What was the last movie you saw?

The only thing that lets it down is the planet-hopping and all of the characters and places thrown at you at the beginning of the movie, which to be fair only bewilders on the first watching.

Yes, there's some slightly weird editing towards the beginning. The bit where Forest Whittaker sets a giant blancmanche on the pilot is just bizarre, and feels as if something has been cut out. But it just keeps improving, and the final third is superb.
 
Watched a film from 2021 called Boiling Point its a UK production that seems to be filmed in 1 long continuous take and shows about 90 minutes of the drama that goes on in a professional kitchen, seems that Stephen Graham won a Bafta for it an my wife and I are fans of home so we gave it a go.

in all honesty its disappointing and I just didn't get it the story doesn't really go anywhere and the ending is just ..there and its over.

as an experiment in film making its well worth a watch, if you want story though you might not find it here.
 
Chastity (1969)

Cher has her first dramatic role in this R-rated psychological drama/character study, after appearing in the G-rated musical comedy Good Times (1967) with husband/co-star Sonny Bono. Bono wrote and produced this attempt to lose their squeaky-clean image. Directed by somebody who has no other credits. I just found out that it was remade in 2005, without Cher!

Chastity (2005) - IMDb

Yes, this is the source of the name of their daughter Chastity (now a son named Chaz.) I'm not sure that I would name my (non-existent) child after a character with serious psychological problems in a movie with adult themes, not to mention a name that could easily serve as a source of suggestive remarks, but that's just me.

Anyway, Cher stars as a young woman who calls herself Chastity. The film begins in arty/psychedelic/pretentious fashion with a silhouette of a woman's head, which is filled with a constantly changing and repeating series of images, abstract and figurative. I guess this symbolizes what's going on in her mind. Then we get a scene of Cher running away from the ocean (although the setting is Phoenix, Arizona) toward the viewer. At last we get our titles, with Cher's name bearing an accent over the vowel, while we hear her singing for just a brief time, as we will during the end credits. The rest of the plot is episodic.

1. Chastity, hitchhiking in the pouring rain, gets a lift from a trucker. She shares his motel room, but sleeps fully clothed on the floor, making it absolutely clear she's not going to fool around with him.

2. Chastity cons a guy out of five bucks by pretending to be the attendant at a gas station.

3. Chastity gets picked up and treated to a meal by our movie's Nice Guy, a law student, and spends the night in his home, while he sleeps on the couch; again, no fooling around. (The source of our film's title?)

4. Chastity wanders into a Catholic church, talks to a woman who is trying to pray, goes into the confessional booth for a few seconds, then leaves without talking to the priest.

5. Chastity steals a car -- easy enough; somebody stupidly left the keys in the ignition of a convertible with the top down -- and drives to Mexico, where she tells a shady guy that she wants to work in a brothel. At the brothel, she pretends to be one of the prostitutes so she can con a young, nerdy guy out of his money, still without fooling around with him. The lesbian who runs the place takes a fancy to her, and they begin a sort of mother/daughter relationship. She buys Chastity new clothes, takes her to an amusement park and petting zoo, and so forth. Still no fooling around. Things seem OK, but suddenly Chastity screams and leaves. (Up to now, Cher has shown little emotion.)

6. Chastity goes back to Nice Guy, and, it's implied, finally fools around with him, and seems ready to settle down into domestic bliss. However, when he's gone, she has flashbacks to voices she heard in childhood (revealing the situation that messed her up), wrecks the Nice Guy's home, and goes back to hitchhiking, ending the film weeping.

A strange film and a box office flop, delaying Cher's movie career for a decade or so.
 
Yes, this is the source of the name of their daughter Chastity (now a son named Chaz.) I'm not sure that I would name my (non-existent) child after a character with serious psychological problems in a movie with adult themes, not to mention a name that could easily serve as a source of suggestive remarks, but that's just me.
It's not just you. ;) Good and interesting review.
 
The Moo Man (2013)
Seen through the eyes of Stephen Hook, a UK dairy farmer, this was, for a city guy like me, an eye opener. Stephen's affable nature and laid back acceptance of what it is to be a farmer in 2022 is this charming film's staying point. I never thought I would be totally intrigued by such subject matter, but I found it to be udderly charming. (sorry, I really can't help myself.)
 
Secret Screams (a.k.a. Grave Secrets, 1989), dir. Donald Bourchers; starring Renee Soutendijk, Paul Le Mat, David Warner

Not awful but not good. The owner of a bed-and-breakfast (Soutendijk) is being haunted. She asks for help from a professor of psychic research (Le Mat), but the script has her not wanting to let her secrets go and spending a lot of time trying to shoo help out of her house. Warner shows up as Le Mat's colleague, a medium, and gives a burst of energy to the proceedings.

On the whole, this feels like a made-for-tv movie, the direction indifferent, the better elements of the story not really focused on -- there was a psychological thriller implied here that could have been more involving -- and some of the effects good but some hokey even for the time. Second time recently I've seen Le Mat as a psychic (Puppet Master). A couple of online reviews of this pan him, but I think he has a sort of hang-dog every-man appeal that mostly works but is maybe a bit too low-key here. His personal assistant, Darla, is fun, and Soutendijk tries to create a character, but the role is too little a person and too much a damsel-in-distress.
 
