Appello
Well-Known Member
Agree with @Trashcan that authorial voice is getting in the way of close POV. In a good book, 90%+ of your words should be dialogue, action or description. Yours just has too much telling. Don't 'tell' us Sam isn't a party person - show.
Best way of showing? Introduce a secondary character for Sam to bounce off with dialogue and character reaction. That way, it's not the author telling the reader how the crew sees Sam, but Sam himself. This helps the reader become much more engaged in the story, and also breaks up those long, somewhat tedious 'introductory' paragraphs that are not an ideal way to start your book. Compare:
It wasn’t because the rest of the patrol were edgy around him either. Well, maybe a little, but he couldn’t blame them and so it was only a little. No one wanted the company’s new Executive Officer staring over their shoulders. The problem was he couldn’t see how else he was meant to learn about his new deployment. Still, half the squad resented him being here and the other half were in awe of him. Another officer would have put them at ease with a good joke or something, but Sam wasn’t that officer. He wasn’t a people person either.
Versus:
"Would you quit fidgeting," Sam snapped, shooting a quick glare at his patrol partner, who had been eyeing him sideways and growing increasingly agitated the more time passed without any conversation. "I'm not going to bite your head off."
The Mariner, a nervous-looking fellow named Johnson, turned red and immediately looked away. "S-sorry," he mumbled. "I just... I ain't never done patrol with no Executive Officer before."
"Yeah, well, let's just..." Sam tried to think of something to say, but his gaze was caught by a shadowy figure moving out of a nearby alleyway. Whoever it was stopped for a moment, and looked around; as soon as he caught sight of Sam and the other Mariners, he turned sharply in the opposite direction.
"Let's just what?"
"Let's just try to do our job," Sam finished, frowning as he watched the figure hurry away.
One of the other men snorted. "He means, let's just do his job," was the surly, muttered reply. "And no thanks we'll get for it, neither."
---
So, that wasn't the greatest example of showing because it's pretty roughly written and I just hashed it out for comparison's sake, but hopefully helps to show (lol) the difference between a block of what I call 'authorial telling' and a scene where the reader can determine for themselves those details you wish to convey. It definitely tends to take longer, and use more words, because it is a more involved process, but the end result is (in my opinion) much more engaging.
Hope that helps
Best way of showing? Introduce a secondary character for Sam to bounce off with dialogue and character reaction. That way, it's not the author telling the reader how the crew sees Sam, but Sam himself. This helps the reader become much more engaged in the story, and also breaks up those long, somewhat tedious 'introductory' paragraphs that are not an ideal way to start your book. Compare:
It wasn’t because the rest of the patrol were edgy around him either. Well, maybe a little, but he couldn’t blame them and so it was only a little. No one wanted the company’s new Executive Officer staring over their shoulders. The problem was he couldn’t see how else he was meant to learn about his new deployment. Still, half the squad resented him being here and the other half were in awe of him. Another officer would have put them at ease with a good joke or something, but Sam wasn’t that officer. He wasn’t a people person either.
Versus:
"Would you quit fidgeting," Sam snapped, shooting a quick glare at his patrol partner, who had been eyeing him sideways and growing increasingly agitated the more time passed without any conversation. "I'm not going to bite your head off."
The Mariner, a nervous-looking fellow named Johnson, turned red and immediately looked away. "S-sorry," he mumbled. "I just... I ain't never done patrol with no Executive Officer before."
"Yeah, well, let's just..." Sam tried to think of something to say, but his gaze was caught by a shadowy figure moving out of a nearby alleyway. Whoever it was stopped for a moment, and looked around; as soon as he caught sight of Sam and the other Mariners, he turned sharply in the opposite direction.
"Let's just what?"
"Let's just try to do our job," Sam finished, frowning as he watched the figure hurry away.
One of the other men snorted. "He means, let's just do his job," was the surly, muttered reply. "And no thanks we'll get for it, neither."
---
So, that wasn't the greatest example of showing because it's pretty roughly written and I just hashed it out for comparison's sake, but hopefully helps to show (lol) the difference between a block of what I call 'authorial telling' and a scene where the reader can determine for themselves those details you wish to convey. It definitely tends to take longer, and use more words, because it is a more involved process, but the end result is (in my opinion) much more engaging.
Hope that helps