Mermaid Brothel 837w (Caution: sexual content)

Status
Not open for further replies.

SciFrac

WIP me into shape!
Joined
Sep 28, 2012
Messages
549
Location
Dallas, TX
Dear Critters,
Against my better judgment, I’ve strapped myself into the flogging chair once more.

This is a concept I felt exploring, but haven’t determined the length. You’re reading Act 1: Scene 1 (incomplete). Does it hook? Word-by-word crits are always welcome, but not necessary. Mostly looking for general impressions and interest from both men and women. Also, I hope the sexual nature of this piece does not offend delicate ears.

Perhaps you’re wondering why a 35 yo man is writing about mermaid prostitutes? Excellent question, I look forward to your critique! :p

Draw blood.


==============

Only the richest brothel owners employed exotic mermaids. One private club, found along a forbidden coast, catered to the prurient excess of the affluent upper crust. Politicians, viceroy, titans of industry, the men of obscene wealth, all paid to indulge their sins among peers- a vulgar practice and unlawful custom at the time.

To those mermaids illegally employed, L‘Amour Noir offered a lavish butcher shop for tuxedoed pigs seeking wine, women, and foreign debauchery. Patrons paid a heavy price for the honor of squandering their fortunes, and pigs filled the theater nightly, awaiting execution.

Within the smoky decadence, lights dimmed and clients hushed at the music cue.

Merris began her seduction, seated high on a chandelier, and slowly unfolding herself from the red-velvet curtain. She flourished her fins, tail exposed, and the silver-haired pigs cooed, fishing payment from their wallets in anticipation.

The chandelier lowered from the polished copper ceiling toward a glass martini-pool below. Spotlights flaunted her descent through a chorus of rapacious hoots and whistles roaring up from the easy money. Once stopped, she eased off the chandelier and swirled into the salt water. Hello, gentlemen.

Her tail fluttered, teasing gold and jeweled treasure from men’s pockets. They gave wantonly, foaming at the mouth, begging for extra-marital courtesy with their seductress. And Merris delivered.

The arrogant windbags sat circled, stuffed into plush chairs around the pool. They cat-called and howled at the smooth curves teasing them just out of reach. One Fat Sack bellowed from a dark corner, his cigar lit orange, and she swam to his side to lubricate his pockets; weaving herself into a believable froth.

Out came his prize and he tucked it between her bare breasts. She tugged it loose, dropping it behind her. Men crouched beneath the glass martini and watched the bracelet flutter down, settling with her other donations. A promising night thus far.

Other meaty bank accounts soon fell prey to her charms as Merris made rounds to the regulars. They tipped gold coins over the martini rim, and her collection grew at a handsome pace. The sad bastards forfeited eagerly their trinkets to the fragrant object of their solicitation.

All, except one. He flicked an ice cube in her pool.

The men groaned and hushed again with baited breath. What would she do now? How would she react to this offense?

A coy smile.

She took the floating cube and lay on her back, mouth perched. She licked it, moaning, and traced it over her nipples, then sat upright to blow him a kiss. To finish, she crunched the ice between her teeth and swallowed, and the men roared to their feet, clapping. Giddy as naïve school boys.

The mezzanine levels cheered and clinked their drinks. A second man threw ice in the pool. Then another. Still more followed, and one hit her forehead. The water quickly chilled, and their incantations for “more maids!” sparked a commotion which quickly descended into an outright brawl. A “pig sty” in burlesque parlance.

Club security swarmed.

When guards rushed the floor, men groped and kicked, some climbing overboard into the martini with her. Merris dove to press the release button. The bottom portal sprang open, flushing her down the stem tunnel, dumping into a warm tank safely below stage.

She resurfaced with heavy lungs, staccato breath and panting, with fistfuls of golden donations; a fraction of her plunder.

Hyacinth, the attendant, rushed to her aid and inspected her for bruises, bringing bandages for minor scrapes. “My god, twice in one week. You’re building quite a reputation.”
Merris laughed it off. “Comes with the job.” She bent to collect the pile of gold doubloons glinting on the tank floor and tipped her a coin.

“You made a pretty killing,“ said Hyacinth. “Let’s pray you don’t get fired.”

A ridiculous notion. “Please, I make them too much money. Trust me.”

They exited the basement together through a duct to Merris’ dressing room in the adjoining cavern’ette, and began a costume change to meet their clients upstairs. Three more dancers entered distressed, nursing drinks and crowded her. “How awful! Aren’t you mortified?”

She scoffed. “Who cares? A few rowdy men. I’ve done this before. You get over it.”

“No. Didn’t you hear? A client drowned up there.”

What? The news met a collective gasp. That couldn’t be. She protested, “Impossible. I dropped out early this time.”

“But a man followed you. His neck caught in the shaft and the portal jammed. He’s still floating upside down right now!”

