Rewriting; not redrafting.

I love redrafting. I know the characters, I know the story and the setting. It is when the story deepens and really takes shape.

It is when I begin to be pleased with it.
 
It's easy and good fun.

That's a relief to hear. The idea seems to me like it'd be fun -- taking the story in a new and better direction, and all -- so it's good to hear someone's tried it before and really enjoyed it. :)

I love redrafting. I know the characters, I know the story and the setting. It is when the story deepens and really takes shape.

It is when I begin to be pleased with it.

Very true -- I feel the same after each redraft of my own. After a while, though, I begin to wonder whether simply redrafting is enough. A few niggles and difficulties that nead more than a polish up, and will change the course of the story once they're dealt with. That's kind of what this one is. :eek:
 
Very true -- I feel the same after each redraft of my own. After a while, though, I begin to wonder whether simply redrafting is enough. A few niggles and difficulties that nead more than a polish up, and will change the course of the story once they're dealt with. That's kind of what this one is. :eek:

By redraft i mean bin previous draft and start from scratch. I write drafts until the story is very clean and doesn't need a lot of editing.
 
It's easy and good fun. It's how my debut Memory Seed was done (third re-write was the one they published).

It's also a terrific exercise in realising that your supposedly "perfect" and "unchangeable" novel can so easily be something else... draft 2 of Memory Seed had 50/50 men/women. The real book, draft 3, was an entirely female cast bar one male character.

I had actually (almost) sold the novel on draft 2, but by the time they got back to me I'd done draft 3... :rolleyes:

I'm courious Stephen. Was Memory Seed your first ever book (ignoring the fact it was re-written three times), or had you written books before this that were part of your learning curve?
 
Because I plan everything before I start, I've never had to do this. Most of what I want is there, but it's all about editing, adding, cutting etc.

EDIT: I don't think my novel is "perfect" or "unchangeable", as Stephen put it, it's constaly changing, and for the better, but I think the level of planning I do cuts out some of the need to start from scratch as I'm just filling in the gaps to what I've already come up with.
 

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