Ian Whates
Author and Editor
- Joined
- Sep 8, 2006
- Messages
- 1,613
This same question was raised in the 'Personal Questions to John Jarrold' thread a little while ago.
If I remember correctly, John's answer was that you give the agent what he asks for. If it says first three chapters, then you send the first three chapters. If you want to include a prologue as well, that's up to you, but you should always send the agent what's asked for.
Belador, be wary about relabelling that prologue. Presumably there's a reason you called it 'prologue' to start with rather than Chapter One. Most likely because it contains a lot of 'past events' that are highly relevant to your story, but not necessarily to the immediate action.
Don't confuse the agent with an ordinary reader, especially not on initial submission. An agent is merely assessing the quality and commercial potential of you and your work. Chances are, the prologue won't be the best guide to that, which is why some might skip it. At this stage, it's probably not necessary that they grasp the intricacies of the underlying plot, which the prologue may well explain wonderfully.
My advice would be to send the prologue and the three chapters, then let the agent decide what they wish to read.
If I remember correctly, John's answer was that you give the agent what he asks for. If it says first three chapters, then you send the first three chapters. If you want to include a prologue as well, that's up to you, but you should always send the agent what's asked for.
Belador, be wary about relabelling that prologue. Presumably there's a reason you called it 'prologue' to start with rather than Chapter One. Most likely because it contains a lot of 'past events' that are highly relevant to your story, but not necessarily to the immediate action.
Don't confuse the agent with an ordinary reader, especially not on initial submission. An agent is merely assessing the quality and commercial potential of you and your work. Chances are, the prologue won't be the best guide to that, which is why some might skip it. At this stage, it's probably not necessary that they grasp the intricacies of the underlying plot, which the prologue may well explain wonderfully.
My advice would be to send the prologue and the three chapters, then let the agent decide what they wish to read.