Brys said:
I've read the first fantasy masterworks collection. It was pretty good - well written, sometimes quite imaginative, but the misogyny and racism of Howard got quite annoying after a while, and while the Conan series might be quite a lot better than some modern heroic fantasy authors, I don't think he's on the same level as writers like Leiber or CAS.
The rascism, misogyny and anti-Arab/Semetic stuff is pretty unpalatable, but I think we need to make certain allowances, based solely on the fact of the time frame and geography. Not however, based on any condolence of said attidtudes.
These stories were orignially
published in 30's America some 3 decades before the end of segregation in America, 4 decades before the womens movement took off. The fact that they were
published in magazines and sold openly suggests that there was nothing in the stories that was unacceptable in their content in their own time. In fact it was only the (by todays standards very mild) sexual content that made the Conan stories slightly contraversial in their own day.
I think the most problematic of the stories in terms of raciscm is
The vale of Lost Women with very bad connotations based on inter-racial relationships, but consider the context of how such a situation would have been viewed in 30's America, the fact that Star Trek caused contraversy and broke down barries with the first mixed race screen kiss some 30 years later in the 60's and add to that the fact that in America mixed race relationships are still problematic and I think we can't really lay all the blame at the authors feet. He was in fact just reflecting society as it was. It's true these positions are deplorable, it's also true R.E. Howard obviously agreed with these positions but so did the majority of society at that time and for many years to come.
It would be nice though if there were some mention of these issues in the foreward to Conan reprints.
For me a bigger problem is with of the style issues, I think R.E. Howard wrote really good prose but when you read a whole collection like the Fanatsy masterworks collections you can see a few flaws that crop up such as repeated plots and themes (an awful lot of lost cities for example) and some grating word choice (Thews and Sward being the worst offenders). However, he was young, stupidly young in fact, being only 35 when he died. More time, better editors (who could have pointed out his overuse of certain words/phrases/plots, etc.) and he would have been even more frighteningly talented.