What was the last movie you saw?

Watched the season finale of The peacemaker a few days ago. It was cool I guess. Funny show and some of DC's better content. I'm also watching Raised by Wolves which I'm really diggin' (Ridley Scott) stuff is always dope to me. ANNND last by certainly not least I saw Euphoria Season 2 Episode 7 last night and OMG it was soooooo guuud I loled and cheered for the quiet girl Lexi and her play.
 
The Raven Red Kiss-Off (1990)

Originally called Dan Turner, Hollywood Detective as a made-for-TV failed pilot, I prefer its direct-to-VHS alternate title, which is the most hardboiled thing I've ever seen. Turner was a very popular character in the pulp magazines from the 1930's onward. I'd previously seen his only other cinematic incarnation, 1947's Blackmail, so I thought I'd check out this one.

Appropriately, It's set in 1947. Turner gets mixed up with a movie star married to a producer. She's being blackmailed for having an affair with a director. Things get complicated when somebody takes a shot at Turner with his own gun, killing his ex-girlfriend instead. While dodging the cops, who want him for murder, he untangles the case with the help of a young female cab driver, who can only be described with the old-fashioned word "spunky." The whole thing is a modest, but enjoyable tribute to old-time private eye yarns.
 
SWORD OF THE CONQUEROR 1961 - This could be the most dramatically-intense Italian sword and sandal film I have seen. Practically Shakespearean in character depth. Jack Palance is a sadistic ("Not with arrows you idiots, I want him tortured to death!") but very intelligent barbarian ruler who suspects he is being manipulated into destroying a small kingdom in order to be weakened for the scheming of another much larger one.
He is obsessed with the daughter of the king and vows to spare them if he can marry her. But she, unknown to her father, already has a child with his best soldier (Guy Madison). The amazing thing about this is how much the princess (Eleonora Rossi Drago) has to endure to carry the burdens of royal heritage and political necessity. First, her own son cries when she holds him because she has been unable to spend time with him due to the scandal of her relationship with Madison. Then she has to watch as her father is beheaded by the man who wants to marry her. Then she has to select three slaves among a group of weeping and begging women of her vanquished kingdom while the rest will be fed to lions. But the most horrifying indignity is that she has to drink from the skull of her own father to prove her love for Palance, since he doesn't trust her sincerity, and she does it because she wants him to love her so he is at his happiest state before she kills him in revenge for ruining her life and people. Drago really gets a great part--I can't think of another princess-queen role where one has to prove her worthiness as the heir to the kingdom. It also features Edy Vessel who astounds me for looking exactly like a Barbie doll. Was she the model for it???
 

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Guess What We Learned In School Today!?! (1970)

That's the way the title appears in the opening credits, anyway, although at the end it just has the question mark. The eccentric punctuation is more fitting for this jumpy, mixed-up sex satire. Not only is it full of fantasy sequences, it keeps hopping around from one subplot to another in random fashion, making it difficult to follow. In brief, there's a woman offering sex-positive education to preteens. Opposed to this are a couple of caricatures of right-wing types. There's a undercover cop who likes to entrap women into getting arrested for prostitution. He eventually discovers he's gay. There's a ex-military guy who hasn't been intimate with his wife for years. The couple eventually get together again by watching their teenage son with the cop's wife. (The boy has already been prepared by his "babysitter" reading a dirty book to him. The kid and "babysitter" seem to be the same age.)

The sex educator is treated in a completely serious manner, as opposed to the heavy-handed spoofing of her opponents. There's a soft-pop title song. The only part that really amused me were some spoofs of television commercials of the time, when the military guy's family talks the way people do in TV ads. (One really out-of-date joke that will baffle most younger viewers. Guy asks his wife to toss him the shampoo. It's in a plastic tube marked "PRILL." [sic] She throws it at him in the shower and we hear glass breaking. That seems completely meaningless unless you know that Prell shampoo used to advertise the fact that it came in a plastic tube, and not a breakable glass bottle.)
 
