I don't know why it was a critically acclaimed novel - which aside from the title, name of the main character and his ability to teleport has little in common with the film
Uh...huh? That's a complete non sequitur.
I'm very hard to please, although I love many less-than-perfect films and books. I think my one weakness with movies is that a good score will make me like the film more than I would otherwise. For example, the movie
I, Robot was a screen treatment of Roger MacBride Allen's
Caliban, rather than Asimov's anthology. The bit about Sonny having two brains and being able to
choose whether or not to follow the Laws was illogical and blew the entire point of the story. But that haunting music got me.
Anyway, back to
Jumper. Hated the movie from stem to stern (well, except for Goddess Diane), but loved everything about both books. Why did the producers bother getting the rights? The bit with the Palladins was too much like the Watchers in the
Highlander TV series — a pretentiously manufactured conflict. The books had plenty of conflict, and it was primarily internal in the first book. And what was with that 9.9 quake bracketing each jump? No wonder the Palladins found him.
I was one of many fans who helped Steven (with a V, not a PH) Gould error check the ebook versions of his previous works. I told him I was very disappointed with the movie. And although I did not say "the movie ruined the book," other fans have expressed this sentiment. Gould is very relaxed about it, and replied practically, "A bad movie doesn't change my book." (Harlan Ellison could learn a few things from this guy!)