You can't read it, Connvar, without seeing Robson Green, he has the character spot on. Oh and yes, major social issues, pretty complex.
As a Swede i suck with reading scandinavian crime because there is no excotic,fresh side of reading bleak crime fiction set in places i know. I have it depressing enough with the gray,dark winters,rainy summers and terrible fall to read books in that setting
I like Chandler prose style, play with words but i dont like golden hearted PI hero type really. I like Marlowe, Spade but not nearly as much The OP type. That pioneer perfected the genre to me in 1920s. Shame it was not book series like Marlowe and co.
I have read Big Sleep and Farewell, My Lovely and i think the second is really good and stronger. I will read him out of respect for his prose style. I prefer more down to earth Lew Archer series or bleaker, more political The OP series. So i respect Chandler but we dont meet taste wise as reader and writer.
Speaking about PI heroes, have you read Nathan Heller series? Shamus awarding winning modern great by Max Allan Collins.
Conn, I sympathize, but can't believe you haven't read Stieg Larsson's Girl With The Dragon Tattoo series.
I have, Bick. Good books, if sometimes bleak. Mostly set in and around Edinburgh, though.Anyone read the Rebus books?
Conn, I sympathize, but can't believe you haven't read Stieg Larsson's Girl With The Dragon Tattoo series.
Looking over names mentioned so far, I might also suggest Tony Hillerman, Stephen Cannell, Stuart Woods and (for a few laughs) Janet Evanovich"s numbered series. Ignore the ones without numbers.
For historical mysteries - Falco books set in the Roman Empire. I couldn't initially get into the Silver Pigs (the first book) but once I'd listened to it on audio book (by chance while decorating) then I had a voice for Falco and they suddenly worked for me.
Daniel Woodrell for a little "Country Noir." Gritty novels set in the Ozarks, one of which is Winter's Bone. That was made into the movie that made Jennifer Lawrence a teenage acting sensation.
Kevin
I think Farewell, My Lovely is probably the second best Marlowe novel after The Long Goodbye, but they are all good. I see what you mean about the character type, though I think the Marlowe books are all about a man's mostly failed attempt to preserve a sense of ethics in a world rigged against ethical behavior. So in that sense, they are tragedies, and Marlowe's victories are small and mostly pyrrhic.
[...]
I like that summary but would round it off with a note about Chandler's use of humor: Chandler's early short stories for Blackmask are often self-satirizing, attending to the already petrifying conventions of the genre and mocking them, and that tone occasionally slides over into the novels (the novels were usually built on the framework of those stories). Besides being able to write funny lines (as I remember one, "She was a blonde. A blonde to make the Bishop kick out the stained-glass window"), in passages like the one in Farewell, My Lovely where Marlowe is trying to escape the insane asylum, Chandler ties the character's sense of humor to his self-preservation.
I think that is less true of The Long Goodbye, which I recall as not just a change in handling of his subject matter, but a tonal change, as well.
Randy M.
I'd have to say Chandler, above any other detective novels I've read. The prose is excellent, the characterisation great too. My favourite is Farewell My Lovely - I find that The Long Goodbye meanders a bit, although it's still a great book. But almost any randomly-selected page is entertaining. I wish I could write like that, and make it look that easy.
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