The King's Man (2021)
Good action/comedy prequel to the first two films, with emphasis on the action element. Included one twist that totally ambushed me.
 
The King's Man (2021)

This film, while superior to the second in the series, didn't quite capture the magic of the first. Still, as a prequel, it does a serviceable job setting up the previous films. The characters are fairly well developed, though one in particular I would have liked to have seen more of. As REBerg mentioned, there is a moment in the film that will likely throw you for a loop. I wasn't pleased with it, but I understand why it was present.
 
The Plank (1967) - well that was a vast disappointment. A short 50 minute near silent, slapstick comedy about two guys trying to get a plank of wood from a builder's yard to their site. An obvious homage to the silent era comedies (Laurel and Hardy being an obvious inspiration) The Plank, which I had never seen before but had heard recommended from time to time over the years as being very funny, turns out to be a badly dated, unfunny chore to watch. Some parts have dated very badly indeed - the only Black characters in the film are bunch of dustbin men who barely register on screen before doing the whole wide-eyed scaredy "feets don't fail me now!" running-away shtick when someone emerges, zombie like, from the back of their truck after he falls in. And the sequence with the girl hitcher is just creepy horrible.
 
GOLDSNAKE 1966 - Rather boring spy movie although the theme song is Bond-like in tone.
 
A Place in the Sun (1951) George Eastman (Montgomery Clift) is a nobody who happens to be the nephew of a wealthy business owner, who, upon meeting him, gives him a job in his factory. Soon, the boss promotes him, and he has fallen in love with a coworker Alice Tripp (Shelley Winters), which relationship he must conceal, because the management forbids coworkers falling in love, especially an Eastman with a lower-class person. But, as an Eastman, he is occasionally at the mansion, and also falls in love with Angela Vickers (Elizabeth Taylor). As he rises in the ranks, he decides to marry Vickers, but Tripp is now pregnant with his child, and insists he marry her.

Oops! What to do? Should he take the noble path and marry Tripp, or dump her to marry Vickers; which also gives him a social promotion?

O.k., up to about 45 minutes, this was almost boring me, but, at that point, things became interesting! Glad I stayed tuned!
 
IN ROME LIKE CHICAGO 1968 - John Cassavetes is a bank robber and he finds out how difficult it is to maintain a family when you are have to avoid the police and make excuses for your absences and have a psycho as your partner in crime.
 
A Place in the Sun (1951) George Eastman (Montgomery Clift) is a nobody who happens to be the nephew of a wealthy business owner, who, upon meeting him, gives him a job in his factory. Soon, the boss promotes him, and he has fallen in love with a coworker Alice Tripp (Shelley Winters), which relationship he must conceal, because the management forbids coworkers falling in love, especially an Eastman with a lower-class person. But, as an Eastman, he is occasionally at the mansion, and also falls in love with Angela Vickers (Elizabeth Taylor). As he rises in the ranks, he decides to marry Vickers, but Tripp is now pregnant with his child, and insists he marry her.

Oops! What to do? Should he take the noble path and marry Tripp, or dump her to marry Vickers; which also gives him a social promotion?

O.k., up to about 45 minutes, this was almost boring me, but, at that point, things became interesting! Glad I stayed tuned!
I don't think I've ever seen this, or if I did it was long ago and probably edited for tv. Anyway, checked IMDB and my memory was right, it is based on Theodore Dreiser's An American Tragedy, which was based, I believe, on a real murder case.
 
The Plank (1967) - well that was a vast disappointment. A short 50 minute near silent, slapstick comedy about two guys trying to get a plank of wood from a builder's yard to their site. An obvious homage to the silent era comedies (Laurel and Hardy being an obvious inspiration) The Plank, which I had never seen before but had heard recommended from time to time over the years as being very funny, turns out to be a badly dated, unfunny chore to watch. Some parts have dated very badly indeed - the only Black characters in the film are bunch of dustbin men who barely register on screen before doing the whole wide-eyed scaredy "feets don't fail me now!" running-away shtick when someone emerges, zombie like, from the back of their truck after he falls in. And the sequence with the girl hitcher is just creepy horrible.
Brilliant film. I watched it with my daughter years ago, we both laughed hard.
 
NOSFERATU 1922 - According to sources, the German premiere was 100 years ago today! March 4th. So I marched fourth to watch it--the restored version I had never seen before. The original score works better than the one I first heard it with. Max Schreck sure is creepy. I used to think he really looked like that!
 
NOSFERATU 1922 - According to sources, the German premiere was 100 years ago today! March 4th. So I marched fourth to watch it--the restored version I had never seen before. The original score works better than the one I first heard it with. Max Schreck sure is creepy. I used to think he really looked like that!

If you have not seen it consider watching Shadow of the Vampire with John Malkovitch and William Defoe its based on the idea that the actor playing Orlok was actually a vampire. Pretty cool film.
 

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