CrazyKB
Well-Known Member
- Joined
- Feb 20, 2023
- Messages
- 216
I would echo the recommendation for Blindsight. On the discussion, I would suggest that even if decisions are made before we calculate why we are going to make that decision, consciousness must have a function. One possibility is that it offers us a model for predicting the behaviour of others, which is important for a social animal.
Hard SF is rewarding but requires some effort. Even "soft" hard SF such as Greg Egan's Quarantine (soft because nobody believes that interpretation of QM) requires one to know or learn something about quantum mechanics. If you feel determined, Egan might be a recommendation.
One way of approaching SF might be to follow a theme. For example, how are AIs treated in SF and does the approach change and how is it influenced by both science and previous SF. Google easily finds a few lists: 24 Best Artificial Intelligence Science Fiction Books - The Best Sci Fi Books , 10 Chillingly Possible Sci-Fi Books About AIs Taking Over | Book Riot or You are being redirected... although those tend to be rather serious and perhaps one might prefer Hogan's Code of the Lifemaker or Naomi Kritzer's Cat Pictures Please Clarkesworld Magazine - Science Fiction & Fantasy.
I am rather doubtful about recommending particular novels because of the author's and reader's views. One can often read a fantasy novel without learning too much about the authors opinions. However, many (most?) science fiction novels soon reveal the author's opinion about political and religious issues, which is no problem if these seem to the reader plain common sense but may cause an issue if the reader disagrees. For example, a reader of Michael Z Williamson's Freehold might feel that the author underestimates the need for regulations. Similarly a reader of Charles Stross' Merchant Princes Series might feel that American institutions and politicians are being unfairly criticised.
In her Guest of Honor speech at Denvention, Lois Bujold said:
In fact, if romances are fantasies of love, and mysteries are fantasies of justice, I would now describe much SF as fantasies of political agency. All three genres also may embody themes of personal psychological empowerment, of course, though often very different in the details, as contrasted by the way the heroines “win” in romances, the way detectives “win” in mysteries, and the way, say, young male characters “win” in adventure tales. But now that I’ve noticed the politics in SF, they seem to be everywhere, like packs of little yapping dogs trying to savage your ankles.
(Copied from Political agency and changing the world)
To see the impact of religious views, I found the following whilst looking at Jo Walton's excellent series listing most of the best works published up from the start of the Hugo Awards up to 2000 Revisiting the Hugos – Tor.com:
I haven’t read Mary Doria Russell’s Children of God because I hated The Sparrow, to which it is a direct sequel. I should have no opinion on whether it was a good Hugo nominee, as I haven’t read it, but one spoiler I heard for it made me feel really glad it didn’t win. It’s theological SF.
That's the problem with this type of research, it's difficult to except the (possible) conclusion because not only is it counterintuitive, it goes against how we experience reality. It's akin to some of the findings of Quantum Mechanics. You stated that consciousness must have a function, I disagree. Evolution is nothing more than genetic change guided by natural selection, there isn't an 'end goal' in that process.
It appears that consciousness isn't necessary for predicting behavior. I'll go back to the example I gave earlier. If you realize that a car is approaching and will hit you unless you take action, one of the things you have to do is try and 'predict' what the other driver will do. Will they brake? Do they see you? Will they veer left or right in an effort not to hit you? Again, the old view was that the brain takes that all that into account, then sends possible scenarios into your consciousness where you choose which scenario is best (to avoid being hit). However, that requires a working visual system (other sensory modalities can't provide all the data necessary to fully predict possible outcomes in this case). However, someone with blindsight acts as though they can see. Those with Blindsight have a visual system that can still process visual data taken by the eyes, sending that data to the brain via the optic nerve, again the only pathways damaged are the ones responsible for your visual experience (consciousness experience of sight). Thus, if a person who claims they can't see (Blindsight) however can still act in situations where visual data is required, what's the point of consciousness? What consciousness may be is a simulation created by the brain based on certain processes, akin to what happens when you dream. One idea is that consciousness was an evolutionary fluke sometime in our evolutionary past, thus it's possible that if other intelligent Aliens exist, ones capable of science and technology (things required for space travel), they may not be conscious as we are. Which is why it was so difficult to communicate with the aliens in the book Blindsight (there was no conscious interface to communicate with).
All give another example. There have been studies done where someone is asked to push a button whenever they feel like it, the subject's brain being monitored by a brain imaging device ( I believe they used fMRI), the data illustrated that the brain was priming the subject to push the button 'before' they were aware they wanted to push it. If we are agents of freewill that process should be top down, however it appears to be bottom up (we don't choose to do the action then send those impulses to other areas of the brain that coordinate the action, it appears to be the other way around).
I hope the OP doesn't think we've hijacked his thread. The great thing about Science Fiction is the ideas/concepts that it discusses, which can lead to some great discussions (or debates).
I agree that Hard Sci-fi requires effort, however Watt's writing style, at least to me, was overly convoluted, although the payoff at the end was worth it.
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