While poking around I thought I'd add an update.
Christopher Fowler: Hell Train & Nyctophobia
Two solid novels. Hell Train is a homage to Hammer Horror, the studio that brought us Christopher Lee as Dracula and Peter Cushing as Van Helsing, among other characters. This follows a script writer’s introduction to Hammer and the script he writes for them. The novel combines a young woman’s coming-of-age with travel adventure and a deal-with the devil.
Nyctophobia is an imaginative take on the haunted house story, merging a family story with a novel example of a haunted house. Designed so the front rooms are always in sunlight while the sun is out, Hyperion House has a peculiar effect on Callie and her new husband, Mateo. A trained, skilled architect out of work after the economic turndowns of the late Oughts, Callie finds Hyperion House charming and a challenge: Why was it designed just so?
Tananarive Due : Ghost Summer
One of my favorite recent collections. The title story, novella length, is one of the better recent ghost stories I’ve come across, written from the perspective of a young boy who comes to understand the history around the town where his grandparents live:
“I wasn’t gonna say anything to you kids – but there’s bodies buried over on that land across the street, out beyond Tobacco Road. McCormack’s land. They found an old burial site, the bones of people who lived ‘round here a hundred years ago. And not a cemetery neither – this has been McCormack land for generations. …”
It was the coolest thing Grandma had ever said.
– from “Ghost Summer”
The other stories in the collection include s.f., horror and a couple of less definable tales, all written deftly, often with humor and occasionally with a Twilight Zone feel.
Gemma Files: Experimental Film
Lois is a film buff, an expert in the experimental films of Canadian auteurs. She’s also the insecure mother of Clark who has Asperger’s Syndrome. To keep her own sanity she works reviewing films and is amazed to see incorporated in a recent filmmaker’s work clips from what might be the early work of the first Canadian woman filmmaker. Remember all those books in horror stories that you’re told not to read? Well, some films hold dangerous secrets, too. This is an exceptional horror novel since it isn’t just about the scares or the powerful forces at play, it’s about a woman with more on her plate than she can handle struggling to hold up under it and fighting against her self-doubt while buoyed to some degree by a loving husband and mother.
Paul Tremblay: A Head Full of Ghosts
An excellent horror novel, this is a complex work, pulling together strands of psychological manipulation, the possibility of possession, the dysfunction of a staggering marriage, the alliance of sisters, and the selling of a household’s traumas and terrors to an entertainment industry that says it wants to reflect reality while trying to mold the family’s actions to commercial needs. Merry at 23 looks back on her sister’s possession fifteen years earlier. Their father, unable to cope with Marjorie’s behavior tries the local priest; unable to afford help, he allows a film crew in hoping the money will contribute to curing Marjorie. The show is a hit, but the attention is devastating. Besides being a family drama, A Head Full of Ghosts is a satire on reality TV and the story of possession, in particular The Exorcist, the touchstone Tremblay refers to over and again.
LOVECRAFTIANA
Daryl Gregory: Harrison Squared
Follow up to We Are All Completely Fine, featuring one of that novella’s characters in events prior to the novella. Harrison’s father drowned when Harrison was three and his mother has tried to keep them afloat since. Literally, sometimes, since she’s a marine biologist. One mystery is why his mom brought them back to the town where his father died. Another is what is going on at the high school where Harrison is now enrolled? I think this was marketed as YA and the humor fits that genre, but it’s a testament to Gregory’s skill that the humor remains funny, the suspense he builds is legitimately suspenseful, and his engagement with the racism implicit in some of Lovecraft’s work both underplayed and effective.
Jonathan L. Howard: Carter & Lovecraft
Here a descendant of HPL and a private investigator descended from Randolph Carter – in this story a real person, not just a character in HPL’s stories – come up against a sort of cult. Again, this engages with HPL’s racism, a bit less obliquely than the Gregory and like the Gregory for most of its length fairly light-hearted. By the end, the implications of what has come before begin to grow darker. Late last year a sequel, After the End of the World, was published. I haven’t gotten to that one.
Victor LaValle: The Ballad of Black Tom
LaValle is another current writer wrestling with the legacy of Lovecraft; he’s the only one of these writers who is African-American. This keys off Lovecraft’s “The Horror at Red Hook,” (as does the Howard in a different way) one of his most blatantly racist stories and LaValle tackles the issue more directly than Gregory or Howard. I would call this more dark urban fantasy that straight-out horror, but whatever you call it, it’s worth reading.
John Langan: The Fisherman
Abe lost his wife, struggled with that for a long time, eventually straightening out to some degree though the therapy of fishing. He meets Dan after Dan has lost his wife. For a time fishing helps both of them, but then one day Dan wants to go to a certain spot, a spot Abe has heard of and which seems to be one of those where the fabric separating worlds has rubbed thin. And then he hears the legend of the Fisherman. This is a fine horror novel, one of the best I’ve read in the last 10-15 years.
Matt Ruff: Lovecraft Country
Arguably the most fully realized, well-rounded work here. In the 1950s a family finds it has connections to a wealthy, White Southern family, a family of wizards. That blood tie is needed by the latest generation of wizards to call up their gods. Naturally, their plans don’t quite work out. This one has an episodic feel, incorporating a haunted house and other horror tropes, not least of which slavery and the Jim Crow laws. If you were to read only one of the books listed here under Lovecraftiana this or the Langan would be my choices, the latter for its intensity, and this one for its expansive vision of life when traversing the slippery, dangerous landscape of Jim Crow.
Randy M.