her Madame often remarked,
Quibble, but I don't think there should be a "her" before "Madame", certainly not if she merits a capital letter (the "ma" at the beginning sufficing for possessive) The "normally verbose" one, I would suggest using lower case. However, we will await La belle Italienne to be certain.

A quick check of her clothing satisfied her that comma but for a few minor patches commashe had arrived dry and unscathed.

Adele ran along the darkened corridor, her damp shoes leaving a silvery trail of water on the crimson carpet.
What sort of carpet goes "silvery" when it gets wet? Possibly a synthetic, but I'd suggest anything at that epoch would go dark (and soggy)

He thought he was funny—a troll guarding a fairy castle he would say, but nobody laughed.
If you're going to separate off the subordinate clause with a dash, wouldn't it be better to pu another after "say"?

and shards of white diamonds danced on the floor.
If it was a crimson carpet, wouldn't it be rubies dancing on the floor, with the diamonds reserved for any white there might be on the walls (not much, as I remember French décor bordel of that period.)
At the door of the la salon petite mot*, as the girls called it she stopped, inhaled deeply, and slowed her breathing
"de la petite mort" (signifying orgasm?") Death is a lady in France. And a comma after "called it".
 
Chris,

Good to see you were tempted into commenting.

Living vampyre - Yeh, okay, point taken...(!)...it was only a synopsis to help the reader...Grrrrr

I would suggest using lower case. However, we will await La belle Italienne to be certain. I wait with bated breath...

I've ripped the carpets up...

"de la petite mort" signifying orgasm? Yes, so thanks for that.

Can't fault your grammar - thanks for taking the time.

Does my piece get a 'Penycate' mark, like a charter mark?

TBO
 
Apprehensive as I am about disagreeing with the Pedantic One, I think you do need a comma after "broke"....

As the hot weather broke, rain poured through the Parisian streets, washing away months of summer dust.
As the hot weather broke rain poured through the Parisian streets, washing away months of summer dust.
:confused::confused:

And it is TBS behind TBO, isn't it?:p
 
If you're going to use a catch phrase such as "Yes, it is I!" your alter ego's alter ego ought to be LeClerc.

(My apologies if you're not old enough (or is it sad enough?) to recognise the reference. :eek:)
 
Once again, Bloated, you have swooned me with your story. Are you planning on publishing this? Because I am going to be the first to order if you do.
 
Shucks...thanks thecrafteens (just looked at your site, loved the sneak peaks!) it would be nice if someone showed an interest. I think I have a new twist on an old, old, theme, so never say maybe not!

Yes, Pyan, ze flashing knobs (plenty of them in this story)!

TBO
 
Hi, Bloated One,

Rubescant had no major slashing and cutting to do. She is sulking in her scabbard, now.
Good writing, she said.

I agree with Pyan about the comma after "broke".

But Jarshen, a girl can be a child and a prostitute. Shouldn't a girl skip and jump at twenty-one, and be playful? It is a maison close, not the tent of the followers of a military camp. A' la Rue Montmartre, the girls are supposed to be fresh and merry.

Petite corrections, most of which have already been suggested.
I (no, not I, Rubescant) took away a few this and that.

Here's the thing.

Chapter One


Adele




As the hot weather broke, rain poured through the Parisian streets, washing away months of summer dust. Adele raced for cover, fearful [worried?] about her fragile velvet gown would be ruined. In amongst the alcoves of the small shops along the Rue Montmartre she darted, cursing herself for forgetting her hood. Having waited in vain at the café for the rain to stop, she was now too close to her meeting to dawdle; as her Madame often remarked, time waited for no one, not even on her twenty first birthday.

With a skip and a jump, Adele reached the safety of Le Cabonaise. A quick check of her clothing satisfied her[:] that, but for a few minor patches, she had arrived dry and unscathed. She knew nothing of this her appointment, which was strange. Her normally verbose The usually talkative Madame had said little of this special client.

