Dark Lord - a new beginning - 941 words

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Luiglin

Getting worse one day at a time
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In attempt to beat myself free of the mental doldrums I took a look at the start of my Dark Lord WiP.

I've posted it before in the critiques and some noted that it didn't have enough of a pull to drag the read in - orginal thread In the beginning...

So I've removed the world bit and replaced with the below. This will be the first chapter and the awakening of the Dark Lord, the second.

As normal, good, bad, ugly etc :)

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Lightning arced across the peaks, each strike punctuated with a tumult of thunder in ear drum bursting smacks. Not wanting to spoil the effect, the storm let loose sheets of rain to lash the dread castle, driving with a merciless, unforgiving wind.

The warrior trod the last few exhausting steps to the top of the tower. Any neutral spectators looking on at the time would have, in an instant, noted him to be the hero. It was not due to his wild hair whipped by the wind in sultry flicks. Neither was it the armour, dented and torn from many blows, the rain washing the blood away in streams of red. It certainly wasn’t the pose he struck upon reaching the top, all bent over and gasping ragged breaths.

No, it was the sword, gleaming in the light of the lightning strikes, a beautiful piece of ancient smithship, an edge so sharp that raindrops were cleaved neatly in half as they streamed past and slicing the wind into two tone pitched screams.

If there had been any spectators they would have marvelled at how the warrior drew himself upright, squared his shoulders and swept the sword in a challenging display, ready to meet his destiny. A cynical spectator may have pointed out that the sword seemed to be doing most of the work. That same spectator may also have noticed how tight the warrior’s eyes were shut. The sort of tight where you just knew that the hero was seeing a kaleidoscope of black and white chequer boards spiralling in and out from the pressure.

Opposite the hero stood a decrepit figure of darkness. Torn robes flapped in whip like violence exposing a decaying body of grey bones and green hued strips of dead flesh. Said invisible spectators would have marked this figure to be the villain of the piece. They wouldn’t have been wrong. It was indeed evil. A monstrosity that had sought to enslave all the living beneath its undead heel just because it wanted to. A stereotype? Yes, and proud of it.

The dark figure stood its ground, it had to, for there was nowhere else to run. Then, in a voice the sound of mulched leaves and mud, it simply said, “Fine, you win.”

The hero, risked a peep through one eye, suspecting some diabolical trick. Seeing none, in a voice that warbled between teenager and adult, said, “Pardon?”

“You win,” said the dark figure. “You’ve got me. Can I ask a quick question though?”

The hero stumbled a step forward, wrestling the sword with both hands to keep it from striking down the dark figure. “Pardon?” he said again.

The dark figure raised its head to the sky and the heart of the storm. If there had been any eyes in the skull they no doubt would have been rolling. “Yet another idiot farm boy,” it muttered to itself, and then louder, “Does that thing have a name?”

The hero was back on safer ground with this. “It is the Blade of Nightending. Forged by the ancients to end your evil once and for all. Granted to me by the spirit of Gravmadur himself.”

“Gravma who?”

“Gravmadur, First King of Maat. He who defeated the evil that was the Dark Ogre and his Horde.”

“Oh, him?” said the dark figure. “He was Gavin the gong farmer when I knew him.”

“Pardon?”

“Oh, don’t worry about it. To be honest at that point the whole ogre phase was getting a touch annoying. Do you realise how much work is needed to refurbish a castle to accommodate an ogre sized body?”

“Err… no,” said the hero. This wasn't how the wizard said it would go. “Aren’t you meant to curse and declare that you’ll rise again?” he said, trying to get the conversation back on track.

“You know what? No. Not this time.”

“All the legends say that’s what happens,” said the hero, voice starting to edge on pleading.

“Just get on with it. Look, I’ll even turn my back if it helps.” The dark figure turned on the spot.

The sword couldn’t be held back any longer. The hero, eyes once more squeezed tight, lurched at the dark figure, the sword plunging deep into the undead back.

