I finally had a chance to finish The Invisible Eye. Overall, I think the best of their work had been in the earlier anthology and collection I'd read, but there were still some very good things here, as well as some minor but interesting work. There is one where the attribution is frankly speculative, and I don't tend to agree with the judgment that it is theirs -- too many differences from what I've come to recognize as their style as well other things which simply don't "feel" like their hand(s) at work.
The other thing which troubles me is Hugh Lamb's "editing" (or abridgement/bowdlerization) of a couple of the tales: "The Man-Wolf" and "The Wild Huntsman". Now, I've not read the last before, so can't judge how much it was marred by this (and I use the term advisedly), but the former was, in my opinion, much more than "slightly" edited; it was changed in some very fundamental ways which completely altered the thrust of much of the tale, robbed it of some of its best atmospheric touches, and sliced out the heart of its philosophical ruminations, which often formed a very important part of presenting the world of these people and bringing the characters themselves to life. (There is also one excision which I am pretty damn' sure was for "politically correct" purposes, and I despise that sort of thing. If you're going to present older material, do NOT alter it to fit our current "pc" attitudes; present it warts and all, or you are distorting the manner in which people thought about these things at the time and therefore, in my opinion, damaging the very thing you are attempting to support: tolerance and sensitivity on these issues. Without an accurate representation of the art of the period involved -- whatever that may be -- you are falsifying the record, and that adds to this unbelievable state of amnesia we seem to be suffering from on these topics, doing nothing but laying a foundation for even further schisms rather than understanding of the issues and the need for change. Forgive the rant, but this is one of those things that really gets up my nose... badly! And, to my view, it is a practice which is beneath a person of Lamb's otherwise undoubted talents as an editor.)
However, despite my complaints, it is a very good selection of their works, and this is a writing team who should be remembered much more than they are today.
I have now moved on to Maurice Level's Tales of Mystery and Horror and, while I think there is a dash of hyperbole in the introductory material concerning Level's talents, the work itself decidedly shows his keen eye and insight into human affairs, even if some of the tales themselves are a bit contrived. (On which point, he -- like John Collier -- manages to pull such things off with considerable panache; he is very capable of making one "suspend disbelief" enough to accept his sometimes outlandish or melodramatic premise; not a small or worthless ability, by any means.) I also didn't realize the man had written so many tales -- according to the introductory material, by 1920 (he died in 1926) he had already written 700 stories....