Pushing the large oak door open, Bergerac greeted her with a toothy grin. His large creased forehead, bulging watery eyes and stooping gait was almost comical, but for the fact that he was a harsh and sinister man with a dreadful reputation. His family had protected the brothel for years, and it was accepted wisdom never to cross them. Adele smiled sweetly, eliciting an exaggerated windmill of a bow from the fat, greasy man. She was half way up the wooden staircase before his swirling arms descended and completed their startling repertoire. He thought he was funny—a troll guarding a fairy castle[,] he would say(,)-- but nobody (ever) laughed.

Adele ran along the darkened corridor, her damp shoes leaving a silvery trail of water on the crimson carpet. As she ran, cotton drapes billowed in the breeze coming through the open windows. Occasional rays of sunlight broke through the greyness, and shards of white diamonds danced on the floor.

Reaching her room, Adele removed her gown, mud splattered hose and shoes. Sorting through a drawer, she selected a pair of yellow cotton stockings, two pale blue garters, and sat on the edge of her bed to dress. She slipped on her best shoes, took a deep breath and checked her appearance. She pushed and prodded her ample bosom, till it ballooned precariously over her bodice - a trick Madame Bouverie had shown her.

Satisfied with her appearance, she got up and glided regally from her room to the staircase. At the door of the salon de la petite mort* [or du petit mot, but I believe the first one would be more appropriate…][,]as the girls called it, she stopped, inhaled deeply, and slowed her breathing. Composed, she opened the door, expecting to see a gentleman, but was puzzled to find a tall woman wearing clad in a small riding hat, veil, and cape. [new sentence, more emphasis] The woman stood in the centre of the room, with her back to her.
 

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Poor Ruby, I hope my next offering (whenever that may be) to the Chron Gods provides her with both slash and burn...

Love the pictures, thanks for taking the time to find them.

I would like her to be a girl. She leaves the bordello/brothel for higher things - vampyres would, wouldn't they?


Yours,

TBO
 
Using the internet at work TBO?

No one in Australia would do something so heinous:D
 
"Pushing the large oak door open"

Sorry, the red was not supposed to be there...
This Rubescant drips blood all over the place. It's a shame (she's locked up for being naughty).

But, listen, your heroine is a kid, right? But she is also une demi-mondaine, even if she escapes le bordel quickly enough. Her being young and fresh elicits sympathy.
 
Ruby needs to curb her enthusiasm!

Thanks Gi,

I realised, and not being a pedant I didn't mention it.

It's a shame (she's locked up for being naughty)


Does she have visiting rights?

But, listen, your heroine is a kid, right? But she is also une demi-mondaine, even if she escapes le bordel quickly enough. Her being young and fresh elicits sympathy

Exactly, I need the readership to feel sympathy, or at the very least ambivolence for her at this early stage in the story.

By the way, your hair colour appears to changes at the same pace Adele drops her underwear...!

I prefer the red...

TBO
 
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B.O., how about expanding your synopsis excerpt and merging it with the prologue? I find the synopsis really interesting, the prologue not so much.
 
Zhang,

You have posed a very interesting question.

My thoughts are that a good novellist will expand on the synopsis, giving too much away at the beginning is dangerous and will loose impact later in the book.

In this case I am failing as a writer if the prologue doesn't grab. I need to make it so powerful you want to read more - the first words on the page are the opening gambit with the reader, to fail means the book doesn't get sold, or published. What do you find missing Zhang, and I wonder what others think?

TBO
 
I guess the problem is I'm judging the prologue with a double standard. If say Stephen King wrote that prologue I'd want to read on, because I know the author by reputation and trust that he's going somewhere interesting with it.

With an author I don't know, I want to see some upfront evidence that the story has real potential to be an enjoyable read. The prologue didn't give me confidence that there's really something interesting going on. But with the historical Vlad the Impaler as a vampire with the Catholic Church behind his downfall, now that's compelling !
 
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