After a pause the girls raced up vertical tubes crowning the theater to view the corpse, but Merris stayed behind.

The horror twisted her organs into knots. They would start asking questions now. News would spread immediately, and they’d find her within weeks. All this hiding had finally caught up to her.

She paced near the vanity and counted her options fast slipping away, when a knock at her door triggered sheer panic. Outside, stood the man who'd flicked the ice. And he was smiling.
 
Mermaid erotica. Could be a new sensation (boom!boom!)

er two things: first, is she a mermaid? I wasn't sure if she was a girl in a suit. If she's a mermaid I have to confess the mechanics bother me.

Second, I think you miss a trick -- a big important trick -- by having the drowning off-stage. A hint that he's following her would make things much more dramatic -- maybe she can't stop the door shutting on him, that sort of thing.

I liked it, though. I must admit to skipping a little in the early parts with the pig metaphor -- though I really liked the beginning there was just a bit too much of it.

Also stuff like this: "begging for extra-marital courtesy with their seductress. And Merris delivered..." um -- what did she deliver? This is basically pole dancing as done by mermaid, right? Or is she actually touching them?
 
Yur, too many pigs: I thought because there were mermaids, there might actually be pigs, 'Animal Farm' style. This one tripped me up particularly:
Patrons paid a heavy price for the honor of squandering their fortunes, and pigs filled the theater nightly, awaiting execution
If his head got stuck, wouldn't that affect water flow? How could he drown? For the water to drop her so quickly into another tank, there had to be a space and then she talks to hyacinth, so surely his head is sticking down from the ceiling, in air? Choked, I could get, or suffocated with the portal cutting his air off...

Other than that, I enjoyed it, and I'd certainly want to read on...
 
Strangely I did this very entertaining, my attention was lost for moment, but not so much that I couldn't get back to what I was reading and I certainly would like to read more of her tales. Well done.
 
Hex: Not looking to make this too erotic, but I do like the setting. We'll see how far it goes. Yes, she's a real mermaid. The idea is that she comes out to present herself to the room, and then meets with men individually later. Only the one's she chooses, which is why they are trying to win her approval.

Boneman: Too many pigs. Got it. I can clarify that in several places, but maybe the pig thing is entirely too confusing? Should I spend more time describing the martini so readers understand what happened? I feel the mechanics may slow it down.

CTG: where did I lose your attention? Too many pigs again?

You each touched on the concerns I had. Thanks everyone. I appreciate the feedback.
 
It could be a new trend in the making. So long vampires, here come mermaids, who every teenage boy want to date!

The grammar itself seemed fine. But I had a problem with the PoV at first. It came across omniscient for the first half, and not until she fled down the tube did it get somewhat settled in her PoV - and even then it was quite distant. I think the scene would be much more powerful if actually shown from inside her head.

There was something confusing in the scene when she talked about her prize - which I think is the bracelet, but it could easily be misinterpreted as his... well you know. ;)

I had a problem with the dressing room. Why would a mermaid have one? Wouldn't water ruin any attempt at make-up or dress? it didn't make sense, and made me wonder if they weren't actually real mermaids but just woman wearing costumes.
 
I'm very confused by the first two paragraphs:

1. Mermaids, fine - but L'Amour Noir is unadulterated use of French language, so would expected it's use justified through reference to French culture - and suspect it will not;

2. Pigs? The place is described as like a butcher's shop for pigs, and that pigs filled the seats nightly waiting for execution. I am totally confused by this - you are describing a "death row" that looks like a brothel with mermaids in??
 
Warren- if there is any trend I think I'm on the trailing end of it. Things heated up over the past 2-3 years, but I think it's falling out of favor among publishers. Good insight about the "prize", I'll reconsider that. The dressing rooms are part of the larger burlesque setting I'm going for. The make-up is waterproof, and obviously clothing would be made from material other than cotton and silk. Still haven't committed to placing this in past century or far future.

Brian: Should I drop the name altogether?
I'm trying to put you in her mindset with the pig analogy. That's what the mermaids call their clients among themselves. To be "slaughtered" means to essentially lose all your money to the mermaids. No one actually comes here to die. Maybe the analogy is too confusing.

Thanks for your perspective guys!
 
The writing is good, with a strong narrative voice. I was almost expecting mint juleps to be served to me (please take that as the compliment it's meant as). I have to admit, I thought the intro could do with being trimmed. And, yes, a few too many little piggies, even though I got it was a reference to the customers. And I like pigs. :)

If the name of the club is L'Amour Noir, you might consider putting it in italics. A curious name, though.

The other thing I thought might work in italics is 'Hello, gentlemen', the last sentence of the fifth paragraph. It seemed to be a thought, or a narrator's comment, outside of the main narrative.

As to mermaids, definite potential.
 
