Cover Letter and Synopsis

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2ndchance

Stephen M Davis
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Essex UK
:cool:Hi, people:

Please cast your eyes over these two pieces. The cover letter is first draft and the synopsis is second draft.


Cover letter:
Dear Editor:
The Spiral Staircase, a completed fantasy – love story of 85,000 words, follows a young girl with one foot in childhood and the other firmly placed in maturity. During Rebecca’s transition from a child like fantasy world, she embarks on a quest hoping to steer her mother through an uptight, disjointed marital relationship.

15-year-old Rebecca has an inner wisdom beyond her years, often referred to as a second-timer. Aware that her mother Elizabeth has a deep-rooted and hidden sadness. Rebecca captures Elizabeth’s imagination showing her a world of fantasy and fairies hoping to bring some joy. Soon, the family move to a sixteenth century gothic mansion where Rebecca discovers a spiral staircase in an old summerhouse down by the lake. This staircase leads Rebecca on a series of adventures back to various points in the history of the mansion. During these journeys, Rebecca is always Rebecca, remaining in character, although bizarrely she is temporarily the daughter of the current mother. Rebecca experiences equally dysfunctional associations, which aid her transition to a woman. Armed with this know-how can she turn her mother around and transform her father’s terse approach?

The Spiral Staircase is my second novel. My first started life as a plot driven sci-fi, which unwittingly I turned into a philosophical love story and understandably struggled with both the synopsis and placing it somewhere on the shelf. Realising my natural genre – which came as a shock – I set about my second novel, having finally accepted where my soul lay.

This novel, although always a fantasy and the account of a charming bond between a mother and daughter, it primarily looks at communication, or sadly the lack of it, all too often experienced in marital relationships. This is a well-documented subject, which I have attempted to see this through different eyes. As a child, I experienced a torrid, hostile, and abusive upbringing. Having learnt from these experiences, I wrote this novel hoping to impart some of my understanding.

I hope to become a published author; however, I will continue to write, having further tales to tell.

I appreciate your valuable time in considering my novel and hope it comes someway close to your high expectations.

Regards,
Newbie

Synopsis -- The Spiral Staircase
15 year-old Rebecca is a popular girl, but often prefers her own company, where she sits drawing fantastical scenes of imaginative worlds, chatting merrily to her various make believe friends.

Elizabeth, her mother, lives a difficult life with James whose Victorian approach toward the women in this family is a burden to her. Despite an upbeat appearance, Elizabeth has a deep-rooted unhappiness fuelled by feelings of intimidation and an inability to deal with any form of conflict.

Elizabeth soon learns to find a solace in Rebecca’s world. After school, they often sit together in the wood, where Rebecca tells her stories while Elizabeth writes them down. On one occasion, Rebecca explains how the fairies dance the heather. Explaining that to most adults it just looks like the heather swaying in the evening breeze, but if you your mind and look closely, it is actually the fairies wings.

Although they are settled and have a lovely home in Cheshire, James comes in one day and announces they are moving in December. When Elizabeth tentatively questions the timing, he states, ‘no buts woman, my decision is final.’

The new house is a stunning gothic mansion dating back to the fifteen hundreds. It nestles on the banks of a large lake in Cumbria, where the family quickly settle in. Elizabeth and Rebecca try to establish some history on this old house. Curiously they draw a virtual blank, other than it was used during WW2 as an evacuation home for children. A local records officer suggests there may have been some form of cover up during the eighteen hundreds, but hesitates and fails to elaborate.

One day, whilst drawing in the woods, Rebecca drops her pencil, and during her search, she finds an old large key. In her world, she believes the pixies moved her pencil so she would find the key, setting her on a mission to locate its rightful home. Finally, after failing with every door in the main house, Rebecca suggests to Elizabeth they go and try the old derelict summerhouse down by the lake. The key fits the front door, however, once inside only two of the three doors are accessible, both leading to empty rooms barring an old tallboy.

Sometime later Rebecca returns alone and to her amazement, the third door opens. Inside she finds a spiral-staircase leading to a series of small doors. One of these doors inexplicably takes her back into the 1850’s, where she is still Rebecca, remaining in character. Bizarrely, she is the daughter of the current mother of the house, Meredith. While on this journey, Rebecca learns how Meredith deals with a dysfunctional relationship. Later that day - during a storm - Rebecca falls, banging her head, knocking herself unconscious and is awakened by Elizabeth. Not sure if this was a dream, Rebecca goes back to the door many times but to no avail.

