Openings

Jo Zebedee

Aliens vs Belfast.
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Okay, bored enough after all (it's wet, it's miserable and the kids were up to midnight and are tired.) Coming from the awesome, opening lines thread, let's see what agents are up against.... and whether the start matters when you've read a few.

Below are some openings of books (I've referenced them at the bottom). All are published, some are sff, some aren't (it was whatever I grabbed on my way to the computer). Read them, one after the other, without a break, and let me know which hooks you and why, and which didn't. Remember, these are all published.


1. Some years ago there was in the city of York a society of magicians. They met upon the third Wednesday of every month and read each other long, dull papers upon the history of English magic.

They were gentleman-magicians, which is to say they had never harmed any one by magic -- nor ever done the slightest good. In fact, to own the truth, not one of these magicians had ever cast the smallest spell, nor by magic caused one leaf to tremble upon a tree, made one mote of dust to alter its course or changed a single hair upon any one's head. But, with this minor reservation, they enjoyed a reputation as some of the wisest and most magical gentlemen in Yorkshire.



2. I have never been what you'd call a crying man.

My ex-wife said that my 'nonexistent emotional gradient' was the main reason she was leaving me (as if the guy she met in her AA meetings was beside the point). Christy said she supposed she could forgive me not crying at her father's funeral; I had only known him for six years and couldn't understand what a wonderful, giving man he had been (a Mustang convertible as a high school graduation present, for instance). But then, when I didn't cry at my own parents' funerals -- they died just two years apart, Dad of stomach cancer and Mom of a thunderclap heart attack while walking on a Florida beach -- she began to understand the nonexistent gradient thing. I 'was unable to feel my feelings' in AA-speak.



3. It's nothing. An injectable. A prick. No hospital involved. Like a booster shot with added boost.

Just keep telling yourself.

The corporate line shushes through the tunnels on a skin of seawater, overflow from the tide drives put to practical use in the clanking watery bowels of Cape Town -- like all the effluent in this city. Like me. Art school dropout reinvented as shiny brand ambassador. Sponsor baby. Ghost girl.



4. Nyx sold her womb somewhere between Punjai and Faleen, on the edge of the desert.

Drunk, but no longer bleeding, she pushed into a smoky cantina just after dark and ordered a pinch of morphine and a whiskey chaser. She bet all of her money on a boxer named Jaks, and lost it two rounds later when Jaks hit the floor like an antique harem girl.



5. The tall and dour non-com wore Imperial dress greens and carried his communications panel like a field marshall's baton. He slapped it absently against his thigh and raked the group of young men before him with a gaze of dry contempt. Challenging.



6. That year at Christmas time, every morning dawned laced with frost under leaden skies. A bluish hue tinged the city and people walked by, wrapped up to their ears and drawing lines of vapour with their breath in the cold air. Very few stopped to gaze at the shop window of Sempere & Sones; fewer still ventured inside to ask for that lost book that had been waiting for them all their lives an whose sale, poetic fancies aside, would have contibuted to shoring up the bookshop's ailing finances.

"I think today will be the day. Today our luck will change," I proclaimed on the wings of the first coffee of the day, pure optimism in a liquid state.



7. I wish I had a boyfriend. I wish he lived in the wardrobe on a coat hanger. Whenever I wanted, I could get him out and he'd look at me the way boys do in films, as if I'm beautiful. He wouldn't speak much, but he'd be breathing hard as he took off his leather jacket and unbuckled his jeans. He'd wear white pants and he'd be so gorgeous I'd almost faint. He'd take my clothes off too. He'd whisper, "Tessa, I love you. I really bloody love you. You're beautiful" -- exactly those words -- as he undressed me.




8. The Phurnacite factory in Abercwmboi killed all the trees for two miles around. We'd measured it on the mileometer. It looked like something from the depths of hell, black and looming with chimneys of flame, reflected in a dark pool that killed any bird or animal that drank from it. The smell was beyond description. We always wound up the car windows as tight as tight when we had to pass it, and tried to hold our breath, but Grampar said nobody could hold their breath that long, and he was right. There was sulphur in that smell, which was a hell chemical as everyone knew, and other, worse things, hot unnameable metals and rotten eggs.



