Teresa - It was certainly not my intention to distress anyone.
It didn't used to distress me; it just used to be irritating; but I've heard so much of it, by now it makes me feel weary and sad.
I think the SFF community should stick together and stop slamming each other's taste in public. (The rest of the world is usually willing to do that for us.)
It's surprisingly easy to say what we like and why we like it -- or what we don't see enough of and would like to see more of -- without characterizing what other people like as drivel. But there's this comparison thing that people get into.
Let me repeat this: I myself would be happier if books were shorter. I would also be happier if they were written with more love and skill and craft, more attention to the beauty and power of words, rather than being so plot-heavy and crowded with incident. I'd be happier as a reader, I would be happier as a writer.
But those weighty tomes have one great virtue, and this is that they are bringing a lot of pleasure to a lot of people. And since those are also the people who are buying most of the books, that's what publishers are buying at the moment.
It's my personal belief that no one should ever write anything they can't put their heart into. (Of course I don't run the world, so a lot of people do it anyway.) But most of the writers that I know are capable of falling in love with more than one idea. And right now, if you are writing in SF or fantasy -- and you're not aiming for younger readers -- and if you want to sell what you write, then it's a very good idea to spend a little time wooing whichever of your ideas seems the most likely to fill out a long book. At least court it long enough to see if a relationship develops.
Sorry for the rant, but this is the reality, and no amount of complaining about publishers or the quality of the books already on the shelves is going to change that.
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On a slightly different note, if you're already engaged in a project, don't be afraid of overwriting, rambling on, wandering off into digressions. You can always cut them out later if you decide it's all too much -- on the other hand, those just might turn out to be some of the best parts of your story; they may include some treasures that have been hiding there in your unconscious (sly things that they are) waiting for you to discover them. You'll never know if you don't first put them into writing.
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