Captain Corelli’s Mandolin - the final scene with Carlo is just … desperate altogether (@Abernovo - have you read it? I think you’d love it)
I have read it. I think we discussed it once, agreeing that the book should have ended slightly differently. That scene was...yeah.
I've read a Maeve Binchy years ago, and it did the emotional twist. On hitmouse's note, I find
1984 bleak, yes, but the ending is desperately sad, as well.
I always thought that part of Iain Banks' genius was his ability to create bittersweet prose, mixing humour, joy, and sadness.
The Crow Road, in particular, twists the heartstrings.
In the same way as both Banks and Binchy, Sheila Hancock's
Miss Carter's War was a mix of emotions. It was both joyous and sad enough to bring me to tears.
For me it’s not about depressing but if I like the characters and can feel empathy as if they were my friends or me. The setting or premise is separate from that
Exactly. I differentiate sadness from depressing. A story could be redemptive, or ultimately uplifting, but have significant sadness in it, where you feel for the characters. It's an oft-commented thing that reading can help build empathy, and this is part of it.
That, for me, is very different from a depressing book, which is relentless, or devoid of hope. In the same way, I don't like 'misery porn', which has become a big selling non-fiction category.
On the Edge of Gone, by Corinne Duyvis, and Peadar Ó Guilín's
The Call both have pretty bleak scenarios, but they're not depressing. Rather, they have characters I found myself empathising with, sharing highs and lows. McCarthy's
The Road, however, I found too bleak and depressing, so it wasn't just sad, but left me feeling empty. I couldn't get far into it, despite three attempts, and is a confirmed DNF. And, yes, I know they are from different sub-genres, but the comparison stands.