Silent Films

Many of Méliès' films are quite charming, and I'd like to have a library of several of them. One in particular I've always wanted to see is The Devil in a Convent (1899), which was, in fact, the very first mention I had ever seen of this pioneering storyteller in film....
 
I am a huge fan of action movie but never try to silent movie but to read this discussion i am thinking that i should try this stuff.
 
Yesterday I saw some lovely fairy-tale-style short films by Lotte Reiniger. She worked in silhouette technique. One of the first animated full-length films was done by her, The adventures of Prince Achmed. Although the stories are fairy-tales, the target audience are adults.
Highly recommended.
 
He Who Gets Slapped. I happened upon it one night and couldn't turn the channel (Ahh, TCM, how many early mornings have you ruined for the world). I thought it was wonderful.
 
Been watching Aelita The Queen of Mars
Interesting Soviet film from 1924. Shades of Metropolis in the portrayal of the Martian workers. Setting it in 1921 – the year of the New Economic Policy - was also interesting, especially as Los’ last act in the movie is to burn his blueprints and say enough of daydreaming, there is real work to be done. This is probably the message the Soviets wanted to get out to the people at the time.
 
I think I've seen only half a dozen silent movies and none that haven't already been mentioned. As Winters_Sorrow said, "sharp dialogue is one of the things I look for in movies, so Silent films aren't what I'm after!" (generally). I actually have a very hard time not falling asleep during a truly silent movie. It's my understanding that they were originally accompanied by music and, as several others have said, having the right music with the film makes a huge difference.

As far as what I've seen, I very much disliked Pandora's Box although, as j.d. indicates, it's nothing against Louise Brooks. I just thought the theme was very poor and poorly delivered. I much prefer Buffy the Vampire Slayer's "Reptile Boy" where Buffy says, "I told one lie, I had one drink," and Giles replies, "Yes, and you were very nearly devoured by a giant demon snake. The words 'let that be a lesson' are a tad redundant at this juncture."

I'm less taken by Phantom of the Opera than some. My version does have the color segments (which seemed wrong to me) but it has no music. Still, it's definitely worth seeing at least once.

Nosferatu is kind of neat. Like the 1931 Dracula talkie, I have to make allowances, but I can appreciate it.

Metropolis is very impressive but really requires great music which I don't have. The 80s soundtrack one might be cool but really seems all kinds of wrong. I'd like Ministry or White Zombie or somebody if it was "rock"-type music, or some kind of Mahler sledge-hammer orchestral music (despite not actually liking Mahler). I also probably have one of the less complete prints on a very budget-DVD.

But my favorites, and a couple of my favorites silent or not, are Buster Keaton's Steamboat Bill, Jr. and, especially, The General. Deadpan Keaton in a vortex of craziness. I don't know that I've seen a full Chaplin or Lloyd film or any of the other similar "names" and I want to but, based on snippets, I can't imagine any of them hitting me the way Keaton does. I'll see. Mine has an Alloy Orchestra soundtrack which sounds a bit anachronistic, but suits the films really well and helps give whatever auditory/verbal portion of my brain that keeps me awake something to do. :)

I recently read that Sterling has a collection coming out called "Gothic High Tech" and that's actually a pretty good description of aspects of Metropolis. People have mentioned other Lang films but are there other "high tech gothic" Metropolitan movies?

And I'll probably get whatever Keaton I come across next regardless, but does anyone have suggestions for a #3?
 
Oh, lord... Chaplin, Keaton, and Lloyd... the three greatest comedians (in my view) to come out of the silent era... and we had some very good ones then, too.

#3? Whoof! I'm going to go for something completely odd, and suggest the short, "The Playhouse" (1921), where Keaton played all the parts, onstage and off. Just as a technical achievement, it is a tour-de-force not to be missed, and Keaton as a member of just about every rung of society is a priceless thing to behold. Sheer genius!

I would also suggest, for full-length pictures, The Cameraman (1928) and Spite Marriage (1929) as among the best, and Our Hospitality (1923) and Three Ages (also 1923, and a spoof of D. W. Griffith's Intolerance) are not far behind....

If you've got cable, and receive Turner Classic Movies, check out their schedule and keep an eye out for both his full-length features and shorts; an expanded version of the schedule, including a listing of when shorts are to be shown, can be found at their website, if memory serves....
 
