Congrats, mosaix!
I've been very lax in compiling the stats this year, but a quick back of the envelope scribble tells me that this is his
NINTH win! This takes him into the lead again for most wins in the 75s, sneaking just ahead of TDZ again, who last month equalled his then score of eight wins!
Ooh, and I've got another shortlisting and another vote! Many encoded and ciphered but very-happy-snapped thanks CC and Abernovo!
As for my story, I'm glad I managed to teach our resident scrabble champion a new word! The piece was very much a last minute affair, but living as close to Salisbury as we do, thoughts of Russian double agents spying for the West, then having to be brought out and kept under lifelong protection over here, haven't been far from our minds since March (though in Col Skripal's case he was swapped not exfiltrated). So the setting was there as soon as I put finger to keyboard, and the title -- from
The Winter's Tale, as I'm sure everyone knew
-- came immediately thereafter, so it was simply a question of getting a troupe of actors in there and trying to decide how to get my double agent out!
I'm having a bit of trouble getting my head around the idea that a story that invovles, for example, a spy shooting someone would not meet the challenge combination of Shot and Spy Story.
After all, the genre is "spy story", not "spying story", so having a spy as the main character should meet the criterion.
As I said, I've no problems with a spy killing or being killed, but to my mind an assassin -- ie someone whose primary, if not sole, job is to kill -- isn't a spy, so if there is no spying involved in the story, it can't be a spy story, it's an assassin story, ie a thriller. Simply calling the assassin a spy doesn't make him or her a spy unless some spying is actually carried out.