April's Anticipated Ascent of Aspiringly Artful Words

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I have gone from the masterfully, different prose style of Vance to Labrava by Elmore Leonard.

So far a mid level Leonard and not the same quality writing,wit,characters you expect from his better books. Its a fun setting though in 1983 Miami, South Beach. Colorful and not as generic as Miami Vice type story.
 
Anyway, I have Off Armageddon Reef up next by David Weber...

Think you'll enjoy that one LS!

Last night I started Cordelia's Honor the Lois McMaster Bujold omnibus. Pretty fantastic thus far. I'm very happy to have found a new series to dig into.

I am just reading Ethan Of Athos, a bit of a spin off from the Vorkosigan books. I haven't read all of the Vorkosigan series yet but I have to say I found the initial books (essentially the omnibus you are reading) better than the last couple I read. I sadly found the situations, motivations and reactions of the characters a little unbelievable in them. Hopefully that will improve again as the series goes on; they were still enjoyable and I will be continuing with the series.

Have finished Stephen Baxter's Raft. This is my first book by him (hides face in shame) and I shall certainly be reading more. Whilst I felt it showed that it was his first book, with slightly cliched, cardboard characters, I understand that his characterisation does improve in the following books. But his science was good, his nebula environment was fascinating in the extreme and his storytelling was well paced. Definitely an author I will be returning to.

Also finished Philip Pullman's The Subtle Knife. I enjoyed this almost as much as the first but maybe not quite as much. I was a little uncomfortable (though possibly sympathetic) with the vilifying of religion that became really quite strong in this one. Also Lyra, the main character, came across somewhat younger than she did in the first book. I also thought it was a bit of an unforgivable cliff hanger ending; it felt more like the end of a chapter than a book. That said the storytelling, pacing, action etc. are all excellently handled.
 
Also finished Philip Pullman's The Subtle Knife. I enjoyed this almost as much as the first but maybe not quite as much. I was a little uncomfortable (though possibly sympathetic) with the vilifying of religion that became really quite strong in this one. Also Lyra, the main character, came across somewhat younger than she did in the first book. I also thought it was a bit of an unforgivable cliff hanger ending; it felt more like the end of a chapter than a book. That said the storytelling, pacing, action etc. are all excellently handled.

I'm glad you're still enjoying HDM, Vertigo! :)

As for me, I'm still reading the Glen Duncan novel, but I've almost finished. After that, it's either the scary-heavy Dance with Dragons, or Lee Evans' autobiography. I might read both.
 
Yup still enjoying them Mouse but, as said, a couple of grumbles with this one that I didn't really have with the first.
 
One of the things I like is they have a similar ambiguity to Perdido Street Station with elements of both fantasy and science fiction woven together quite cleverly.

Just finished Bujold's Ethan of Athos; an offshoot from the Vorkosigan books. An interesting and unusual book in some ways; it is good typical Bujold adventure but it also explores the unusual idea of a man coming into the outside 'normal' universe from a planet that has no women and all births are male and from 'artificial reproduction units'.

However there was one writing/editorial gaff that I had to share. This slightly unusual but otherwise unexceptional phrase appeared at one point:

...bored-looking young woman on duty eating little fried morsels of something from a bag.

Less than 20 pages later:
A Security person sat, feet up, eating little fried morsels of something from a bag and...

Am I being picky to feel that using a phrase like that twice so close together is just a little messy?
 
One of the things I like is they have a similar ambiguity to Perdido Street Station with elements of both fantasy and science fiction woven together quite cleverly.

Just finished Bujold's Ethan of Athos; an offshoot from the Vorkosigan books. An interesting and unusual book in some ways; it is good typical Bujold adventure but it also explores the unusual idea of a man coming into the outside 'normal' universe from a planet that has no women and all births are male and from 'artificial reproduction units'.

However there was one writing/editorial gaff that I had to share. This slightly unusual but otherwise unexceptional phrase appeared at one point:



Less than 20 pages later:


Am I being picky to feel that using a phrase like that twice so close together is just a little messy?