I did like the Puppet Masters for casting--it was rather clever to bring in people from ALIEN, Invasion of the Boy Snatchers, the THING as well I believe...but I didnt care for it--the chimp scene pissed me off.
 
The only thing really wrong with The Puppet Masters is that is was made 40 years too late. If they had shot that self same script, shot for shot in 1954 it would be considered a classic.

Meanwhile I has been mainly watching Star Trek V : The Final Frontier - what was that you were saying about 'twonk'?
And
John Carpenter's Christine based on the Stephen King book. I was underwhelmed.
 
I did like the Puppet Masters for casting--it was rather clever to bring in people from ALIEN, Invasion of the Boy Snatchers, the THING as well I believe...but I didnt care for it--the chimp scene pissed me off.


"Invasion of the Boy Snatchers" - I must have missed that one. The story of aliens who do clandestine gender reassignment on unsuspecting lads perhaps?
 

"Invasion of the Boy Snatchers" - I must have missed that one. The story of aliens who do clandestine gender reassignment on unsuspecting lads perhaps?
You came up with a better plot than what Hollywood is doing today, with millions, all because of a missing letter.
 
The Dark (1979)

Muddled monster movie, no doubt partly due to the fact that the creature was changed at the last minute into an alien, making it necessary to add a crawl-up/spoken narration at the beginning, and to throw in poorly animated laser beams zapping out of the monster's eyes. Other than that, the creature looks like a Frankenstein monster, makes a roaring sound like a Frankenstein monster, and is destroyed in classic Frankenstein monster fashion.

In a nutshell, the monster, without explanation or motivation, kills one person each night. A couple of cops, the father of a victim (once sent to jail by one of the cops for killing his wife's lover, and now a bestselling author), a Spunky Girl Reporter (for TV, since this isn't the 1930's or 1940's) and a Gothed-out psychic all get involved in the hunt for (as the newspaper call it) the Mangler. What minimal plot there is involves tracking down a young would-be actor whom the psychic says we be killed by the monster. This leads to a car chase that seems to be from another movie completely. There's a blind man who shows up once in a while, to no purpose. There's plenty of loud "scary" music, accompanied by voices whispering the daaaaaaaaarrrrrrrrknessssss and other stuff that's impossible to understand. The title is appropriate, because many of the night scenes are so dark you can't see what's going on. Not a good movie.
 
Epix (U.S. pay tv network) has brought in a lot of old, odd movies. Some good (several AIP flicks like Comedy of Terrors) , some ...

1000 Convicts and a Woman (1971)
Pretty much what you'd expect from the title. A bit of toplessness, a couple of tepid sex scenes, a lot of male gaze, some oddball male morality about a young girl and her daddy issues -- pop is a prison governor -- and surprisingly good acting (not great, but professional) for such cheap exploitation hogwash. Checking IMDB, several of the lead actors had pretty good film/tv careers, including the young woman, an American (that was a surprise) actress.


X-Ray (1982)
Sometimes you come across a lost genre gem, a horror movie tapping into the illogical nature of nightmares.

This isn't that.

Starring Barbi Benton of Playboy fame, it's a slasher taking place in the worst administrated hospital since Halloween II. It starts with ~11 year old Barbi and boy friend playing with a train set on Valentine's Day. Another boy, Harold, peeks in the window, leaves a Valentine's Day card at the door and knocks, and is so upset when he sees Barbi's friend laugh at it and crumple it up that he invades the house and kills the boy while Barbi's in the kitchen wielding a butchers knife on a massive Valentine's Day cake. This is an obvious attack on lax parenting in the '80s; I mean, who makes a cake that large and leaves it around for just a couple of kids?

Nineteen years later, an older Barbi goes to the hospital for information on her latest check up. A mysterious man kills her physician before Barbi can meet with her and switches Barbi's x-rays -- Ah! That's why the title! -- with those of someone whose intestines look like a lumpy anaconda. From there several nurses, doctors, secretaries and technicians are murdered without security noticing, Barbi is subjected to another physical exam because Playboy, everyone refuses to give her information on her condition while all but tying her down to her bed -- actually, they do tie her down at one point because she gets all hysterical about someone murdering people, the silly, emotional woman -- all leading to her being chased through the hospital by her assailant, the grown up Harold.

