GOLLUM: Sounds like you're having a good streak there! The Torpor book is going on my shopping list right away.
Thanks.
Apart from Vandermeer's Finch, which was still a good read but not exceptional IMO, everything else I've read in 2010 from Kawabata's palm stories to Gautier to Rodenbach to Tolstaya to Laforet to now Torpor has been been
really good.
I probably didn't mean to quite make The Tenant sound like the greatest work of 20th Century Horror.......
BUT it is a great novel that really pulls you in, especially in the second half and Ligotti's introduction is particularly helpful in better understanding this neglected master and through that his work. Please note my copy with the
essential Ligotti introduction, is put out by
Milipede Press. I don't know what other additions are available as I picked this up by pure chance at the local bookshop last year after reading the blurb and Ligotti's obvious admiration for Torpor in the front section sold me on the whole idea. The fact a similar concept was explored ealrier in the century by
Luigi Pirandello in his novel
One, No One and One Hundred Thousand that I just happened to also purchase in the NYRB range, I had no idea about until Ligotti pointed it out.This latter book has moved up the TBR pile thanks to Torpor's novel.
By Grand Central Station I Wept continues to impress me with its at times lyrically beautiful use of metaphor and employment of biblical and mythological references. Thanks again to an insightful introduction by Brigin Brophy this time, I can see many influences including Rilke, Baudelaire, Ovid, Djuna Barnes, Anais Nin and last but not least Jean Genet, who seems to be considered the equal of Smart in the pantheon of great prose poets of the last century. Several of these people's works I'll be reading more of this year.
Roll on 2010...