Sorry, but I found the original article unpersuasive, and saddled with all the worst biases and unchallenged assumptions of the modern identity politics movement. The author sees every person primarily through a lens of gender, race, and sexual orientation; she refers to a "white, straight, cis, able-bodied male friend." How about "Darryl?" Or "my earnest writer friend." She fiercely polices language, calling a fairly innocuous term like exotic "problematic."
And I find comments like this chilling:
We’re not going to skip the part where you have to learn things and change your behavior.
Most distasteful of all, in her closing comments she reveals an outlook both deeply prejudicial and smugly self-satisfied:
We don’t need your fear, and we don’t need your guilt. Fear and guilt are useless. We need your participation. We need your action. We need you to be willing participants in the conversation. We need you to be fearless in your compassion.
We need you to listen before you create.
Apparently, the author believes women, racial minorities, non-straights, and the handicapped are not only a collective 'we', but that she's qualified to be a spokesman for that greater part of the human species, while straight white males are a collective 'they' who are in desperate need of re-education and behavioural modification. Nonsense.
If her point is that people should try to do research and be thoughtful about writing about characters outside their own experience, well, she's stating the blindingly obvious. What I don't see is what it has to do with race and gender. If I - a Canadian of mixed ethnic background raised in late-20th century suburban Canada - wanted to write a novel about a black American in World War 1, I should try to inform myself in order to offer the most accurate representation I could. And I should do the same thing writing about a white Welshman in World War 1. Both are far outside my personal experience. Why, then, should I expect to be taken to task by a random black critic in 2015 if I choose the former? Frankly, as I have a fairly keen interest in history, I may very well be able to understand and evoke that black character who lived a century ago better than a black writer living today who has no such interest. But according to the author, race and gender are paramount considerations when it comes to creating and appraising creative works.
Basically, her outlook is the antithesis of liberalism.