Reflecting on her experience Rebecca realises the greatest marital sin is to stop talking and equipped with this often encourages Elizabeth to talk with James. She tells her mother how Meredith dealt with her relationship, in the hope that Elizabeth will somehow learn and hopefully improve her relationship. Elizabeth, although delighting in her tale, considers it another one of Rebecca’s imaginary stories, but nonetheless takes on board these wise words.

During the summer, the third door finally opens again, and takes Rebecca on two more adventures. Rebecca experiences two similarly uptight marital associations and sees how the women admirably deal with these by just communicating with their partners. Armed with these experiences, and rapidly stepping out from her child shoes, she is finally able to help Elizabeth dramatically improve her own relationship with James, rekindling their original love.

Thanks Steve
 
By the way, good, bad, not sure, any comment would be appreciated, even if it is one word...

Steve:D
 
Nit-picking, certainly, but this is the form you are intending to submit? As usual, no comments on content; I'll leave that to those with more experience in submissions.

During Rebecca’s transition from a child like fantasy world
childlike; and "transition from" suggests we'll be getting the "to" later. "Out of" would suggest she abandoned her fantasies; I don't know, I've never read the story, does she grow out of them or integrate them into her life?

15-year-old Rebecca has an inner wisdom beyond her years, often referred to as a second-timer.
The wisdom is referred to as a 'second-timer'?

Aware that her mother Elizabeth has a deep-rooted and hidden sadness. Rebecca captures Elizabeth’s imagination showing her a world of fantasy and fairies hoping to bring some joy.
comma rather than full stop after "sadness".

she embarks on a quest hoping to steer her mother through an uptight, disjointed marital relationship.
comma after "quest"

This novel, although always a fantasy and the account of a charming bond between a mother and daughter, it primarily looks at communication, or sadly the lack of it, all too often experienced in marital relationships.
You don't need the "it" before "primarily", and consider putting a "the" in front of "communication".

This is a well-documented subject, which I have attempted to see this through different eye
don't need the "this" after "see".

where she sits drawing fantastical scenes of imaginative worlds
I suspect the worlds are "imaginary", while the girl is "imaginative".

lives a difficult life with James whose Victorian approach toward the women in this family is a burden to her
perhaps a comma after "James"?

. On one occasion, Rebecca explains how the fairies dance the heather.
No comma

Explaining that to most adults it just looks like the heather swaying in the evening breeze, but if you your mind and look closely, it is actually the fairies wings.
"you open your mind"? Fairies' wings, and could we get rid or the repetition of "explain"?

It nestles on the banks of a large lake in Cumbria, where the family quickly settle in.
That "where" gives me the picture of them setting up a very damp home – but perhaps I'm strange.

Rebecca drops her pencil, and during her search, she finds an old large key
I'd prefer the comma after the "and" and another one after "old".

both leading to empty rooms barring an old tallboy.
Yes, I understand; but it's not very clear. "rooms empty except for"?

Sometime later Rebecca returns alone and to her amazement, the third door opens.
comma before "to her amazement".

Reflecting on her experience Rebecca realises the greatest marital sin is to stop talking and equipped with this often encourages Elizabeth to talk with James.
commas around "equipped with this".

She tells her mother how Meredith dealt with her relationship, in the hope that Elizabeth will somehow learn and hopefully improve her relationship.
Any way of getting rid of the repetition of "relationship"? (I'd just have put "her own", but it's your text).




 
Thanks, chrispenycate..

Good stuff, sometimes you can't see for looking.

By the way, she does take her fantasy world with her, just a watered down version as she steps into womenhood.

Second timer as in been here before, just a thought and something my gran always said of my son...

Cheers Steve
 
I wasn't complaining about the concept of 'second timer', just the form of the sentence: "15-year-old Rebecca has an inner wisdom beyond her years, often referred to as a second-timer." If you'd put "Rebecca, imbued with an inner wisdom beyond her years, is often referred to…" or even "and was often" I'd wouldn't have said anything. I know, no explanations, just red pen.

I'm happy for her she doesn't grow out of the magic; it can come in very handy in this reality-saturated existence.
 
I'd keep the cover letter far more brief and to the point: give the word count and state genre and basic theme of novel, give a very short cv on yourself, only stating what's relevant. You're presumably including the synopsis and 1st 2 chapters in the same envelope so you don't need to repeat yourself trying to sell the concept or outline it in the cover letter--a personal view, obviously.
 
