2DaveWixon
Shocked and Appalled!
That's a particularly good one - not sure why I didn't cite him. But I'm wondering why he is neglected (rural, pastoral stuff is passe?). This is one of the first Grand Masters, author of the famous, classic, award-winning Way Station and the huge, famous (if maybe critically overrated) City and a guy who was publishing and winning awards right through the 80s along with Asimov, Clarke, and Heinlein (though, granted, perhaps without as much commercial success even then, but ACH set high best-selling bars for that). And he really does seem to have disappeared from the shelves, new and used[1] and may not be talked about so much, either. Have any opinions on why that happened?
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[1] I think one or two are in the SF Masterworks thing, though - ironic that he's probably printed more in the UK than the US.
OK, I'll take some of the blame for Cliff's works being largely unavailable for a couple of decades. Let me explain...
While in part that phenomenon was a function of the market, and particularly of publishing decisions, reader preferences, and the tax code, in part it was the result of a conscious decision by the Simak Estate (which I have the honor to represent). Specifically, I purposely sat on the rights to Cliff's stories, except for occasionally authorizing a particularly good-looking deal.
I did so because the inability to find some of Cliff's work had been going on even before he died; and I decided, early on after being appointed to run his Estate, that since there were only a couple of his titles that publishers really seemed interested in, I would concentrate on recovering the publishing rights to all of his stories -- and then use publishers' desires to get the most popular of the novels onto their lists to, more or less, coerce them into publishing the lesser-known works. (extortion in a good cause?)
Aided in part by what appears to have been an increased interest in Cliff's works, which might have been led by the rise of e-publishing (which made it less expensive for publishers to "print" books), I have to say it appears to have been working -- in fact, even better than I had hoped (although it took longer than I thought it would to get here).
And it helps that I have found a couple of editors (Malcolm Edwards at Orion in the UK and Betsy Mitchell at Open Road Media here in the US) who were willing, even eager, to take part in a republication program. I am immensely grateful to them and their companies.
And since you wrote the words I quoted above, I trust you have noted that Cliff's works are much more available here in the U.S. than they were when you wrote...? There is still a distance to be traveled, but I'm vastly heartened by the events of the past couple of years...
And in part, too, that results from the interest and the memories of people like you. Thank you.
Dave Wixon