williamjm
Well-Known Member
- Joined
- Apr 28, 2006
- Messages
- 1,047
I read Max Gladstone's Dead Country, the start of a new trilogy following on from his Craft series. The previous book set in this world, Ruin of Angels, had finished with the discovery of a looming threat that could be potentially apocalyptic. As the book starts its lawyer/necromancer protagonist Tara is pre-occuppied by worrying about this threat but has to set it aside after she learns of a death in her family, leading her to return to her hometown. Since she had previously been chased out of that town by a mob wielding pitchforks and torches it's something of a tense homecoming. One of the defining features of the series has been its portrayal of a world-building that in many ways feels like a modern society but one whose economy is based on magic rather than technology. This book is a bit of a departure because there's little magic present in the frontier town it is set in, although it does face a threat from the supernatural Raiders. This means there is a bit less focus on the world-building than in previous books. The early parts of the book are often quite reflective as Tara tries to deal with the culture-clash of returning home, but things do get more tense in the latter stages as the Raiders threaten to obliterate the town. Tara also unexpectedly finds herself with an apprentice and I thought the interactions between Tara and Dawn had some of the best characterisation in the story. Although it mostly feels smaller in scope than earlier books in the setting I did think it was a compelling story and the ending is a good set-up for the rest of the trilogy.
I've now started Shannon Chakraborty's medieval Arabic pirate story The Adventures of Amina-Al-Sarafi, which I am enjoying so far.
I've now started Shannon Chakraborty's medieval Arabic pirate story The Adventures of Amina-Al-Sarafi, which I am enjoying so far.