October Reading Thread

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BOAT OF A MILLION YEARS, BY Poul
Anderson 1989.D.N.F.
Tried twice.
Let us know how you get on. I thought it was tremendous for the first ~15 chapters but I got burned out and just wanted him to cut to the chase. When he finally does, it all rather fizzled out - for me at least. (I wrote a longer and more enthusiastic review in Aug '23, when starting it): August Reading Thread)
 
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Slaughterhouse Five. Halfway through this book, I'm starting to dig his sense of humor. I was a little disappointed at the beginning, and began to think that Vonnegut was not for me, but it kept getting better so I haven't dropped it.

So it goes.
Really loathed this book and could not finish it, despite its serious subject matter. I realise this is Heresy but IIRC it turned out to be magical realism, which is definitely Leaverite for me.
 
Into the Drowning Deep by Mira Grant [Speculative fiction, horror]

I have mixed feelings about this book. On the one hand there is a really unique type of mermaid and some nail-biting action in the last third of the novel. On the other hand, the first half of the novel is an almost continuous, drawn-out, slow-paced, repetitive, exposition/internal monologue diatribe. This was made very obvious in the audiobook. It may not have been so obvious if I were reading the text and skimming the repetitive bits. I also found the end unsatisfying and disappointing, mainly because a lack of the vagueness of the final chapter descriptions. Also there were several overused tropes which didn't particularly appeal to me, not to mention a bunch of illogical actions and people doing stupid things. I would have thought an author as prolific as Mira Grant could have done something different. I suppose I get some consolation in that some of the most annoying characters get their faces ripped off.​
 
I'm reading a poem this morning as well.
Gripping stuff!

Robert Browning :-

"How they Brought the Good News from Ghent to Aix"​

I'm sure you'll be familiar with this one Danny. ;)
Good News Aix-Ghent (Sellar+Yeatman).jpg
 
I was expecting the narrator to die of a surfeit of galloping!

This week, I have been mostly reading The Space Merchants by Frederik Pohl and C.M. Kornbluth. In an overpopulated future, the world is manipulated by advertising agencies. The hero, a leading executive, is drawn into a complex intrigue when he is ordered to make a campaign to send people to Venus.

This was one of those rare books that ought to have been longer: it's very condensed, which gives it all a rather breathless feel. While the "advertising as God" theme is very 1950s (likewise the adverts that crop up in the story), the cynical, rampant capitalism feels quite modern. Interestingly, the chief resistance group to all the manic consumption isn't Communist or leftist (this was published in 1950s America, after all) but is environmental. This feels very fresh: these days it's easy to imagine an aspiring dictator or religious maniac banning the mention of global warming. The women characters are very slightly less insane than most old SF female characters, but everyone feels a bit under-described. There are probably too many plot twists, but it ends satisfyingly.

Overall, a book that I appreciated more than I enjoyed. It feels both timely and very dated.
 
I have started Maps in a Mirror: The Short Fiction of Orson Scott Card (1990), a massive (675 large hardcover pages, fairly small print) collection of “virtually” all his stories less than novel length from the beginning (1977 to the publication of the book, with one piece new to it.) Left out are stories in a couple of series, as better collected together, and whatever the author was “ashamed of.” It consist of five volumes in one book.

The Hanged Man: Tales of Dread

Flux: Tales of Human Futures

Maps in a Mirror: Fables and Fantasies

Cruel Miracles: Tales of Death, Hope, and Holiness

Lost Songs: The Hidden Stories


The latter has miscellaneous stuff like stories that were later expanded into novels, early works the author isn’t ashamed of, but doesn’t think are up to the same level as later works, non-genre fiction, and stuff written for a Latter Day Saint audience.

I’ll be reading this for a while.
 
By accident, I came across Mickey Zucker Reichert's "I, Robot" trilogy based on Isaac Asimov's works. It isn't an easy task to follow in the footsteps of the "father of the 3 Laws of Robotics", but she stays true to the vision and concepts. Her writing style has similarities to Asimov as well. She is strong in science, in her case with an emphasis in medicine and ethics since she is a doctor. The character relationships can feel a little shallow and forced.

The trilogy kept me interested to the end, though not without flaws. It doesn't quite fit into the timeline of Asimov's robot world, with human-like robots making an appearance far too early. The pacing was uneven between almost non-fiction level of exploration of rare diseases mixed with murder mysteries, action-movie style chases and shoot-outs, and whirlwind romances.

Most of my issue was that the robots themselves were in the background and the story focused on the humans. There were multiple scenes where a robot was present when people were killing each other, but the robot was unable to prevent this. How does that affect it psychologically, considering the First Law: "A robot may not injure a human being or, through inaction, allow a human being to come to harm"? In Asimov’s stories, robots reacted very strongly to the First Law. Here, it was just glossed over. Opportunities for a philosophical turn were missed.

This did motivate me to pick up Asimov's original Robot stories again. It has been about 10 years since I first read his works.
 
