There's no problem with having lots of coulds and shoulds, although one wouldn't want them to be clustered together too much, thereby drawing undue attention to themselves.
Unless you're Brian Potter.
"Couldawouldashoulda."
There's no problem with having lots of coulds and shoulds, although one wouldn't want them to be clustered together too much, thereby drawing undue attention to themselves.
the word suddenly shouldn't be sprung upon the unaware reader
The EMT's arrive and the first thing they do is check the page they were on, "Yep, another one."the word suddenly shouldn't be sprung upon the unaware reader
::In some cases they were there when I replaced or deleted some excess speech attributes; so I elected to keep them as the alternate attribute.I use 'sudden' a lot, too. Although with current wip I think my main repeat is 'sigh'. I was clearing out the excess suddens and sighs yesterday, and boy oh boy did my characters sigh a lot. And I don't even have the excuse of writing romance – there really shouldn't be as much sighing as there is in a middle grade adventure story. (had a good culling, however, so hopefully down to acceptable quantities of sighing)
You can only exfoliate so much, before they lock you up in a rubber room in a straight jacket to protect you from harming yourself
Suddenly needs to be followed by Seymour and ideally he should be standing beside me.
You haven't been buying any suspect potted plants, have you?
Realise is my main problem. All my characters are a little slow on the uptake and they're always 'realising' something, sometimes quite suddenly.
(had a good culling, however, so hopefully down to acceptable quantities of sighing)
You killed off several characters just because they were sighing too much?
In MG??!
Suddenly needs to be followed by Seymour and ideally he should be standing beside me.
All of my characters enjoy a good ol' shrug, and I can't stop them
All my characters are a little slow on the uptake and they're always 'realising' something