Picking up on a few things and wurbling on.
With fashionable books I wouldn't bet on sales=readers. There was a fashion for having "A Brief History of Time" on the coffee table a few years back.
I think it is what you read that carries an image. Housewives reading Aga Sagas get a pretty poor press. (Pretentious dozy women escaping from their housework when they'd be better off polishing the door knob - so nothing geeky about that reading!) Reading newspapers is fine, but has political associations.
(I once met someone whose two conversational gambits were "What's your job?" "Materials research" and "What newspaper do you read?" "None, I prefer books" and that was the end of the conversation. He got out his newspaper and ignored me.)
Reading popular classics - probably Jane Austin for example - also seems fine. Not too highbrow. Probably comes down to "if its been made into a film or a TV series then it is OK to read the book".
I've also heard the opinion that it is only real-life stories that are worth reading that the speaker had no time for made up things.
Standing back a fraction, it seems to me that all story telling, including real-life stories, will have an element of lets call it "presentation" and of course point of view to it. (Every so often the relative of someone who became famous for writing their true life story will publish a book on their differing view of events!) Nothing is ever an absolute and I have concerns when something is presented as authoritative - for example dramatised history - and people believe it to be the one true answer. That won't ever happen with SFF.
And finally, on the image of writing, I read two books a while back (wish I could remember the author's full name and title of the books) which were basically amusing autobiographies of this lady's life and times. In the second book she commented that once the first book was published, her image in the eyes of her family changed. Up until that point her opinion was not especially sought after. Once the book was published she turned into the oracle of family history - ask Lucy was the cry. She said she wasn't always sure she was getting things right, would have been perfectly happy to wrap in views from her relatives, but no, her version became the definitive version.
Maybe another problem with reading some science fiction, is that it is not immediately obvious who you should be siding with, or identifying with. (Whereas with the more formulaic end of fantasy it is too obvious.) Many people are worried, not stimulated, by shades of grey.
But then, by popularity of book sales, does that mean Tolkien be considered to have mass-appeal? Aside from being a leader in developing the fantasy genre, is there something present there missing from less popular writers?
With fashionable books I wouldn't bet on sales=readers. There was a fashion for having "A Brief History of Time" on the coffee table a few years back.
(Perhaps it's all just the case that "reading" itself is considered "geeky"!)
I think it is what you read that carries an image. Housewives reading Aga Sagas get a pretty poor press. (Pretentious dozy women escaping from their housework when they'd be better off polishing the door knob - so nothing geeky about that reading!) Reading newspapers is fine, but has political associations.
(I once met someone whose two conversational gambits were "What's your job?" "Materials research" and "What newspaper do you read?" "None, I prefer books" and that was the end of the conversation. He got out his newspaper and ignored me.)
Reading popular classics - probably Jane Austin for example - also seems fine. Not too highbrow. Probably comes down to "if its been made into a film or a TV series then it is OK to read the book".
I've also heard the opinion that it is only real-life stories that are worth reading that the speaker had no time for made up things.
Standing back a fraction, it seems to me that all story telling, including real-life stories, will have an element of lets call it "presentation" and of course point of view to it. (Every so often the relative of someone who became famous for writing their true life story will publish a book on their differing view of events!) Nothing is ever an absolute and I have concerns when something is presented as authoritative - for example dramatised history - and people believe it to be the one true answer. That won't ever happen with SFF.
And finally, on the image of writing, I read two books a while back (wish I could remember the author's full name and title of the books) which were basically amusing autobiographies of this lady's life and times. In the second book she commented that once the first book was published, her image in the eyes of her family changed. Up until that point her opinion was not especially sought after. Once the book was published she turned into the oracle of family history - ask Lucy was the cry. She said she wasn't always sure she was getting things right, would have been perfectly happy to wrap in views from her relatives, but no, her version became the definitive version.
Maybe another problem with reading some science fiction, is that it is not immediately obvious who you should be siding with, or identifying with. (Whereas with the more formulaic end of fantasy it is too obvious.) Many people are worried, not stimulated, by shades of grey.