October - Horror Month (2014)

Fried Egg

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http://www.sffchronicles.com/threads/542441/Once again I'm thinking about devoting next month's reading to horror.

Up this time are most likely:

"The Drowning Girl" by Caitlín R. Kiernan
"Annihilation" by Jeff VanderMeer
"The Cormorant" by Stephen Gregory
"The Fungal Stain And Other Dreams" by W. H. Pugmire

All relatively modern which is unusual for me...

Anyone else planning anything similar?
 
Was actually thinking about this yesterday. Haven't made any concrete decisions yet but am giving it serious thought.
 
Reanimators by Pete Rawlik . The book is a sequel to H P Lovecraft's Herbert West Reanimator
 
Oh, here are pictures of my line up:

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I think it's fair to say the novel I'm reading, Motherless Child by Glen Hirshberg, is already October/Halloween reading. Next up, I think, Haunted Castles by Ray Russell.

In October I'll probably read Dark Sister by Graham Joyce -- I've been meaning to for a long time and with his recent death it seems unfortunately timely -- and finish Laird Barron's The Imago Sequence collection. After that, if there's time, maybe I'll dip into Tales of Witchcraft ed. by Richard Dalby or read further in Joseph Payne Brennan's Stories of Darkness and Dread, although I think these stories are probably more entertaining doled out a couple at a time.

Baylor: I'll be interested in hearing what you have to say about Reanimators.


Randy M.
 
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Solid novel. "Motherless Child" comes from an old spiritual, "Sometimes I feel like a motherless child, ..." The novel takes place in the south and has some of the feel of story-telling from there, and at times feels a bit more like Bradbury. The writing is terrific.

Now reading,

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The first story, "Sardonicus," is better than I remembered, so now I'm on to the other stories. I haven't read any of those before.


Randy M.
 
Started early, Doctor Sleep by Stephen King last night, excellent so far and been a loooooong time since I last picked up a King book
 
Well, Jeff VanderMeer's "Annihilation" was very good so a great start too October's reading. Now I'm dipping into Pugmire's "Fungal Stain", will read a few stories before going onto another novel.
 
Finished THE OTHER SIDE, now starting this:

Hope it's better than his disappointing DARK FORCES.
 
Just to note, I finished Ray Russell's Haunted Castles. If you like Poe and Hawthorne, or other early Gothic stories, and maybe especially if you like early Hammer Studios movies and the Roger Corman/American International/Vincent Price movies based loosely on Edgar Allan Poe stories, this is the collection for you. It would be perfect for curling up with on Halloween.

Randy M.
 
Never got around to reading Frights, though I still think I have a copy somewhere. Some of the things in Dark Forces were quite good (the Klein, for example); but horror was very uneven at that period. We seem to have a larger number of writers in that field now that are interested in truly good writing which is weird-oriented rather than "shockers" per se.

My own October reading will commence once I get through the final volume of Cabell's "Biography of the Life of Manuel", and will include:

Adept's Gambit, by Fritz Leiber (original version -- this is, apparently, the first publication of this version)
The Revenant of Rebecca Pascal, by David Barker & W. H. Pugmire
The New Annotated H. P. Lovecraft, ed. & with notes by Leslie Klinger
 
I've never been a horror fan because I'm too squeamish. But within the last few months I've read a lot of Poe and Lovecraft, so I'm working my way up. ;)

When I finish what I'm on now, I'm going to read "Something Wicked This Way Comes" by Ray Bradbury. It seems quite appropriate for the month of October.
 
Thirded. And I'd suggest, if you can, getting your hands on a copy of his Dark Carnival as well....
 
Finished "The Drowned Girl" by Caitlín R. Kiernan

I wanted to like this more than I ended up doing because it looked very much as if it had all the hallmarks that normally float my boat. I'm fascinated by mental illness and like when it is incorporated into horror stories as a way of introducing ambiguity and increasing the unreliability of the narrator. But there were various aspects to the way the story was delivered that jarred with me a little.

The narrative is framed as an account of the protagonist relating her recently past haunting/mental breakdown and how it affected her and her relationships. Naturally one would expect such an account to be fragmentary and disjointed but it began to get wearing the extent to which the narrator would agonise over the verisimilitude of her account, especially when this repeatedly interrupts the flow, often an very inopportune moments.

In the end, I couldn't help feeling that the whole idea was somewhat over baked. It kept building up a big mystery and the expectation that there was going to be some kind of big surprise revelation by the end and it felt a little anti-climatic.

Apparently the author has also written some erotic fiction (which I haven't read) and it shows here as there were several very sexually explicit scenes that just felt a little gratuitous to me.

In the afterword the author describes how difficult this book was for her to write and, in some ways, it is also quite a difficult book to read. Some times it felt almost as agonising as it was supposed to feel for the narrator to relate her story. But it was certainly an interesting and engaging read despite these faults that I will accept may just reflect my own personal tastes more than anything else.
 
Finished "The Drowned Girl" by Caitlín R. Kiernan

I wanted to like this more than I ended up doing because it looked very much as if it had all the hallmarks that normally float my boat. I'm fascinated by mental illness and like when it is incorporated into horror stories as a way of introducing ambiguity and increasing the unreliability of the narrator. But there were various aspects to the way the story was delivered that jarred with me a little.

The narrative is framed as an account of the protagonist relating her recently past haunting/mental breakdown and how it affected her and her relationships. Naturally one would expect such an account to be fragmentary and disjointed but it began to get wearing the extent to which the narrator would agonise over the verisimilitude of her account, especially when this repeatedly interrupts the flow, often an very inopportune moments.

In the end, I couldn't help feeling that the whole idea was somewhat over baked. It kept building up a big mystery and the expectation that there was going to be some kind of big surprise revelation by the end and it felt a little anti-climatic.

Apparently the author has also written some erotic fiction (which I haven't read) and it shows here as there were several very sexually explicit scenes that just felt a little gratuitous to me.

In the afterword the author describes how difficult this book was for her to write and, in some ways, it is also quite a difficult book to read. Some times it felt almost as agonising as it was supposed to feel for the narrator to relate her story. But it was certainly an interesting and engaging read despite these faults that I will accept may just reflect my own personal tastes more than anything else.


I wasn't quite as taken with this one as I was with The Red Tree, but I suspect that reading the two together would be quite interesting. In some ways, I think they resonate off each other. I expect I'll put that to the test in a year or two, after I've gained some more distance from my first readings.


Randy M.
 
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