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The Lesson of the Toymaker (Subsection B of the most holy litany of St Francois, Inquisition Master and complete Bas***d)
When the noted horologist, mechanist and toymaker Anthony Cargill Smythe vanished it was enough to send the broadsheets into a frenzy of speculation; for conspiracy theories to run rampant. Indeed, how the man who caused people to clasp their hands before pursed lips, eyes popping from sockets at the wonders he wrought could just disappear was deemed to be impossible.
His many marvels included life-sized mannequins that could dance, and through the magic of the phonograph, sing! Children could ride on artificial donkeys and ponies, while mechanical hounds through misted windows stared.
But vanished he had, leaving no trace of his going other than, outside the doors of his emporium a magnificent automaton, a stallion of steel, iron and chrome. A beast of artificial resonance, that moved, ate and, yes, apparently lived.
Perhaps it was inevitable that his magnificent contrivance would attract the attention of the Church and their Inquisition fearful he might break that most divine of tenants, the creation of life. So, it was the horse drew their attention as does the rabbit to the hawk.
Indeed, they did not even see his brilliance, instead perceiving an unholy aberration.
Writs were issued, excommunication and execution were demanded. With devout fervour, they decapitated the artificial equine and placed its head on a plinth for the whole world to see.
The body glowed, molten slag in the most virulent fire pits. As scarlet beads of burning steel dripped, so did blood from a metal head.
Maybe it was not life from the lifeless at all. Doomed to failure, Smythe created a carapace for himself, tricking all into his genius, a genius that was damned by foolish pride.
For when the creation lost its head, so did the creator.
When the noted horologist, mechanist and toymaker Anthony Cargill Smythe vanished it was enough to send the broadsheets into a frenzy of speculation; for conspiracy theories to run rampant. Indeed, how the man who caused people to clasp their hands before pursed lips, eyes popping from sockets at the wonders he wrought could just disappear was deemed to be impossible.
His many marvels included life-sized mannequins that could dance, and through the magic of the phonograph, sing! Children could ride on artificial donkeys and ponies, while mechanical hounds through misted windows stared.
But vanished he had, leaving no trace of his going other than, outside the doors of his emporium a magnificent automaton, a stallion of steel, iron and chrome. A beast of artificial resonance, that moved, ate and, yes, apparently lived.
Perhaps it was inevitable that his magnificent contrivance would attract the attention of the Church and their Inquisition fearful he might break that most divine of tenants, the creation of life. So, it was the horse drew their attention as does the rabbit to the hawk.
Indeed, they did not even see his brilliance, instead perceiving an unholy aberration.
Writs were issued, excommunication and execution were demanded. With devout fervour, they decapitated the artificial equine and placed its head on a plinth for the whole world to see.
The body glowed, molten slag in the most virulent fire pits. As scarlet beads of burning steel dripped, so did blood from a metal head.
Maybe it was not life from the lifeless at all. Doomed to failure, Smythe created a carapace for himself, tricking all into his genius, a genius that was damned by foolish pride.
For when the creation lost its head, so did the creator.