LittleStar
Well-Known Member
- Joined
- Jun 30, 2011
- Messages
- 810
You say character development is a strong suit of yours, that's perfect. Go ahead and write the plot arc for the villain character (or whatever characters are in your backstory) so you personally have a complete handle on the whole story, back and present.
I think what a lot of people here are saying is that they don't want a massive sidestep from the main focus of the story or character arc, to read about the history of the people/places/conflicts etc. Definitely is a good thing to have all of these things straight in your own mind, but that doesn't mean they nessesarily deserve their own book. Perhaps try to think of them as the seasoning, you sprinkle the salt in to taste, just the same way you sprinkle a few nuggets of how the war started into the story as you go.
I think GRRM did this brilliantly (ignoring the fact that I just a couple of weeks ago actually bought the seperate book of history that he didn't put into the series) you get the feeling that the world is so much bigger than the books let on, and that mystery actually helps to fuel the story in ways that info dump, or even non-infodumpy exposition, can't do.
In my opinion, getting this right is one of the hardest things to do. How do you know when youve gone too far? especially when you have barely scratched the surface of what is going on in your mind with regards to the full history of the story and world. But when done right, it gives the reader the sense that you, the author, have control and know whats happening in your own world. When done right, for me, they can turn a bad book into a good book, and a good book into a great one.
I think what a lot of people here are saying is that they don't want a massive sidestep from the main focus of the story or character arc, to read about the history of the people/places/conflicts etc. Definitely is a good thing to have all of these things straight in your own mind, but that doesn't mean they nessesarily deserve their own book. Perhaps try to think of them as the seasoning, you sprinkle the salt in to taste, just the same way you sprinkle a few nuggets of how the war started into the story as you go.
I think GRRM did this brilliantly (ignoring the fact that I just a couple of weeks ago actually bought the seperate book of history that he didn't put into the series) you get the feeling that the world is so much bigger than the books let on, and that mystery actually helps to fuel the story in ways that info dump, or even non-infodumpy exposition, can't do.
In my opinion, getting this right is one of the hardest things to do. How do you know when youve gone too far? especially when you have barely scratched the surface of what is going on in your mind with regards to the full history of the story and world. But when done right, it gives the reader the sense that you, the author, have control and know whats happening in your own world. When done right, for me, they can turn a bad book into a good book, and a good book into a great one.