J-Sun
⚡
- Joined
- Oct 23, 2008
- Messages
- 5,324
Exhibit A:
Asked to provide a blurb for a book[1], she replied:
(Supercilious and sesquipedalian, much?)
Exhibit B:
I don't know. We have theme anthologies on everything, so why not explicitly all-female anthologies or incidentally all-male anthologies? And why not have some that skew heavily one way or the other? And why not have an accidental few that are exactly 51%/49%? But the arrogance and intolerance and the "two wrongs make a right" and the self-satisfied repetition of these things years later in the current web-o-sphere just ignite my own intolerance. Discrimination and quotas are bad no matter who's being discriminated against or abstractly advantaged or disadvantaged. Quit keeping score and just evaluate the SF as SF[2].
_____
[1] The article for some reason says it's a 1971 book when it is 1987. Unrepentant, the editor published only one essay and two stories by women (one by "James Tiptree, Jr." but her identity was long-known by then) in the entire four-volume series.
[2] This is scorekeeping in its own way but, not having read the anthology in question, all I can say is that four of the seven pieces have been reprinted elsewhere which is a positive sign, though three of the four and possibly all four were reprinted by male editors so presumably don't count. Dozois (another male) deigned to notice it and said, "This shows every sign of being a promising series, and it will be interesting to see it develop. The first volume, however, contains good work... but does not have any really exceptional material." So perhaps one could be kind and blurb it as promising or unkind and refuse to blurb it on the grounds of its being unexceptional? (He reviewed subsequent volumes mildly favorably but decried the ridiculous pricing of its trade paper publication method - my hero!)
Asked to provide a blurb for a book[1], she replied:
Dear Mr Radziewicz,
I can imagine myself blurbing a book in which Brian Aldiss, predictably, sneers at my work, because then I could preen myself on my magnanimity. But I cannot imagine myself blurbing a book, the first of a new series and hence presumably exemplary of the series, which not only contains no writing by women, but the tone of which is so self-contentedly, exclusively male, like a club, or a locker room. That would not be magnanimity, but foolishness. Gentlemen, I just don’t belong here.
Yours truly,
Ursula K. Le Guin
I can imagine myself blurbing a book in which Brian Aldiss, predictably, sneers at my work, because then I could preen myself on my magnanimity. But I cannot imagine myself blurbing a book, the first of a new series and hence presumably exemplary of the series, which not only contains no writing by women, but the tone of which is so self-contentedly, exclusively male, like a club, or a locker room. That would not be magnanimity, but foolishness. Gentlemen, I just don’t belong here.
Yours truly,
Ursula K. Le Guin
(Supercilious and sesquipedalian, much?)
Exhibit B:
Millennial Women, edited by Virginia Kidd
Contents:
Prayer for My Daughter * poem by Marilyn Hacker
Introduction (Millennial Women) * essay by Virginia Kidd
No One Said Forever * shortstory by Cynthia Felice
The Song of N'Sardi-el * shortstory by Diana L. Paxson
Jubilee's Story * shortstory by Elizabeth A. Lynn
Mab Gallen Recalled * shortstory by Cherry Wilder
Phoenix in the Ashes * novelette by Joan D. Vinge
The Eye of the Heron * novel by Ursula K. Le Guin
So I guess what is not good for the gander is still good for the goose. But I presume I do not need to read that anthology, right? I won't belong there, so it will have nothing to say to me - no alternate perspectives of value? No literary merit? No science fictional quality? Or conversely, am I to assume it isn't somehow self-contentedly, exclusively female, like a sewing circle, or a kitchen? (Apparently Ms. LeGuin doesn't realize girls can have locker rooms, too.)Contents:
Prayer for My Daughter * poem by Marilyn Hacker
Introduction (Millennial Women) * essay by Virginia Kidd
No One Said Forever * shortstory by Cynthia Felice
The Song of N'Sardi-el * shortstory by Diana L. Paxson
Jubilee's Story * shortstory by Elizabeth A. Lynn
Mab Gallen Recalled * shortstory by Cherry Wilder
Phoenix in the Ashes * novelette by Joan D. Vinge
The Eye of the Heron * novel by Ursula K. Le Guin
I don't know. We have theme anthologies on everything, so why not explicitly all-female anthologies or incidentally all-male anthologies? And why not have some that skew heavily one way or the other? And why not have an accidental few that are exactly 51%/49%? But the arrogance and intolerance and the "two wrongs make a right" and the self-satisfied repetition of these things years later in the current web-o-sphere just ignite my own intolerance. Discrimination and quotas are bad no matter who's being discriminated against or abstractly advantaged or disadvantaged. Quit keeping score and just evaluate the SF as SF[2].
_____
[1] The article for some reason says it's a 1971 book when it is 1987. Unrepentant, the editor published only one essay and two stories by women (one by "James Tiptree, Jr." but her identity was long-known by then) in the entire four-volume series.
[2] This is scorekeeping in its own way but, not having read the anthology in question, all I can say is that four of the seven pieces have been reprinted elsewhere which is a positive sign, though three of the four and possibly all four were reprinted by male editors so presumably don't count. Dozois (another male) deigned to notice it and said, "This shows every sign of being a promising series, and it will be interesting to see it develop. The first volume, however, contains good work... but does not have any really exceptional material." So perhaps one could be kind and blurb it as promising or unkind and refuse to blurb it on the grounds of its being unexceptional? (He reviewed subsequent volumes mildly favorably but decried the ridiculous pricing of its trade paper publication method - my hero!)