Lobolover
Well-Known Member
- Joined
- Jun 10, 2008
- Messages
- 1,171
Now,I quite readily believe Ewers belongs to this section-his only story,which is readily accesible without deep delving is "The Spider"-dont get me wrong, its a marvelous tale,BUT people ,who arent exactely ready to give out hundreds of dollars or spend hours searching,wont probably ever learn of such stories of his like "The end of John Hamilton Llewellyn" or "The dead Jew", or "Tomato Sauce",some of his best,all because "The spider" is one to pervade everything.Im not even talking about reading his NOVELS-personal hell for me to just get "The sorcerer's aprentice" of a library.
But this is a GOOD case,where the story in question is a GOOD one and a characteristic example of the writer.However,there are writers out there, whose REAL work is over shadowed by somethign diferent,which apeals to moraly-social-realistic book critics,who say that an introduction of a supernatural element is "bad" in a book (see critique on "Woodsmoke")-this aplies to Hartley-while I can get so many "GO Between"'s to build me a chateu,I cant find any story colection whatsoever,in prices at least distantly human.
Your opinion?
But this is a GOOD case,where the story in question is a GOOD one and a characteristic example of the writer.However,there are writers out there, whose REAL work is over shadowed by somethign diferent,which apeals to moraly-social-realistic book critics,who say that an introduction of a supernatural element is "bad" in a book (see critique on "Woodsmoke")-this aplies to Hartley-while I can get so many "GO Between"'s to build me a chateu,I cant find any story colection whatsoever,in prices at least distantly human.
Your opinion?