Interesting and relevant piece on the Today Programme on Radio 4 this morning. You can access the programme here
http://www.bbc.co.uk/radio/player/b01kblt9 (if I've got that right) the short (less than 10 minute) is about 2 hours 36 minutes into the 3 hour programme. It is, of course, on the back of the 50 Shades of Grey debate. It is also really quite funny they certainly have a few laughs.
Justin Webb is speaking to John Banville and Rachel Johnson. Banville has been praised for achieving good writing about sex in his latest novel, Ancient Light, and Rachel Johnson's book Shire Hell was the winner of the 'Bad Sex in Fiction Award' in 2008 (I never knew their was such a thing it is an award from the Literary Review
http://www.literaryreview.co.uk/badsex_11_08.html).
Some comments/highlights from the conversation:
Banville: Martin Amis is right when he says the act itself is impossible to write about. Simply impossible. I'm not quite sure why but it can't be done. I think it's because what people feel they are doing is so discontinuous with what they are actually doing. The spectacle of sex is never very dignified but when you are engaged in it it seems transcendentally sublime. And it is impossible to catch that.
Banville: A person who sets out to write an erotic book is writing with a particular purpose in mind which is to excite.
Johnson: The act is in itself indescribable. What Banville's book does is convey the authenticity of what two people are feeling and I think this is incredibly different from pornography which offers the spectacle of sex, whereas literary fiction really can convey the intimacy and gets inside the peoples heads rather than describing the actual physical callisthenics (I like that word use!) of the act. You have to differentiate between literary fiction which talks about sec in the context of the character and something like 50 Shades of Grey, which I haven't really read, which is really more of a sex aid... hailed as a way of avoiding marital bed death (great phrase that one!).
Banville: I'm never quite sure what 'bad sex' is. I'm not sure that I've ever had any bad sex; it's always seemed to me wonderful. I've always felt incredibly lucky that a woman will consent to engage with me in this extraordinary act. One doesn't setout to write about sex. Sex in a book arises from the situation, from the characters, from the plot. It's not something you set out to do; it would go wrong it wouldn't work.
Johnson: It's the attempt to render this sex on the page that can affront the reader... and the Bad Sex in Fiction prize was originated by Auberon Waugh (?) who said we don't need sex in novels. The insertion of a sex scene is almost always redundant and can ruin an otherwise quite sound book. However, I think you (Banville) have done it, but you argue that it's not really a sex scene and I agree. You have to let the reader do the work (?!!?) for a sex scene to work in a book and that's your genious with this book.
Banville: The point about the erotic is that it always tends towards love, it always tries to be more than just the physical. When you are finished in bed you are left with the person and you have to start trying to find out about that person. The erotic is not concentrated enough. This is why most erotic books are not true and they're not honest, except Story of O which I think is the most successful erotic book but that is because the woman has power.
Final comment from Johnson: ... because sex sells books.
Apologies for any bad bits of transcription. It is very difficult when the iplayer audio resolution is only down to about a minute so it's very difficult to skip back just a sentence or two to check!