It's strange, a bit creepy, and kind of entertaining! Mostly because of the excellent writing. I like the atmosphere, I find it unique.
 
Are these women in costumes or real mermaids. If real, how did she get to the door to answer it.

Very well written, but like everyone says, lose the pigs
 
You certainly know how to write a thread title to attract reviewers!

My points have already been made (too many pigs, the "prize", the opening omnisicient - unusual, but I can just about live with it). I don't think anyone said it, it's bated breath.

You balanced the sexual content well, a sort of clean naughty, just like burlesque, and I thought overall it was very good. Well-written, a good concept, and Merris's story looks like it's about to become intriguing.

Texas, here I come!
 
I won't repeat what has already been said, so I'll just add that, on the whole, I found this very well written, with just the right amount of erotic appeal. I might suggest a few more details that make it absolutely clear that these are genuine mermaids. (I have no problem with dressing rooms for them -- they would need to put on something designed to appeal to the clients, after all -- but perhaps something hinting at how their time in the air is limited, or whatever.)

On second thought, I will repeat something already said: Lose the pigs, definitely. I think you need something not quite so strong. I would imagine the mermaids employed here view their clients more as fools easily parted from their money than pigs to be slaughtered. I don't care for that image at all.
 
Boneman: Too many pigs. Got it. I can clarify that in several places, but maybe the pig thing is entirely too confusing? Should I spend more time describing the martini so readers understand what happened? I feel the mechanics may slow it down.

QUOTE]

I got the martini bit without thinking about it, which is good writing, because we can all make our interpretations... What I don't see, is this: if all the water drops out of the martini pool to a pool underneath, what water is left for the punter to drown in? It doesn't matter really - more of a nitpick, as I couldn't see it. Maybe a reference to how quickly they re-flood the martini pool, and the silly drunken sod who jumped in had water forced down his lungs under the pressure - the audience thought he was messing about. (?)
 
Abernovo: Thanks. Mint juleps may be a good addition! J Good ideas about the italics. Will amend.

Behsam: Thank you too. “Kind of entertaining.” Hmm. I’m hoping to be more entertaining. Revisions are on their way.

Joan: Real mermaids. That’s obviously a point I need to make more clear. As for the door, the world is pretty fascinating. Lots of canals and half water-filled rooms, tubes, slides, etc.

Alc: Haha. I hope no one is too put off by the whole thing. Bated! Rookie mistake, thanks for pointing that out. Wondering though, does “baited” add anything in this context? Like the “fishing” I used earlier?

CTG: I felt that too. More trimming to do.

Victoria: Good points about the “pigs”. Kinda makes them sound too cold as well. I will rethink how to present that idea. I like using deep metaphors that the reader has to interpret through the passage, but perhaps there is some better imagery available.

Boneman: I appreciate you comments. On the martini: I think of it like a vertical tunnel, wide enough for a human, but has a top and bottom portdoor so that either can open and the water stays within the tunnel. I see how “flushing” creates the wrong image. Essentially the water stays in the whole apparatus.

More edits ahead! Thank you everyone for the kind and insightful comments!
 
It's barely erotic at all - I put off looking at this lest I struggle for something constructive to say about a sex scene :)

It's just my opinion, but I thought the opening paragraphs had too many adjectives in them.

The 'pig' metaphor is a bit of a distraction as this isn't pigs lined up for the slaughter, just men ogling the marine equivalent of a pole-dance.
We are also given a whole lot of negative comments about the customers. Whose opinion is this? The mermaid's? Yours? Readers can assume by default that the customers are rich pervs. Why tell us how lousy they are without showing us?

When the scene changes to the dressing-room, I was suddenly left unsure whether these were real mermaid or actresses.

From a purely technical point of view, there seems to be a 'health and safety' problem here if anyone in the upper tank can be sucked down a funnel into another tank below.

When the man gets drowned, the tension (and my interest) suddenly ratched up by several notches.

"All this hiding had finally caught up to her." Hasn't she got the whole ocean to go hide in?

"She paced near the vanity and counted her options fast slipping away, when a knock at her door triggered sheer panic. Outside, stood the man who'd flicked the ice. And he was smiling." This reads to me like a water-free paragraph.

Overall, this isn't bad and it's a promising idea. Maybe it would work better if the client drowned in a back room during some ****, though?
 
A brilliant concept! But for me the start was too remote and a bit of an info dump. I wasn't very interested until the third paragraph.

I think the scene would be much more powerful if actually shown from inside her head.

Me too.
 
Geoff were you disappointed with the level of sex? ;) I'm reworking the intro to start in her head. Thanks for the input, you've touched on several shared ideas. I'll consider the drowning incident, there seems to be a split decision on the concept. Thinking... how would you raise the stakes earlier?

Prizzley, thanks! We'll see how the revision fares.
 
Last edited:
Status
Not open for further replies.

Similar threads


Back
Top