October - Horror Month (2014)

I've been dipping in and out of the collection "The Fungal Stain and other Dreams" but the story that's most stood out for me so far is "Some Darker Star". I really got into the flow with that one. And although Wilum says that he writes unabashed Lovecraftian fiction it seems to me that there are many other influences in his work. Besides the obvious connections with "The Dunwich Horror", this story seemed to have many references (both explicit and stylistic) to Robert Chamber's "The King in Yellow". As well as Clark Ashton Smith, I wonder what other authors have been a big influence on his writing...
 
As well as Clark Ashton Smith, I wonder what other authors have been a big influence on his writing...

Henry James, Oscar Wilde, the French Decadents.....

And speaking of Lovecraft... I've begun, as part of my October reading, The New Annotated H. P. Lovecraft, selected and with notes by Leslie Klinger (introduction by Alan Moore). I've noted a few minor problems here and there, but in the main it's a perfect volume for this month's theme, as the foreword, for instance, places HPL in context in the history of the horror/weird tale, while the texts and notes (complete with the original artwork for the stories from the pulps, etc.) make the stories themselves almost a new experience....
 
Finished "The Cormorant" by Stephen Gregory

This book makes for somewhat grim reading and in the end I wasn't quite sure who to feel sorry for.

A young family who have just had a child move to a small Welsh village after inheriting a house from a distant relative but it comes with a strange clause on it; they must also care for a rescued Cormorant that their benefactor cared for until he died. As a consequence, their dreams of an idyllic rural retreat turn into a hellish nightmare as they struggle to accommodate this strange bird into their lives.

The Cormorant itself makes a fantastic and shocking entrance to the story, stalking from its crate and sending streaming arcs of faeces onto their furniture as they foolishly open its container in their living room. Its arrogant pride, violent temper and vile appearance paints a vivid picture in the mind of the reader.

The Cormorant seems to affect each member of the family in different ways. The child becomes enamoured with it, irresistibly drawn to it on every occasion. The mother detests the very sight of it and won't go near it while the father gradually forms a bond of grudging mutual respect.

But there seems to be something else going on, the ghost of their dead relative appears to haunt them, manifesting in ghostly visits and a seemingly possessing like effect on the young child.

In the end one feels quite a strong sympathy for the bird that has really done nothing wrong, only acting according to its nature and could never be properly domesticated. By the end there is no clear source of villainy or evil yet horrific and evil things happen nonetheless.

A clever, well told gripping story that is also grim and often deeply unsettling. An impressive début novel and I'll definitely read more of this author's work.
 
Finished "The Cormorant" by Stephen Gregory
[...]
In the end one feels quite a strong sympathy for the bird that has really done nothing wrong, only acting according to its nature and could never be properly domesticated. By the end there is no clear source of villainy or evil yet horrific and evil things happen nonetheless.

A clever, well told gripping story that is also grim and often deeply unsettling. An impressive début novel and I'll definitely read more of this author's work.

Fried Egg, I think you sum this up better than I ever have when I've tried. In older vernacular, it's a downer so I can't say I liked the book, but I remember it and its effect on me better than I do some books I enjoyed while reading.

For what it's worth, I've also read Gregory's The Perils and Dangers of This Night, which is similarly grueling; at another website I wrote this about ...Perils...:

Foxwood Manor, an English boarding school for boys, smothered in snow over the Christmas holidays, houses only one student, Alan Scott, the head master, Dr. Kemp and his wife, and two unexpected and unwelcome guests, Martin Pryce, a former student, and his girlfriend, Sophie. Pryce has a grudge with the head master and days of being snowed in together bring the grudge to the fore.

I read Gregory's first novel, The Cormorant, a psychological thriller with supernatural overtones, and this book could be described similarly: Foxwood Manor has more to it of the Overlook Hotel, than of Hogwarts. In both books birds, specifically of the crow family, play the part of harbingers, and what they and Alan's dreams presage is a week of psychological gamesmanship and brutal vengence. In the course of the novel, though, Alan grows up a little, having to face the fears and sense of helplessness he acquired the summer before when his father died.

Anyone looking for jolly holiday reading will want to skip this. It's intense and violent. While well-written and engaging, I wasn't as taken with it as I was The Cormorant, and I'm not entirely sure why. Saying that, though, it occurs to me I wasn't all that taken with TC when I first read it, it was only after time that it grew on me. If it means anything, I have two more of Gregory's novels at home and have every intention of reading them. His stories have a Poe-ish darkness that appeals to me.


Gregory published a novel last year from Solaris, Waking the Dead and I have it in Mount TBR. He also has a new one coming out from Solaris, though I can't find a publish date. It's titled, Wakening the Crow. Apparently Gregory has a stronger fixation on black birds than Casper Gutman, Joel Cairo and Brigid O'Shaunessey combined.

Randy M.
 
Yes, indeed, I read "Peril's and Dangers of the Night" for last year's horror month!
 
Having now finished my Octover reading somewhat early (it's no where near Halloween yet) I'm going to devote some time to re-reading a few of Lovecraft's stories, most of which I have only ever read once. I'm starting with "The Shadow over Innsmouth" and I'll see where I go from there...
 
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I'm currently working on "Congregations Of The Dead" by James A. Moore and Charles Rutledge
and "The Waiting" by Joe Hart
 
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