“Well that’s disappointing,” announced the dark figure, touching the tip of the blade that emerged from his chest, “I expected at least a strike of dramatic lightning.” Slowly he toppled off the tower and into the gaping maw of the chasm below.

Reg, apprentice sprout farmer, reluctant hero and now victorious warrior, opened one eye. He blinked, then dropped the sword in sudden realisation that standing on a high tower while holding a great lump of metal during a thunder storm wasn’t a good choice for a long life.

So began the reign of Regmazmadir the Wise, First of his Name, Wielder of Nightending and Vanquisher of the Dark Lich.


Times passes. That is its nature. It can’t really do anything else.



History, on the whole, is a lethargic subject, happy to allow itself to go from truth, to legend, to myth, just for an easy life.

Once lauded, Regmazmadir the Wise, First of his Name, Wielder of Nightending and Vanquisher of the Dark Lich, soon lessened to King Regmazmadir, the one and only. At the end, as nations fall and rise, even that was forgotten. For those that may bemoan this loss of cultural heritage, don’t’ worry, in the case of Reg, it was not a great loss.

What is remarkable, while heroes are forgotten, villains never are — especially those that have a habit of coming back.
 
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Interesting, I never saw your previous versions.
I like the invisible spectator bits, also the mildly sardonic tone - Alastair Mclean meets Pratchett.
Would have liked a very small expansion on 'the Dark Lich' cos that caused a momentary bemusement. Also the closing seemed to fizzle out a bit into unclarity - will future adventures involve the dark dude or the hero sword (or a joyous skull cleaving marriage of the two?)
 
Interesting, I never saw your previous versions.
I like the invisible spectator bits, also the mildly sardonic tone - Alastair Mclean meets Pratchett.
Would have liked a very small expansion on 'the Dark Lich' cos that caused a momentary bemusement. Also the closing seemed to fizzle out a bit into unclarity - will future adventures involve the dark dude or the hero sword (or a joyous skull cleaving marriage of the two?)

Cheers @dannymcg. The Dark Lord and his Minion (not seen here) is a creation from an original 75 word entry many years back. Over time they've reappeared on numerous occasions, including one year where I used them for every 75 entry whatever the theme or genre - and there were some real headaches that year. I did have them all as a blog entry but removed it due to forum guidelines.

[edit - I may pop it on my own blog. It's been ages since I've looked at them, they maybe hiding some usable ideas]

Immediatly following the above is a scene where he is resurrected, with some unfortunate side effects. The rest of the tale is about him trying to get his evil mojo back.
 
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It made me smile - which, apart from the very rarest of books like The Sellout, is as much as I ever respond to comedy in the written word. i.e. well done.

However.

David Thomas Moore, a writer and commissioning editor for Rebellion, wrote a short story that I published with almost the exact scene in it. Now, there's no especial property rights going on here - more that I think you could perhaps make this more unique? At the moment it reads a little like David's story (which was a little less explicitly funny than yours) and Terry Pratchett. Neither of those comparisons are bad, per se. But for this, given it's an opening? I'd, personally, pick it up and then put it back as having nothing new to offer me.

So my feeling is that this first section needs to have that sense of something I've not seen before. It's good that it's funny but pratchett at his best also told a rollicking tale that grabbed me from the start.

I think this is a good start and with some careful thought could become an excellent start.
 
@Stewart Hotston cheers for the feedback. This is just a first draft and there are already parts that need adjusting in relation to the tale that follows.

As to the similarity part, the point of this character and his world is a deliberate take on that sort of pulp fantasy. I could name a fair few comics, books and films that have similar scenes. What I'm attempting to do is twist it far enough away so that it doesn't become exactly same.

I don't always get this right straight off or indeed after a few edits. Yet that's what I'm attempting.
 
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Cheers @Jo Zebedee. I got to the finals of a RPG writing competition some years back based on an overt clichéd entry.

Unfortunately for me the shortlister got the joke but the final judging panel thought it was a serious piece.
 