9. Perhaps I should start this story with my escape across the border in the company of a beautiful woman? Or I could begin with the image of myself picking up pieces of human flesh in a small room in a Greek taverna, retching and gagging as I wrapped them in a shirt and stuffed it in my suitcase. (That was a turning point. There's no doubt about that.) Or, then again, it might be better to begin with something more spectacular, more panoramic: the Machine itself perhaps, the robot Messiah, preaching in Tirana to the faithful, tens of thousands of them clutching at its every word?


1. Jonathon Strange and Mr Norrell, Susanna Clarke

2. 11.22.63, Stephen King.

3. Moxyland, Lauren Buerkes.

4. God's War, Kameron Hurley.

5. The Warrior's Apprentice, Lois McMaster Bujold.

6. The Prisoner of Heaven, Carlos Ruiz Zafon

7. Before I Die, Jenny Downham

8. Among Others, Jo Walton.

9.The Holy Machine, Chris Beckett.


I'm out of time, but hopefully that's enough to get the picture. One after another, it becomes hard to keep concentrating and they need to really grab you to keep at it. For what it's worth, 5, 6 and 7 did what was needed for me and I kept reading, the others I gave them all a few pages more -- or one of them 120 pages more -- before I gave up on the book.
 
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I think my current mental state might approximate that of a frazzled agent, so here's my take.

1: yes. I recognised it anyway, but it really hooked me. Which might seem paradoxical, because it describes people doing something the narrator considers dull. I guess the potential subject matter appeals to me, but what I most like about it is that the author seems almost not to care whether she hooks me or not. It smacks of supreme confidence, and that makes me think it'll be worth reading. (Which it was.)

2,3,4: no. I generally dislike one-sentence paragraphs at the start of books; they scream "please find me interesting!". In addition, the second paras of 2 and 3 were too hard to make sense of quickly.

5: no. Bleah.

6: yes, with reservations. Nice writing; I'd see where it went.

7: god, no.

8: ooh, yes. I love Phurnacite and everything connected with it. (Seriously, I think it was the childhood memories evoked by this name, and the Welsh placename, that actually hooked me when I first read this book.) And the writing is straightforward but good. Again, it seems confident and there's no obvious bid for attention.

9: no. Too-obvious attempt at grabbing my interest, plus confusing. Borer?
 
1. Yes. After reading this, I downloaded a sample.

2. No. It reads like what I call "self-pity genre", although seeing the author's name, I guess it is not.

3. No.

4. Yes, with reservations. It is definitely a hook, but it sounds bleak, and that does not appeal.

5. Maybe. I have read and enjoyed the book, but on this reading of the paragraph the combination of dry contempt and challenge doesn't ring true to me. The first is a cold emotion, and the second is hot.

6. Another maybe. I don't hate it, but the rest of the chapter would need to draw me in.

7. I'm not the target reader.

8. Probably not.

9. Definitely not.
 
No to all of them. I couldn't even finish reading them to the end. Number six was particularly dire and I stopped reading after 'bluish hue tinged'. No.
 
1. No, not at all hooky.

2. Another no. I hate it when authors go to great efforts to immediately make a character unlikeable in a very obvious manner, and the girlfriend falls in that category.

3. Not hooky, but some of the prose appealed.

4. Maybe. I'd keep reading a little longer.

5. Another maybe.

6. Trying too hard to sound pretty. Subject matter didn't intrigue. No.

7. Oh good God, no!

8. Yes, I liked this one.

9. Mixed feelings. Another maybe.
 
I have a bit more time now, so my impressions of each at the time.

1. I didn't much like it, but the book was reccommended and I plodded on for a while, but my first impressions were right, and it wasn't for me.

2. I quite liked this, typical character interaction from King. The book, though, I couldn't warm to and set back.

3. I can't take to her at all, but I did like the voicy-ness of it. It didn't encourage me to read on.

4. This hooked me, more for the concept, but I didn't find the book to my taste in the end.

5. I was reasonably intrigued by the scene set and liked the nice, straightforward writing.

6. I loved this and had the book in my trolley by the end of the first paragraph. But I like Zafon very much.

7. I liked the voice in this, and the freshness. It was also buy 5 for a pound at a fair, and I'd chosen the other 4. I ended up liking the book very much, despite it being far from my usual fair.