Phantom Of The Opera definitely needs music to be appreciated:)

Seems so - I'll definitely be more careful with what versions I pick up from now on. :)

#3? Whoof! I'm going to go for something completely odd, and suggest the short, "The Playhouse" (1921), where Keaton played all the parts, onstage and off. Just as a technical achievement, it is a tour-de-force not to be missed, and Keaton as a member of just about every rung of society is a priceless thing to behold. Sheer genius!

I would also suggest, for full-length pictures, The Cameraman (1928) and Spite Marriage (1929) as among the best, and Our Hospitality (1923) and Three Ages (also 1923, and a spoof of D. W. Griffith's Intolerance) are not far behind....

Okay, thanks for that. The short and The Cameraman sound particularly good. What do you think of The Navigator and Sherlock, Jr. (if you've seen them)? I can't remember what the motivation was, but those are two I have written down.
 
Both, I think, are fairly high on the list of Keaton films I would suggest. You might want to take a look at some of the shorts he did with "Fatty" Arbuckle, as well....
 
Okay, thanks.

Sidenote: Wikipedia's "On this day..." tells me about one of the many anniversaries of Laurel and Hardy, though I think of them as primarily talkies.
 
I'm still (after many viewings) trying to work out how Keaton did some of the gags in Sherlock Jr..

A few years ago I had the rare privileged of seeing a 'silent' film with a live orchestra playing the original score. The 1921 Norwegian Markens grøde. It was a memorable experience.
 
I'm still (after many viewings) trying to work out how Keaton did some of the gags in Sherlock Jr..

Yes, Keaton was quite athletic, having grown up being tossed around by his father as part of the family's act in vaudeville.... I also recall a rather startling story about an injury suffered during the making of The General... one which Keaton didn't even realize had happened until many years later, when an X-ray revealed what had been the actual damage....

A few years ago I had the rare privileged of seeing a 'silent' film with a live orchestra playing the original score. The 1921 Norwegian Markens grøde. It was a memorable experience.

I've only seen one silent film with a live orchestra, and that was the tour of Abel Gance's Napoleon, with Carmine Coppola conducting. Three screens for the film (for those who have never seen it, there are portions of the film which utilize all three screens; much more of it originally did, but those elements have been long destroyed, sadly), and a live orchestra... it was, to say the least, quite an experience....
 
Picked up a double-feature of Keaton in Our Hospitality and Sherlock, Jr. Based on my prior experience and comments in this thread, I'm stoked. May not get to it right away, but I'm looking forward to it.
 
I've always had a penchant for silent films. I find them more involving than the current films on mainstream.
 
I did finally see Our Hospitality a few days ago. Loved it - I think I laughed hardest at the hat gags in the funky train - that's why I wear the pork-pie! - but there were many funny parts and the whole rock-rope-river sequence was incredible. Great movie - I'm not sure that it tops The General because I'm not sure that anything can, but it's great. And, actually, I don't know how many train sequences he has but you can almost look at The General as a massive expansion on the funky train bits in this. Anyway - hopefully it won't take me a month to get to Sherlock, Jr.
 
My interest for silent films has grown immensly lately. Im a big fan classic of slapstick and the always brilliant Charlie Chaplin is the reason for it. I also liked The Artist and made interest in silent films that wasnt comedy. I want to Metropolis, other classic silent films.

Yesterday i saw The Circus(1928) by Chaplin of course and its different watching his films as adult. I always thought before he was popular because he was an early film pioneer,just a funny guy. Watching this film i studied carefully his acting and the way he act with his face, his body, his acrobatic ways is brilliant.

Im glad i havent seen many of his films earlier, i can only appriciate them now for real.
 
Yes, Keaton was quite athletic, having grown up being tossed around by his father as part of the family's act in vaudeville.... I also recall a rather startling story about an injury suffered during the making of The General... one which Keaton didn't even realize had happened until many years later, when an X-ray revealed what had been the actual damage....

What is his best film? I have seen shorts by him in 2012 Uppsala short filmfestival that has slapstic shorts special viewing with Chaplin,Keaton,Laural &Hardy.

I want to see if he is for me. That short was more generic slapstick and not the creativity, the acting, writing,directing im used with Chaplin.
 
What is his best film?

Ooof. I'm not sure I can quite answer that. I can, however, narrow it down somewhat:

The General
Steamboat Bill, Jr.
The Cameraman
Spite Marriage

Most would probably pick The General. It is certainly one which is highly acclaimed; but there is also a large following for the others as well....
 
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