awesomesauce
Disco unicorn!
- Joined
- Apr 23, 2018
- Messages
- 191
My suggestion would be for publishing and agency houses' editorial teams to be more diverse wherever possible, and have calls as open as possible, so that they can assess submissions more equally, and I think the occasional anonymous call should also be encouraged.
I think:
- It's good that publishers explicitly state they welcome and encourage submissions from people who are underrepresented. It's important because it encourages people who might otherwise select themselves out. But publishers should be sensitive to how this can feel like the literary equivalent of "Hi! Would you like to be my [minority] friend?"
- I'm uncomfortable with the idea that which groups the writer is a member of weights selection. That cuts both ways. "White men" have a step up on the ladder being the default, but on the flip side, I once had a boss, who ran a department of "white men" in a very white male dominated industry tell me point blank "I'm glad you applied for the job so I could get HR off my back." I was absolutely qualified for the position, and very good at my job. But I wasn't hired because of that. Feels bad, man.
- On the subject of "white men", you can't tell a person's "race" just by the colour of their skin. Likewise, you can't tell sexual orientation or gender identity just by looking at a person. Under EU law, racial and ethnic origin, sexual orientation and identity, health and disability, and political affiliation and religious beliefs, among other things, are considered "sensitive" personal data for a reason. I question whether a publisher really needs that information about an author in order to decide if a story fits their publication.
- Rather than collecting personal information about writers, publishers would do better to have a system that allows them to read submissions blind. (It's worked to increase representation in orchestras.)
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