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I thought the soul of art was fighting over terminology.Harebrain is referring to the literary term in this thread.
I thought the soul of art was fighting over terminology.Harebrain is referring to the literary term in this thread.
That's a simile. But it was a damn good bit of ad libbing. Tears in rain monologue - WikipediaI was trying to come up with one on my own, where I remembered this from Bladerunner.
'All those moments will be lost in time, like tears in the rain... '
Or, going further, "Her voice was like chocolate mousse". That not only gets you the smoothness without having to say it, but it conjures up that the voice is rich and deep (coming from the dark brown colour). So you have a sound compared to texture and taste, and colour.Her voice was as smooth as pudding.
- The stars sounded like piles of diamonds.
Now that has impact!'The stars .... they sound .... like .... diamonds ....'
Except the third, those do sound like a synesthete's perceptions, but from a literary point of view, I feel their effect is dangerously uncontrollable.
- The bright field of wildflowers smelled like purple, magenta, yellow, white and green.
- The stars sounded like piles of diamonds.
- Her voice was as smooth as pudding.
- The scent of smoke burned my skin.
Simile.Her anger lashed out at me like whips tearing at my flesh.
Just pointing out that while the example you quoted does not use rhetorical synaesthesia, a lot of descriptions that do are also similes, such as the aforementioned "his words cut like a dagger". The fact that something is a simile doesn't discount it.Simile.
Again, this isn't relevant as far as the rhetorical device is concerned. It's entirely separate from the condition.Except the third, those do sound like a synesthete's perceptions
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