Re: A Voyage to Arcturus and Eddison. I think they are forgotten because they are bloody awful. Historically important maybe but dreadful writers.
Well, no, they're not. They may not be at all to your taste (which is certainly fine; it would be dull if everyone's taste were the same, or even approximately so) but "dreadful writers" simply doesn't fit. Lindsay has some awful flaws, true; but the book itself remains a magnificent bit of imaginative art which still continues to provoke a wide range of responses to this day, and continues to see periodic reprinting as a result. Eddison, on the other hand, had some odd quirks with his archaic style, but overall it was one of the most effective and often musical to be used in modern times, and its admirers include some of the most widely read and influential writers in fantasy. Nor, I think, would those books have worked at all well had they not been written in that style... one harking back to the days of Sir Thomas Browne (another writer still greatly admired by no few of the literary world's canonical writers), and done by someone who knew how to do it right.
Dale: A fair number of younger readers I'm aware of know Beagle, at least through
The Last Unicorn; my daughter has always been a big fan of his. She was also, by the age of 12, familiar with Dunsany, MacDonald's fairy tales (which she quite liked), and absolutely loved White's Arthurian books... though (like her dad) she preferred the original version of
The Sword in the Stone to that in
The Once and Future King....
Victoria: Malzberg should definitely be in there, yes; and Lafferty (though I still run into people who read his works, or are only recently discovering them).
BAYLOR: Burrage and Kersh --
definitely!
I would also like to add James Branch Cabell to the list. While his work is still read to some extent, it is not nearly as well known as it should be; and even those who do know of him and his work generally only know
Jurgen, or perhaps
Figures of Earth or
The Silver Stallion... all well worth reading (though Jurgen is less to my taste than several others), but hardly representative of either the depth or the range of the man's work, save by a very close reading. Even within the limits of the long Biography of the Life of Manuel, the works range from farce to tragedy to the type of Romantic literature which made that term an honorable one (e.g.,
Domnei, or several of the short works in
The Line of Love, etc.). Plus, the man simply had one of the most exquisite styles in modern literature, and his work can be revisited again and again without diminishment....