Oh, and P.S. my cousin who worked in publishing told me that they binned anything sent to 'the editor/to whom it may concern' etc, and it used to infuriate me when I got things saying 'dear sir' when my (obviously female) name was clearly shown on the relevant section of the publication! Get the name right ALWAYS.
 
I would suggest you remove the section I have posted below. (please don't take offense, none is meant) The agent does not want to know about your previous work, unless it is sold. You are selling your current product. Be positive, about yourself and your novel. This sounds as if you are apologising for your choice of genre.

Put your childhood experiences in a short bio about yourself, after your short summary.

Hope that helps.

The Spiral Staircase is my second novel. My first started life as a plot driven sci-fi, which unwittingly I turned into a philosophical love story and understandably struggled with both the synopsis and placing it somewhere on the shelf. Realising my natural genre – which came as a shock – I set about my second novel, having finally accepted where my soul lay.

This novel, although always a fantasy and the account of a charming bond between a mother and daughter, it primarily looks at communication, or sadly the lack of it, all too often experienced in marital relationships. This is a well-documented subject, which I have attempted to see this through different eyes. As a child, I experienced a torrid, hostile, and abusive upbringing. Having learnt from these experiences, I wrote this novel hoping to impart some of my understanding.

I hope to become a published author; however, I will continue to write, having further tales to tell.
 
Thanks Folks,

kadife, 'the editor' only for the purpose on this thread, similarly I do not intend to sign it off newbie, lol.

chrispennycate, it does help to still see the fairies, occasionally, as in 'away with.'

SJAB, interesting POV, there are many threads around, suggesting many different approaches to both synopsis and cover letters. I do know what you say about repeating yourself. I will think on this further. Interestingly I looked at a 'perfect' CV and Synopsis in the Times (UK) and this too repeated the main points, obviously more detail in the synopsis.

Just out of curiosity, does anyone actually like the concept/thought?

Thank you Steve
 
I like the central premise of the old house and the doors and the fairies and the time travel, but (although it might not seem so in the actual book) the way you describe it sounds more like a story contrived for the purpose of conveying a certain moral or life lesson than a lesson or moral that evolves out of a story. If you want a publisher to even look at your sample chapters, I think you should try very hard to eliminate that impression.

And I agree with Sue. The passage she points out is not the kind of thing that an editor or an agent wants to see in a cover letter. It looks unprofessional. Cover letters should be brief and to the point, so that they don't detract from the real business of your proposal, which is the synopsis and/or sample chapters.
 
Just a couple of points;

When is the story set? If now, then I have trouble getting my head round the idea of a popular girl of 15 drawing fairies, and talking to make believe friends. At pinch maybe a withdrawn 13-year-old. (just going by what my daughters were doing/thinking at that age, and neither were as worldly wise as some of their friends) Maybe in the 1960's perhaps even 1970's a 15 year old, might, but popular girls, by that very fact don't need "make believe"

Also your synopsis is from Rebecca's POV, yet you refer to her mother by her given name, it just jars a little, feel you should say Rebecca's mother, Elizabeth.

The basic premise sound interesting, but I would inhance the "time travel" aspects, maybe linking it to other novels of a similar nature. Neil Gaiman's Coraline comes to mind.

All the above is just my opinion, you have to in the end go with what you feel is right for you.

Best

Sue.
 
Thanks people,

Teresa, I take you point about the moral issue. Rebecca actually evolves as she steps from a child into adulthood, to some extent by way of her adventures. There is a moral issue; however, it just comes to pass during the adventure. I will work on this, quiet easy actually, because I added a small piece two days ago and I would suggest this changed in emphasis. Particularly this line:
Reflecting on her experience Rebecca realises the greatest marital sin is to stop talking and equipped with this often encourages Elizabeth to talk with James.