All but two of the male actors are plank-stiff and if Benton isn't good she also isn't really bad. She had a kinda cheerleader/pin-up charm that worked in certain roles, but she's sunk here by script and direction. There are indications this was written as a comedy, as with three older female patients commenting on her health and who appear to be knock offs of MacBeth's witches, or when Benton barges into a room screaming for help only to find three guys wrapped like mummies and all in traction.


I really should try to ferret out some of the better movies.
 

The Merry Widow (1934) In a very small European nation, a crisis develops when a widow who owns 52% of the nation's wealth, goes to France seeking a new husband. The King sends his most attractive man to woo her; but, the two had already met, and it was bad. A romantic comedy.

Captain Danilo (Maurice Chevalier; never heard of him, until now) is the guy sent to woo the widow Madame Sonia (Jeanette MacDonald). Ambassador Popoff (Edward Everett Horton; voice of FRACTURED FAIRY TALES) is desperate, & on-edge. Mischka (Sterling Holloway; guy has a pathetic voice!) is Danilo's fellow soldier. Several other actors, whose names are familiar to me are here, also.


Very amusing! 2nd of 3 film versions.
 
Then I watched something called Pin a weird psycho-horror from 1988. Terry O'Quinn (John Locke from Lost) stars as a doctor who has a plastic anatomy doll that he uses in his practice. He also has the knack of ventriloquism and pretends that the doll is talking to his kids, a boy and a girl. The boy grows up fascinated by the doll and develops his own ventriloquist ability. He begins to believe that its the actual doll, called Pin, short for Pinochio, that is doing the talking and is beginning to give him sinister thoughts, which escalates into evil acts.
The 'guy' who wrote it is actually a woman, V.C. Andrews, of Flowers in the Attic fame.
Weird.
 
Sherlock Holmes Faces Death [1943]
I never realised how cheap the later Basil Rathbone/Nigel Bruce Sherlock Holmes films were.
The external shots supposedly in Northumbria look more like Germany/Italy and the interiors look more like Alpine cum Mexican.
I doubt they ever left the Universal Studio and their stock sets making this film.
The story is slim [someone is killing members and associates of a family in a a house being used to convalesce officers injured during WWII] but maybe time and distance robs me of knowledge of the subtler points.
All that said, Basil Rathbone and Nigel Bruce are in full stride and strength in the respective roles and worth the watch if you like them.
And you don't really notice the sermon that is Sherlock's closing soliloquy. I agree with the sentiment expressed, but it was a bit obvious and tacked on at the end of the film.
 
Finally got round to rewatching Run, Lola, Run which has been on my 'I need to justify (to myself as well as the rest of the family) keeping these huge piles of DVDs cluttering up the place... by actually rewatching one occasionally' list for a while now. It is as good as I remember. I watched it with #2 Daughter - deliberately telling her nothing about it so the novel structure would come as a complete surprise to her.
 
Sherlock Holmes Faces Death [1943]
I never realised how cheap the later Basil Rathbone/Nigel Bruce Sherlock Holmes films were.
The external shots supposedly in Northumbria look more like Germany/Italy and the interiors look more like Alpine cum Mexican.
I doubt they ever left the Universal Studio and their stock sets making this film.
The story is slim [someone is killing members and associates of a family in a a house being used to convalesce officers injured during WWII] but maybe time and distance robs me of knowledge of the subtler points.
All that said, Basil Rathbone and Nigel Bruce are in full stride and strength in the respective roles and worth the watch if you like them.
And you don't really notice the sermon that is Sherlock's closing soliloquy. I agree with the sentiment expressed, but it was a bit obvious and tacked on at the end of the film.
I have a tin of five or six Sherlock/Rathbone DVDs that I have never gotten around to opening.
Your post reminded me that I vaguely remember enjoying a movie w. Rathbone when I was a kid. Can still remember not liking that Watson.
Nice change from the more current junk that I usually watch. I'll look into it,. Thanks CJ.
 
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