With the end of Covid restrictions, my SF reading has dropped off. However I did pick up an odd lot of
Analog issues last year, and have started to make my slow way through them (mostly sticking one in a backpack and reading it while camping). In the collection there are four from 1990, which was the sixtieth anniversary of Astounding-Analog.
JANUARY 1990 DOUBLE ISSUE
Kelly Freas did the cover.
Novelettes:
Angel by Stephen Burns. A disillusioned doctor with a special talent is kidnapped by the agent of the evil Brother Fist and taken to the planet Ananke.
Inertia by Nancy Kress. The victims of a disfiguring plague are locked up in camps and left to fend for themselves. Then a doctor arrives promising a cure, in spite of a ban on helping the sick.
Checksum by Stephen Kraus. An unusual lobbyist attracts the attention of a corporate security chief. Uncovering her secrets puts his loyalty to his powerful corporate boss to the test.
The Baseline Project by Lee Goodloe & Jerry Oltion. A researcher uncovers the source of an increasing number of comets in the sky. But can she convince the powers-that-be of the potential danger?
Nightfall by Isaac Asimov. Originally published in 1941. When all of the suns set on the planet Lagash, what will the night sky reveal?
Birthright by Poul Anderson. Originally published in 1970. The manager of the planet Suleiman visits his boss, Nicholas Van Rijn of the Solar Spice and Liquors Company, with his report and his resignation. But Van Rijn has other ideas.
Short Stories:
The Double-Spiral Staircase by Charles Sheffield. The key to the stars lies within us.
The Feeders by Michael Flynn. Angels and demons on the battlefields of WW1.
A Little Bit of an Eclipse by Maya Kathryn Bonoff. An alien con man arrives on Earth to sell some of the local real estate.
The Carbon Papers by John Gribbon. Holmes and Watson investigate a murder case.
Lifer by D.M. Vidrine. After 30 thirty years of subjective time, spacers must retire. But where and ... when?
Letter to a Phoenix by Fredric Brown. Originally published in 1949. Humanity continually arises from the ashes of its self-inflicted catastrophes. Unlike other alien civilizations.
Science Fact is
Sixty Astounding Years by Michael Flynn (see above illustration). Discusses the themes and trends that have appeared in Astounding/Analog over the years, many of which are now reality.
(How many of the issues in the illustration do you own? I have only a couple.
Frank Kelly Freas has an article "The Art of Science Fiction". Freas has been illustrating for nearly 40 years (as of 1990). Lots of good points here. And there are a few publishers (and illustrators) that would do well to read this article; we might then not have covers and illustrations that have little or nothing in common with the story. Maybe....
Issue Notes
Futures looks at two video releases,
Forbidden Planet with lots of extras, and the uncut version of The
Thing from Another World. Both look good...
Biolog looks at the authors in
Astounding at the time Campbell took over. Jay Jay Klein writes that many of the first stores of modern SF are "highly readable unlike nearly all pre-Campbell writings that, sadly but truthfully, can only be read by historians of the field or masochists" (this shows that, no matter what one may now think of some of Campbell's ideas, there is no doubt that he presided over a sea change in SF writing)...
The Alternate View discusses Einstein's "spookiness" or nonlocality...There are two
Editor's Pages in this issue: John Campbell discusses the medical profession (1964) and Ben Bova writes about censorship (1977)...Finally there are quite a few ads for novels in this issue but the gaming column is no longer appearing...
Comments
As I noted in my reviews of 1996, I feel that some of these stories in this time period are straying more towards 'speculative' fiction rather than 'science' fiction. For example, compare
The Feeders with
Nightfall.
One of my favorite artists did the illustration for the short story
Lifer (the only one of the 'modern' short stories that I found interesting)
. Janet Aulisio has a way of using shadowing that is really unique. And I spotted one of her covers in the montage of
Sixty Astounding Years.