No-one is denying you anything, just advising you that what you want to do may not, for a number of different reasons, be the best course of action for you to take.
No-one is denying you anything, just advising you that what you want to do may not, for a number of different reasons, be the best course of action for you to take.
At the beginning, yes there were misunderstandings of what you intended but you've made it very clear now that you don't intend to use this man's name and specific details of his appearance and conduct. There's therefore no need to belabour this point further, nor to expand on what he has done.See I think I may have explained this the wrong way why some are already assuming I will be causing some type of libel onto somebody else
As far as the risk of libel is concerned, I told you this in my first post, namely: My advice, keep the people you dislike in mind when writing the characters, but ... make very sure that you don't describe them in specific detail, plus change their personalities sufficiently that they're not recognised by themselves or by others who might tell them. You've now confirmed this is what you intend, so you've reduced the risk as far as you can.HOW can I write this without it being so obvious. I get the risk involved with doing this and I get you and Teresa explained to me why this would be wrong in many ways, the point is if I wanted to, what are ways it would not be as risky?
In the same way that you write any other character who will be appearing in your story -- and as I said earlier, by giving them hopes and fears, good points and bad points. Some people create detailed biographies for their characters, showing what they've done to date. Some complete character questionnaires of likes, dislikes, favourite foods etc. Some interview their characters, asking questions about what they've done. Some of us just sit down and write and let them develop as they act and speak. The important thing is to treat all your characters as real people who do things for a reason -- and it's your job as a writer to know what that reason is. That holds good for all of your characters -- after all, a hero who is a hero just because is as flat and uninteresting as a baddie who is a baddie just because.I'm asking if I choose to go through with this, how could I make it so he's not a cardboard villain but still an evil bad guy but not in a cliche way. How can I? ... how can I write this character so it doesn't seem too much like a cardboard image? Without makng him a likable villain?
And without telling me ... "pedophiles sexual abusers and violent bausers have feelings too"
"please think about this man and how you might hurt him"
No one here has said anything of the kind. No one is making excuses for your abuser. The fact that you seem to have interpreted remarks here as saying these things does suggest to me that (a) you're not reading the posts carefully and/or (b) you are so understandably angry at what this man has done to you that you see any attempt at understanding why a fictional baddie does something as somehow getting this man off the hook for his crimes. The character you create has to be separate from this man, even if you use him as inspiration. Unless and until you separate them in your own mind, you won't be able to write the character as a real person.And telling me I should feel for this monster in real life that maybe he didn't mean to do these horrible things he's done or I could of misunderstood him as a child growing up
This is an ideal place to get help and advice for your writing. But it's a two-way street. You have to be prepared to listen as well as to question.But from what it seems maybe this site may not be the best place to discuss or present my writings, maybe I'm just not at the right place,
However, if you really want to very specifically describe a very specific character in a very specific way after someone you knew, then not only are you in danger of limiting your creativity, you're also inviting a defamation case if your motivations ever became public.
"The Judge, post: 2310101, member: 22627"]
Reverent, I really think you need to stop and take a deep breath. All your posts show a great rushing out of words, and taken as a whole they rather suggest someone caught up in a great turmoil of emotion, which is perhaps understandable, but which isn't helping anyone, not us in trying to help you, or you in trying to understand what we are telling you.
At the beginning, yes there were misunderstandings of what you intended but you've made it very clear now that you don't intend to use this man's name and specific details of his appearance and conduct. There's therefore no need to belabour this point further, nor to expand on what he has done.
As far as the risk of libel is concerned, I told you this in my first post, namely: My advice, keep the people you dislike in mind when writing the characters, but ... make very sure that you don't describe them in specific detail, plus change their personalities sufficiently that they're not recognised by themselves or by others who might tell them. You've now confirmed this is what you intend, so you've reduced the risk as far as you can.
In the same way that you write any other character who will be appearing in your story -- and as I said earlier, by giving them hopes and fears, good points and bad points. Some people create detailed biographies for their characters, showing what they've done to date. Some complete character questionnaires of likes, dislikes, favourite foods etc. Some interview their characters, asking questions about what they've done. Some of us just sit down and write and let them develop as they act and speak. The important thing is to treat all your characters as real people who do things for a reason -- and it's your job as a writer to know what that reason is. That holds good for all of your characters -- after all, a hero who is a hero just because is as flat and uninteresting as a baddie who is a baddie just because.
As for making a villain likeable, I really can't see that is something that can happen while your back is turned, as it were, so I wouldn't worry about it.
We've suggested that it might be hard for you to write your baddie as a three dimensional character because you have been too badly injured by the man on whom you are basing him, and therefore you cannot get sufficient objectivity in your writing. To be frank, this is borne out by some of the language you've used in your posts:
Sounds okay to me. If I were a writer I'd do it.I mean to base villains on actual people that you knew in your own life personally, not ones that are known throughout the world or by others. I'm talking more just basing their appearances on them. Their personalities and attitudes could still be villainous and hateful but I would make that up more so it's not directly relevant that exact person in real life just to be a little more creative and not so obvious. And this goes for any forms of media too like books, novellas, graphic novels, comics, etc.
Is any of this ok?
Sounds okay to me. If I were a writer I'd do it.
Nobody needs to know where you get your ideas from. That's your business. Someone gets mad, let them write their own stories. Write what you want.
Any writer writes best about things they know about themselves. When writing about feelings and motivations then you can only write about them if you have experienced them yourself, or, you do a lot of research by speaking to other people who have experienced them. That's my own opinion, but unless you have walked in someone else's shoes it is not going to seem convincing.So JK Rowling's father, family, her unpleasant bad teacher, the antagonists and her childhood were all used for inspiration for creating the Harry Potter series and even Harry Potter himself was based on her part of growing up which is interesting.
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