8. I've had this recommended by so many people as right up my street, but I didn't take to the voice at all and have given up twice. Mr Springs has enjoyed it lots, though, so it wasn't a wasted purchase.

9. I read on, reasonably intrigued, but didn't finish the book. His opening to Dark Eden is much better.
 
I've just finished reading the Stephen King one, #2, and I have to say that opening is not really a great start for the book. I'm not sure what he was thinking, there.

#1 definitely sounds interesting and I'll have to check it out, and (oddly enough) #7 intrigues me as well. :D Possibly because a boyfriend of that sort wouldn't be a bad idea. Ha.

I also like the looks of #6 and would like to see more.

Strangely, I didn't recognize #5, though "Imperial dress greens" should have rung a bell. I don't have the series in individuals, but in collections, so that falls somewhere in the middle of one of mine rather than the beginning.

The rest, I might read a bit more and I might not.
 
I was eating dinner before I had to head out earlier, so here are my proper answers. I'll highlight where I stopped and why.

1. Some years ago there was in the city of York a society of magicians. They met upon the third Wednesday of every month and read each other long, dull papers upon the history of English magic.

Stopped reading here. 'Dull papers upon the history of English magic?' Yawn. Also, I'm not in the mood for magicians.

2. I have never been what you'd call a crying man.

I only read this before I rolled my eyes and moved on.

3. It's nothing. An injectable. A prick. No hospital involved. Like a booster shot with added boost.

Just keep telling yourself.

Read up to here, but, skimmed over the rest as I couldn't work out whether I liked it or not. I decided I didn't like the choppiness.

4. Nyx sold her womb somewhere between Punjai and Faleen

Stopped there. Would've stopped at 'womb' to be honest. Sounds disgusting, really not my thing at all.

5. The tall and dour non-com wore Imperial dress greens and carried his communications panel like a field marshall's baton.

Stopped here. Don't like 'dour non-com' and 'Imperial dress' makes it sound like a story I'd have no interest in.

6. That year at Christmas time, every morning dawned laced with frost under leaden skies. A bluish hue tinged

Stopped here and skimmed the rest. I detest this style of writing. It's trying too hard and pretty much makes no sense. So what's happening? It's a frosty Christmas morning? Then say that. Hate it.

7. I wish I had a boyfriend.

Stopped at this point. Sounds like a childish chick-lit that I'd hate.

8. The Phurnacite factory in Abercwmboi killed all the trees for two miles around.

Stopped here because of the words 'Phurnacite' and 'Abercwmboi.'

9. Perhaps I should start this story with my escape across the border in the company of a beautiful woman?

Stopped here because I don't like the sound of 'beautiful woman.' It makes me think the MC's gonna be a douchebag.

So there you go. I'm probably worse than agents/publishers and would make a terrible slush reader. I have no patience for things that don't interest me.
 
6: yes, with reservations. Nice writing

I detest this style of writing.

8: ooh, yes. I love Phurnacite and everything connected with it. (Seriously, I think it was the childhood memories evoked by this name, and the Welsh placename, that actually hooked me when I first read this book.)

Stopped here because of the words 'Phurnacite' and 'Abercwmboi.'

Hey, we could be the Odd Couple of small British mammals!
 
None of these interested me at all in the small sampling, but I have always said that what I do is read a full chapter before giving up. I think if I pulled a sample of ten off my shelf I'd find that they don't hit the spot from the first line.

But maybe I'd surprise myself.
 
1) Quite intriguing and odd, I'd read on
2) Doesn't spark any interest for me
3) Quite brash, if it continued in that fashion I'd probably stop by the end of the page
4) I like. It has a certain Chuck Palahniuk quality to it :)
5) zzz
6) I'd read on, but it doesn't sound like a book that would hook me
7) Not for me, but I can see the appeal in the approach
8) The what factory in where? I have a real dislike of rapid introduction of odd terms and that place, if it's real, sounds too much like Abercrombie
9) The start of it doesn't grip me, but the end of the paragraph makes the book seem a little more interesting
 
1. I like this quite a bit; it has a great storytelling feel to it. I'd say I would continue reading, but I guessed the book correctly and know I'll never read it because I've got stuff to do and wow is that book ever long!