Sue, well at 51 I am actually still away with the fairies. Seriously, though I understand what you are saying and to some extent, I agree. That said I do know a 15yo who is like this. We tend to base our characters, including their flaws on people we know. The main thing here is Rebecca needs to be 15 - going on 25 as they do, although often 10 as they also tend to do, when it suits them - so she can have the type of conversation with her mother Elizabeth. She is popular, she just prefers to:

15-year-old Rebecca has always been a popular girl, but often sits alone during school free time. She just prefers to find a nice sunny corner somewhere and sit chatting merrily to herself, scribbling fantastical scenes of imaginative worlds. Even at home, off she would go to a quiet corner, normally avoiding her annoying 11-year-old brother Tommy.
Today was no different for Rebecca, just home from school on a warm September evening, she hurries upstairs. ‘Hi mum, just getting changed.’
‘Oh, hello to you too, Rebecca. Does your mother get a kiss, how are you, or?’ Her mum shakes her head, ‘that girl, always got her head in the clouds, always in such a hurry.’
Moments later Rebecca comes back down-stairs in her jeans and tee shirt, she dashes pass her mum in the kitchen. ‘Just going in the garden mum.’
‘Tea is in an hour and half Rebecca, when your father is home. Make sure you are in and ready, you know he does not like to wait.’

kadife, I knew what you meant, I was just responding in a cherlish way, sorry.:rolleyes:
Thanks though, your feedback is valuable, something I struggle to find in my family environment or at work, where everyone says lovely...:eek:

Interesting that mostly ladies have responded to this, reasonable to assume a chik-lit (hate that term) however it is what it is...

Steve
 
Just a thought, I was considering placing some illustrations with my novel. The idea is Rebecca draws - so do I - so I was thinking I could combine the two. For example, there is a passage when Rebecca explains the difference between, pixies, elves and fairies, 'hang on mum, I will draw you some.'
A pixie, img002.jpgwell as I see them lol. Click for a larger version...
Steve
 
I'd have to re-affirm what SJAB said - if you describe someone as 'popular' in school, you are plugging into a ready-made caricature of a bubbly teenager who goes to parties, hangs out with friends all the time and would die without her mobile phone. Probably blonde too. This is pretty much the antithesis of the girl who prefers her own company and spends her free time discussing fantasy worlds with her mother.

Was this an extract from the actual novel...
Today was no different for Rebecca, just home from school on a warm September evening, she hurries upstairs.
...Or was it a scene in note form? I ask because it's always a surprise to read a piece of work narrated in the present tense.
 
Zac,:)
I am not sure I agree with this prerequisite if popular, you are blonde and go to many parties... That leaves an awful lot of unpopular people. I understand your point, however this is a tale of Rebecca, who in spite of being popular just prefers her own company and actually has a lovely relationship with her mother. Also, have you read the whole synopsis i.e. the bit below?

“Elizabeth, her mother, lives a difficult life with James whose Victorian approach toward the women in this family is a burden to her. Despite an upbeat appearance, Elizabeth has a deep-rooted unhappiness fuelled by feelings of intimidation and an inability to deal with any form of conflict.”

“Victorian approach” etc... This should give you an idea as to the household environment and the possible restrictions...:mad:

Incidentally, she does have a mobile phone and MSN etc, which is the new way young people communicate, strikes me anyway...

“Today was no different for Rebecca, just home from school on a warm September evening, she hurries upstairs.”

It is an extract from notes. May I ask why surprised by present tense?
By the way, I have seven nieces all have been 15yo within the last ten years, and you know what, one of them is still away with the fairies and prefers her own company even though she is now 23 and she was and still is popular... Just goes to show you can be popular and still prefer your own company.

I am sorry I just don’t buy this idea that to be popular you can’t also spend time with your mother and just prefer your own company. That has nothing to do with age it is about personality. :eek:

Steve;)
 
I understand and acknowledge your viewpoint. I'm not saying it's wrong of you to describe her in this way, just that I'm fairly sure that any reader coming across the phrase 'she was a popular girl in school' will have a well-defined preconception of what this implies, and to me it does not tally with the description of the character you have created. At any rate, it's a trifling point and you are free to ignore it. We need more fairy-obsessed girls as role models anyway.

The present tense was a surprise because of its rarity.
 
The present tense was a surprise because of its rarity.

But... but... present tense is ALWAYS used for synopses and lots of novels are written in present tense *puzzled*
The problem is that the 'was' in the quote should be an 'is' and there should be a full stop after Rebecca, which gives the impression in an instant that your grammar and punctuation is shaky (God forbid).
 
OK for a synopsis, that's why I asked whether this was from the completed draft or not. But I disagree that 'lots of novels' are written in the present tense. It is a vanishingly small percentage of published novels that are constructed in this way.

Disgrace is a recent one of note, as is Saturday, but in SF/F the technique is conspicuous by its absence.
 
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