I've had a good week of reading, with another 4 books and a novella polished off, though none of them very long.
Two of the books and the novella were from the Rivers of London magical cop series by Ben Aaronovitch: The Hanging Tree which starts with a girl dying after a party in the posh apartment of an exclusive tower block, but which spins out of control with an unnecessarily convoluted plot and new characters who add nothing; Lies Sleeping which is the culmination of the Faceless Man story with a great many things happening, not all of which progress the story, and lots of talk about Excalibur, Arthur, Punch, Boudicca and Roman sites in London, but with an ending that to me made no sense; and the novella The Furthest Station with ghosts on a tube line and a kidnapping, which was confusing and insubstantial. I think that's it for me with these books now -- all the things that rub me up the wrong way about the writing and characters and the rather smug tone seemed worse than ever, and the editing/proof-reading, especially of the last two, was abysmal.
But no matter what gripes I might have about them, they were head and shoulders above The Rowan, a 1990 SF fantasy by Anne McCaffrey. A child is the only survivor when a mud-slide destroys a mining settlement, and she’s brought up to be a telekinetic stevedore, throwing cargoes into space around the various Earth colonies at eg Callisto and Deneb. Despite poor writing, worse characterisation and terrible info-dumping, the first half of the book dealing with the girl's childhood and training was just about OK, but the second half was terrible with the introduction of another telepath who is allegedly charming and for whom she falls heavily despite the fact he’s a brash, arrogant, sexist loud mouth who mentally rapes her for her own good, and she dwindles in importance as he and his equally loud family take up all the metaphorical oxygen in the novel. I skim-read the last third of the book and that was more than it deserved.
Much better was Traitor’s Blade by Sebastien de Castell, the first in the Greatcoats fantasy series about a former king's magistrate and his two best friends who are out to restrain the power of evil dukes and bring law back to the land, and I'll try and do a longer review when I finally work out my feelings about it. It's not without flaws, some rather hackneyed tropes among them, and when I came to list them, all the good points I could think of about the writing and the story were heavily outnumbered by the not-so-good. Nonetheless, I read it through quickly with scarcely a pause, and immediately went out and ordered the rest in the series.