2. I read through, and in terms of content, I'd read on, but the punctuation choices (particularly the parenthesis) were frustrating.

3. I like the first paragraph, disliked the second, and felt the third required a bit too much deciphering on the part of the reader (and I'm all for active reading). In a store, I'd have put it back.

4. Um. This is pretty close to my own style, so, brilliant? :D

5. I made it through, but the writing isn't to my taste, and I don't know how much longer I'd read on. The adverb/adjective to subject/verb ratio is way out of whack for me.

6. Ugh. The premise I find hooky enough, but I have to think this guy's translator has rendered him a great disservice. (I can only hope that the awful flowery bits are transliterations of prose that was beautiful in the original Spanish.) Would not continue.

7. I'd say it's probably a very effective start if it's a chick-lit story. I liked it. Of course, I'd prolly never have come across it on my own.


8. Yes. Pulled me right in. I don't know what sort of place has a name like Abercwmboi, but the rest of it was beautifully written.


9. Hm. I think here being a writer is getting in the way for me. If I were reading less critically, I may not feel the broadside of hooks was so calculated, but I do. Nice technique.
 
Oooh fun.

Okay:

1 -- yes! I recognised it anyway but it made me laugh and I wanted to read on.

2 -- nope. My eyes glazed over with the second paragraph (and I wasn't convinced by the first line either).

3 -- I thought I would like but it was kind of frenetic and I'm not in the mood right now.

4 -- yesyesyes. I love it. I love this voice and the humour (it is humour, right?) (EDIT: though actually the title would probably have meant I didn't touch the book with a bargepole).

5 -- not enough to decide, but it didn't grab me. I thought it was kind of dull and cliched (and she's one of my favourite authors -- but for the fantasy, and in fact her openers are rarely stellar -- though Curse of Chalion was, as far as I remember. EDIT: actually it wasn't. It's landscape description and I nearly gave up on it too).

6 -- nope. Too much blah before anyone does anything interesting, and the writing didn't grab me enough for me to forgive it.

7 -- maybe, if I felt like reading insane YA. She's unhinged, though, and a bit frantic.I thought the idea was funny but also that it went on a bit.

8 -- can't get away from having read this quite recently. I read on.

9 -- Yes. I liked this. Very tall tales and adventuresome.
 
"Read them, one after the other, without a break, and let me know which hooks you and why, and which didn't. Remember, these are all published."

Okay, here goes...

1. Not at all. Pure narrative summary rather than an actual scene. Mildly interesting and slightly humorous, but not engaging enough to read further.

2. Same.

3. A bit more, yes. It's a bit more engaging than the other because it sets up a mystery. What's injectable? The last two bits: "Sponsor baby. Ghost girl." Make me want to find out what this is all about. Something injected that wiped away the art school dropout? That turned her into a "shiny brand ambassador"? And the language is more engaging. Flows better. Voice.

4. Can't help but think of Hunter Thompson when I see the line "on the edge of the desert". It's the opening line of Fear and Loathing in Las Vegas. "We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold." It's not a comparison any author wants to knowingly make, they will only fail to live up to Thompson. Is that necessarily what the author meant to do, no. Does that change my initial reaction in the slightest, no.

5. A bit more interesting as it's overtly SF from the start. The bit "communications panel like a field marshall's baton" made me more confused than hooked. A panel is a long flat console with controls on it, a baton is a small, handheld cylinder up to a few feet long.

6. At least it's a scene. But it's not engaging or hooky. Just kinda sits there.

7. Intriguing, sure. I'd want to read another paragraph or two to find out what's her mental state like. But not "oh, hell, I must read this now."

8. Two miles around, mileometer? I want to hear more about the plant because the description sets up an interesting mood, setting. But not enough to be properly hooked as in absolutely must read on. At first I thought "Phurnacite" and "Abercwmboi" were both smeerps, so I was instantly turned off, till I googled them.

9. I'm really not a fan of these style openings. It's the author trying to hook the reader by sprinkling a few different possibilities in front of the reader and hoping that one of them will catch enough that if s/he doesn't continue with that scene that the reader will keep on because what sounded good to them is coming. Pick one, open with it. This is trying too hard to be hooky.

For what it's worth.
 

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