Look again, it's there. As well it should be.Leto said:no 2001 Space Odyseey mention is another one.
Widely consider one of the worst of the series, not particularly innovative or interesting when set next to the two films preceding it, with a hugely unsubtle attempt to draw in the kiddie market … I can’t see how anyone could consider this “must sci fi” (I’m assuming you mean “must see sci fi”). As part of the Star Wars saga it can’t be dropped, to be sure, but it hardly belongs on a list of significant science fiction films.moviefan said:return of the jedi is a must sci fi
ravenus said:Starship Troopers and Total Recall may not have been faithful adaptations of their literrary sources but they were damn entertaining entries in the popcorn SF genre, as is the first Men in Black.
Entertaining? Sure. But significant? I don’t think so. All three features nice special effects for their time, but none are of particular significance for the genre or for film in general.
I would have liked to see the highly underrated Gatacca make the list, as well as the excellent (and clearly science fiction) Eternal Sunshine Of The Spotless Mind, but then that would involve bumping other films from the list, and most belong there. I think I’d ditch Robocop from the list in lieu of either of those, but it’s largely not a terrible list.
I really enjoyed Mad Max 2 which for a Fantasy Fan isn't bad!! Actually I think I have watched it 6 times nowpolymorphikos said:I think it's reasonable, given he has to fit only fifty in and it's not a 'best-off' list (it seems, although many of the films are very good) so much as an innovation/influence thing. Mad Max 2, for example, whilst perhaps not to everyone's tastes, has been the major influence on post-apocalypse films since its release.
Entertaining? Sure. But significant? I don’t think so. All three features nice special effects for their time, but none are of particular significance for the genre or for film in general.ravenus said:Starship Troopers and Total Recall may not have been faithful adaptations of their literrary sources but they were damn entertaining entries in the popcorn SF genre, as is the first Men in Black.
Shoegaze99 said:Too late to edit my previous post. Forgot to close a QUOTE tag. Obviously the bottom portion should look like this:
Entertaining? Sure. But significant? I don’t think so. All three features nice special effects for their time, but none are of particular significance for the genre or for film in general.
I would have liked to see the highly underrated Gatacca make the list, as well as the excellent (and clearly science fiction) Eternal Sunshine Of The Spotless Mind, but then that would involve bumping other films from the list, and most belong there. I think I’d ditch Robocop from the list in lieu of either of those, but it’s largely not a terrible list.
Are you asking a question? If so, you might want to rephrase it; your question is quite unclear.moviefan said:Taking Return of the jedi out is like taking the story away ?
Yeah, but with all due respect … so what? It’s not a particularly good film, and it’s hardly “significant” in the world of cinema. It may be the conclusion of the Star Wars saga, but Star Wars is not cinematically significant because it tells an important or innovative story, it’s cinematically significant for a host of other reasons (which have been outlined to such an extent pretty much everywhere I won’t go into them here). The first film was groundbreaking on several levels and serves as a cultural landmark. Return of the Jedi? Just more of the same … only not quite as good.It shows what happens to the empire .
ravenus said:On a side note, modern day classics like Robert Zemeckis' Contact and Steven Soderbergh's Solaris in their commercial failure represent the tragic disinterest of audiences in well-made thoughtful (and thought provoking) mainstream science fiction films.
Shoegaze99 said:I would have liked to see the highly underrated Gatacca make the list, as well as the excellent (and clearly science fiction) Eternal Sunshine Of The Spotless Mind, but then that would involve bumping other films from the list, and most belong there.
Eternal Sunshine won’t be particularly influential in the world of film, I agree, because the fragmented narrative is something we’ve seen a lot in smaller, buzzworthy films of late (the excellent 21 Grams being a good non-genre example). What makes it significant – at least for its time, i.e. now – is that it is a good example of science fiction that the general public won’t immediately think of as science fiction. It shows the genre in a light the masses aren’t used to seeing – no explosions, no spaceships, no massive fights, no creatures – just an intelligent look into the human condition by way of speculative science. And make no mistake, though a tale of memory and love and relationships and fate, it’s a tale sparked by theoretical science. I believe such films are important for the genre.stencyl said:Don't both these film suffer from similar considerations? Both are smartly written (Kaufman is easily among the best living film writers), but less-than-glitzy style. Eternal Sunshine may have done some neat things with its narrative, but the fragmentation it uses is a bit that is sort of a standard in postmodern film, so I guess it isn't incredibly influential.
Your points are well taken, but are in my opinion not relevant to a discussion of "significant" films.moviefan said:sorry i was not asking a question all i was saying was taking Retun of the Jedi out is like taking the story away. Also if u did take it out how will luke know what his father looks like ?????????????
Charly? That wouldn't happen to be an adaption of "Flowers for Algernon" by any chance?
Hardly significant!!! What about Scanners??? Village of the Damned??? The Incredible Shrinking Man??? Attack of the 50 foot Woman???
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