I like it but a few things don't work for me here -

First is the amount of description. I get that you're probably trying to evoke a certain style of fantasy but all the description gets in the way and slows it down.

The second is the lack of conflict. X goes to do Y but there is no Z in the way and as such, it doesn't grip me. Again, I get that's kinda the point - Hero goes to kill Dark Lord and Dark Lord giveth notteth even a solitary sh*tteth - but it robs the scene of its sting. I think you might be trying to address that with the hero to an extent ('this wasn't how the wizard said it would go') but if that's the case, you need to sell that a little more.

Is this meant to be a prologue or a 1st chapter?
 
@The Big Peat cheers for the response. I've reworked it since to emphasise the cliché and the sudden break in it not going according to plan. It's meant to be a sort of prologue / chapter 1 and I think works far better than my original start. Still needs tweaking though :)
 
I like the inverse cliche, however, I can also see how people would think you're being serious. Mainly because it's so description heavy in the beginning. If you're going for sarcasm-poke-fun-at-this-typical-kind-of-scene, I think you really need to pile it on to make sure that it's really clear from the start that that's what you're going for.

So basically I agree with Big Peat. The description is really slowing this down for me and I actually find it a bit confusing. I think that it would be better if it was integrated more with the action of the hero's entrance. You know, really pump that up. Make him feel like one of those stereotypical Conan the Barbarian, Fabio-esque, romance cover heros coming over the hill with lightening flashing on his glorious pecs. Also the sword's placement was confusing for me. Was it in his hand and he pulled it out of his side hip or something? If that's the case, there should be a scabbard right? What with the emphasis on it being so sharp, I wasn't sure.

And I find the invisible spectators kind of difficult actually. I feel like I, the reader, being told a bit too much too blatantly. Personally, I think there's room to explore other ways to tell the same details without using the "spectator" device. And also "stereotype." You especially lost me once you used the word "stereotype".

But I love the idea behind this. It's fun and I definitely think it has a lot of potential. Just needs some tweaking in the language to convey your exact meaning.
 
@EJDeBrun cheers for the reply. The hero is meant to be the opposite of a muscle clad barbarian type (that comes later). In this instance he's meant to be like a young farm hand who's way in over his head and being led by a magic sword that's doing all the work. Obviously that didn't come over so I'll look at working that in.
 
The idea of the sword doing all the work certainly worked for me. (It reminds me of Farmer Giles of Ham in that instance.)
So maybe you could invert the glorious pecs bit and have the lightning flashing off his nobbly knees and where the leather jerkin had been torn to reveal his rippling ribcage or something.
 
@Luiglin Yea, sorry. I didn't get the farm boy thing. If I may, as a general thing, I don't think I would advise writing descriptions using words that are the opposite of what you're showing. It might work every once in a while, but a paragraph of it is a bit much, I think. Especially the opening paragraph.
 
The Dark Lord rides again... yay.

Your Terry like voice over at the start was too heavy and distant for my liking, and needed more or less of your author voice over to work, I couldn't decide which. The switch from storytelling to story was also too abrupt. Not quite right, but still enjoyable. So balance of the author voice over and character building clashed for me, but getting this balance of style right might be a case of slogging it out to acheive the smooth balance you need. A nice way of saying I no recommendations other than to grind it out and keep trying. Your a frustrating whisker away from perfection.
 
The Dark Lord rides again... yay.

Your Terry like voice over at the start was too heavy and distant for my liking, and needed more or less of your author voice over to work, I couldn't decide which. The switch from storytelling to story was also too abrupt. Not quite right, but still enjoyable. So balance of the author voice over and character building clashed for me, but getting this balance of style right might be a case of slogging it out to acheive the smooth balance you need. A nice way of saying I no recommendations other than to grind it out and keep trying. Your a frustrating whisker away from perfection.

Cheers @Bowler1... a frustrating whisker away... now that's a brilliant line :)

I've reworked it since. Not sure if I've plucked, shaved or tweaked that whisker though ;)
 
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