Comic book NICK FURY:AGENT OF SHIELD. 2015.MARVEL.Writers.
Bob Harras,DG CHICHESTER.
 
A rather mediocre set of books:

Blue at the Mizzen by Patrick O’Brian
A fitting conclusion to the series, though it did feel somewhat subdued as both Maturin and Aubrey are feeling their age and Aubrey is moping about convinced he’s never going to get his flag. Maybe O’Brian was getting a little tired by now as well, it is, after all, the 20th book. I‘ve loved the journey, it’s had its ups and downs but overall a great series of age-of-sail adventures. I think it unlikely that I will read the ‘final’ unfinished book. The final chapters in this one provide a perfect ending to the series. 4/5 stars

The Hidden Base by AE Warren
A difficult one this; the first book intrigued me and I thoroughly enjoyed it and, though I felt it had some weaknesses in the set up, I was largely able to pass over them. This second book, though stronger in some respects, seemed to take those weaknesses a little further, leaving me a little ambivalent. Things just all became rather messy which is, one might argue, how real life is but it still felt unsatisfying. It seems this will be a series of four books which I think is probably one too many and some comments I have seen suggest the third is marking time somewhat, which may prove a little frustrating. However having read two books I feel I am invested in reading the second two. 3/5 stars

Ghostwritten by David Mitchell
I have read many comments about this book describing it as being an ambitious debut. It is certainly that. Successful though? I’m not so sure; in parts maybe. This is a series of short stories/novellas with multiple loose links between them. I say loose but typically the links will be pivotal in one story but peripheral in the other. A slightly strange set up and I struggled to find any overarching theme running through them all. If it sounds similar to Cloud Atlas structurally, then yes, it is, though far from being the same. There is no splitting of the stories, and they all span more or less the same period of time. But they are also written in multiple different styles. For example the first two feel heavily influenced by Murakami who I know he respects and later openly wrote a tribute to with Number9Dream, some have marked magical realism others less and yet others none. I mostly enjoyed the stories but one, the Russian one, I actively disliked, finding all the characters unpleasant. Overall, a good book but I felt it fell rather short of Mitchell’s ambition. 3/5 stars (probably 3.5 to be fair)

The Scavenger Door by Suzanne Palmer
This was disappointing. The first book in the series was marred by too much navel gazing and angst from the main protagonist. The second book toned these aspects down and was very much better for it but, had I not bought the first three together on a deal, I probably wouldn’t have continued past the first. This book seemed to ramp the navel gazing and angst back up again which was annoying but, far worse than that, it desperately need not better but just some editing. Considering this is a traditionally published book (Daw) it was dreadful; filled (and that is no exaggeration) with incorrect, missing or duplicated words, but, of course, the incorrect words were all correctly spelt incorrect words! So at least they ran it through a spell checker! If they actually had a proof reader go through it then they should be sacked! And this was topped by science that was filled with errors. The previous books mostly dodged this with lots of hand-wavium science, which is fine; not all SF has to be hard SF. But this time Palmer seemed to feel the need to explain much of her science and it was often incorrect. The sad thing is that underneath all those criticisms lies quiet a good story, in fact all three so far have had good stories; it’s just the implementation that is lacking. A poor book and with there being a fourth, and final, book in the series, I’m left wondering whether it’s worth buying and at over £11 for the ebook that is feeling unlikely. 3/5 stars
 
Ghostwritten by David Mitchell
I have read many comments about this book describing it as being an ambitious debut. It is certainly that. Successful though? I’m not so sure; in parts maybe. This is a series of short stories/novellas with multiple loose links between them. I say loose but typically the links will be pivotal in one story but peripheral in the other. A slightly strange set up and I struggled to find any overarching theme running through them all. If it sounds similar to Cloud Atlas structurally, then yes, it is, though far from being the same. There is no splitting of the stories, and they all span more or less the same period of time. But they are also written in multiple different styles. For example the first two feel heavily influenced by Murakami who I know he respects and later openly wrote a tribute to with Number9Dream, some have marked magical realism others less and yet others none. I mostly enjoyed the stories but one, the Russian one, I actively disliked, finding all the characters unpleasant. Overall, a good book but I felt it fell rather short of Mitchell’s ambition. 3/5 stars (probably 3.5 to be fair)
Which was your favourite? Only one really stood out for me: the Mongolian(iirc) one where we learn the identity of the ghost.
 
I find it difficult to compare as they were all so different. I definitely liked the Mongolian one, very gritty and kept you guessing; I didn't get the connection to The Holy Mountain until it was spelt out to me! But I also liked the Tokyo one with the young worker in the record store, and the softness of the Clear Island world, and I thoroughly enjoyed the Night Train with the rather wonderfully named Zookeeper! I think he'd have done better finishing it there rather than trying to bring it full circle with Underground. Or maybe I missed something.

My difficulty with the book is that it was presented as a book rather than a collection of stories and there I felt it failed. The indiciual stores were mostly good and the links were kind of fun and quirky but ultimately they didn't bring it all together as a whole, whereas I felt he did manage that with Cloud Atlas.
 
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