September 1983
Joseph Green - Raccoon Reaction
Green (1914-1990) was a 'golden age' writer, most famous for creating the
Tom Corbett, Space Cadet stories and 1950's TV show. This was a solid short story about aliens coming to Earth orbit, with dire ecological consequences. It was nicely done, and quite engaging.
Mid-September 1983
Jack C. Haldeman, II - We, the People
This story placed third in the
Analog poll for 1983. 'Jay' Haldeman was of course Joe Haldeman's older brother, with who he collaborated on a few stories. In what is really 'flash fiction', Haldeman imagines a world where you get to decide where your tax dollars go at the end of each year. An old guy decides which funding categories deserve his money, discussing it with his robot-computer as he goes through the IRS form. It's quite nicely done.
October 1983
Vernor Vinge - Gemstone
I've previously only read Vernor Vinge's
Zones of Thought novels (
A Fire Upon the Deep is excellent), so I was glad to find one of his novelettes in these magazines. This novelette starts off like a psychological thriller and gradually turns into an 'alien-on-earth' kind of story. I really rather like it, and characterisation was good.
November 1983
David Brin - Tank-Farm Dynamo
I had a tough choice this issue as their was a Poul Anderson story, but as it was set in Fred Saberhagen's
Berserker universe and I've not read any of the original work I left it alone, and opted for Brin's novelette. Brin is most famous for two things: his
Uplift series of novels, and for being super-smart (PhD in applied physics; a bit of a polymath). He knows his stuff when it comes to the science of science-fiction. This was hard SF of course, and dealt with a conflict between privately owned orbiting tank farms and government agencies. It was well done, though I confess I didn't really follow the physics behind it.
December 1983
Timothy Zahn - Cascade Point
What's this, a third story by Zahn? I had no intention of choosing stories from one author multiple times, but this is what comes from not planning too far ahead. I like to crack open each issue and then select a story. But in this issue Zahn had
Cascade Point published which won the Hugo for best novella in 1984, and is his most well regarded and famous short story - I had to read it. I enjoyed the tale - it's set up like a hard SF story, but as it pertains to a problem with a faster-than-light ship drive, its not really. It is internally consistent through, the new idea for an FTL drive is neat, characterisation is good and it romps along with good tension and pace. I find it fascinating that Zahn was such a fixture in
Analog around this time, eight years before he started to publish his famous
Star Wars novels.
Overall Conclusion
A terrific year - and how good was
Analog back in the day! Blood Music was probably the highlight individual story, but that was a re-read, so I'll also note the high quality of stories from Timothy Zahn (and I didn't even read all his submissions in this year). Silverberg gets a honorable mention for offering a solid and satisfying story that I'd not heard of before. I'm once again reminded that the level of submission in
Analog used to be so high - all the big names sent quality material to the magazine. This no longer seems to be the case - do established authors write less short fiction, or do they send it elsewhere these days? Or are the magazines now selecting stories based on different criteria?