Not quite as powerful as Hemingway's Robert Jordan laying against the pine-needled floor of the forest in For Whom The Bell Tolls.
 
Started Flashman by George MacDonald Fraser. (It's a bit of a departure from what i normally read, but it's one of those books that i've been meaning to get into for some time, yet never got around to it.)
 
Just finished The Final Empire by Brandon Sanderson. Cracking read.

"Beneath this mask there is more than flesh. Beneath this mask there is an idea, Mr. Creedy, and ideas are bulletproof." V for Vendetta (2006).

The Final Empire is a heroic fantasy, set in an industrialised fantasy world, where the sky rains ash and the bad guy is firmly in charge. It focuses on two characters Vin and Kelsier, who together with their band of thieves plan the ultimate heist.

The world is very interesting with an extremely well developed and original magic system unlike any other I have come across. Faith plays quite a pivotal role in the story, and the various belief systems are deep and relevant.

I found Kel to be a very interesting character, on the face of it he is brash, cocky and seemingly insane, but as the story develops we see just how smart he is as he plans to overthrow the Final Empire.

Vin is easy to like, initially a shy, quiet girl trapped in a world of loneliness, we see her develop and grow throughout the book through the situations she finds herself in. Unassuming appearance, and often under-estimated we soon learn there is more to Vin than meets the eye.

A wonderful read, well worth checking out for any fan of the fantasy genre.

Onwards to Yellow Blue Tibia by Adam Roberts. Something a bit different I think...
 
Finished Arthur C. Clarke's A Fall of Moondust. I have two quibbles: there's a brief digression on the past regarding Australian aborigines that is irrelevant in the context of the book and broke the mood and a longer digression on saucer nuts that is both irrelevant and misplaced. Cut those elements and it would tighten the pace and streamline the story. but the other 200-some pages of the 215 page novel were damned near perfect. This should have beaten either of Stranger in a Strange Land (1961 copyright, like Fall) or The Man in the High Castle (what won, the year Fall was actually nominated). (And that's not to knock those works.) Prior to reading it and during much of it I was thinking this was an awfully thin story for a novel-length work and wondering how he'd pull it off but I was happy all but those two steps of the way and it worked.

A sort of tourist bus falls in a sort of sinkhole in the moon and various engineers spend a few days trying to rescue the 22 trapped passengers.

That's it.

But it was great! His moon is not our moon and his future is not our future (more's the pity) but it's an absolutely convincing and riveting tale of life and death struggle set against a not-quite-utopian but plausible and invitingly optimistic future. This was a blast to read now but not without a sense of loss for what hasn't come to be - on release it must have been read with unalloyed pleasure when it would have seemed like a future that had to happen. A lot of it can be read almost like a mystery and he presents scientific and engineering problems and solutions and lets the reader have time to figure them out for themselves. But, lest anyone be put off by what might sound like an abstract engineering puzzle, there's also an array of characters, from the likeable to unlikeable, sane and crazy, brave and timid. These are the people who are trying to do the saving and being saved, after all. Also, one of my few complaints about Clarke might be that his general style or more specifically his sense of humor (if present) can be a bit dry but this was a reasonably warm book with several bits of outright humor - there are a couple of pieces of embedded metafiction that are quite interesting (real Westerns and imaginary (I hope!) romances) and the "romance novel" concerning Isaac Newton was very funny. ("'Call me Ike,' said the sage huskily".)

Anyway - A Fall of Moondust is definitive "this is what I read it for" science fiction.

It's just really dismaying to me that it's likely my last new Clarke novel - or at least the last new Clarke novel I particularly looked forward to. I have a few stories to read from The Collected Stories of Arthur C. Clarke now that it's replaced my other collections but no more novels aside from the non-SF Glide Path, the YA Dolphin Island, and the late (in a range of lesser novels) and unappealingly "topical" The Ghost from the Grand Banks and The Hammer of God. But I guess it's okay - it's way past time to start in on re-reading Rendezvous with Rama and many more. ;)
 
I finally read Carmilla after having enjoyed Le Fanu's ghost,weird stories for few years. His prose in this story was finer than in his other stories, the way he build the supernatural,creepy mood was near perfect. Carmilla,Laura,the schloss(palace), the gothic country side etc was really well done. The kind of horror story, vampire horror i rate highly when its well written.

Carmilla was more of a freaky ruthless monster which is a nice surprise. I liked how naturally her being lesbian was written. She wanted to love her girls before she feeded on them. It could have been tamer,less important part of the story for a story written in 1872
 
I'm expecting to start Bernard Malamud's The Fixer before long. Anyone here read that? I don't know his writing at all well; aboutthe only thing I'm sure of is a short short story called "The Model."
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Have a number of nonfiction books going, including an 1887 one about Mt. Athos, the famous Eastern Orthodox monastic "nation" on a Greek peninsula. And I'm slowly rereading Tolkien's Adventures of Tom Bombadil, published 50 years ago this November (in England that is, US ed. was 1963). This is an underrated book, in my opinion.
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I have a copy of The Tolkien Reader which uses that same artwork (Pauline Baynes, yes?), but I've never seen a separate paperback edition of "The Adventures of Tom Bombadil"... which I agree is terribly underrated and even overlooked in most cases. It really does add some nice elements to the entire mythos of Middle-earth, as well as being a charming collection of verses in its own right....
 
I have a copy of The Tolkien Reader which uses that same artwork (Pauline Baynes, yes?), but I've never seen a separate paperback edition of "The Adventures of Tom Bombadil".

Yes, that's Pauline Baynes's work. The book pictured is a hardcover edition; I don't know of a paperbacking of just The Adventures.
 
Ah... it looked on first glance like a paperback.... Wonder if I could come across a copy of that for a reasonable price.....
 
Tryin' to tempt me there, Vertigo? Shame....:p At the moment, I don't think I'm going to be buying anything beyond necessities for a bit....:(

As I've said before, I'm tending toward reading things I'm familiar with, or are which are very short, given my limited time for reading period, let alone outside my research*; the latest is a reread of Ellison's first novel, Web of the City (which was also his first published book, originally as Rumble). As I grow older, I am of course more easily able to see the flaws... but the strengths continue to stand far above these and, for all the crudities here and there (largely marks of a young writer with his first novel), it is not at all a bad performance, and there are passages which are simply beautiful. It is, not surprisingly, a very stark and grim story, but by no means without either hope or compassion....
 
I've been dipping into the Cthulhu 2000 anthology at work recently. A surprising number of these stories are pretty good, capturing the spirit of Lovecraft without slavishly imitating his style or plotlines. TED Klein's Black Man With a Horn is one of the premier pieces of Lovecraftian literature ever written, and a classic in its own right. The horror is wonderfully introduced in bits and pieces (an old folk tale, a police report, a crackly audio interview, strange marks on the narrator's house...) the Lovecraftian element is subtly and naturally introduced, and the pacing is just compelling. The Barrens by F Paul Wilson is a rather good piece set in the Pine Barrens of New Jersey which weaves local folklore and Lovecraftian mythology into a rather seamless and well developed whole. Fat Face by Michael Shea is a very creepy take on what the Shoggoths might be like in an urban setting, again very well written with a fine eye for what makes for truly unsettling horror. Thomas Ligotti's The Last Feast of Harlequin is a nightmarish tale of clowns and their roles in society set in a small town reminiscent of something from Twin Peaks. It's a little too overtly Lovecraftian for my taste (Ligotti wrote better stuff later on in his career) but wonderfully eerie and written in that trademark poetic style.
 
Im multi tasking the little free time i have to read. Im re-reading The Continental OP collection by Hammett. Which is more impressive second read since i know now the writer best stories and weaker stories.

Im also reading a slim Collected Poems book by Chinua Achebe. I felt for poetry and thankfully his poetry language,prose is very fine,more stylised than his novel prose style. Quality poetry is much more effective than prose to me, a single line can say so much,so powerfully that would take many pages in a novel.

Also fun to read african fruits, culture elements you wouldnt see in poetry by a western author.
 
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