Jayaprakash Satyamurthy
Knivesout no more
I've finished the book. It was very entertaining, and I simply ignored the footnotes when the main narrative was too engrossing to digress from. It's a pretty huge book, and a marvellously sustained work of writing in a period style. It's also a very crowd-pleasing novel, once you get beyond the archaisms - it's got horror, wonder, suspense, humour, a variety of fascinating characters, a plot that's full of twists and surprises - in fact, it's more like a big, juicy Dickens novel than Jane Austen's rather tepid tracts about the matrimonial overtures of young English people around the turn of the previous century.
It's a very straightforward, linear narrative, although it shifts between 4 main characters - the two magicians of the title, and two other key characters. The supporting cast is very strong, and included both Duke Wellington and Lord Byron, as well mad King George 3.
I'd find it hard to call this one the greatest fantasy novel, or debut of recent times in a time that has seen the arrival of talents like Jeff VanderMeer and China Mieville. It may well have been last year's best debut, though, and marks Clarke as a writer to watch out for if you like your fantasy entertainment lavishly detailed and envelopingly lengthy. It certainly is the most English (the nation, not the language) fantasy novel I've read in a while, and I suspect that people who enjoy Hope Mirrlees' Lud-in-the-Mist or the stories of Lord Dunsany will love this book. I certainly enjoyed it immensely, and hope that Clarke's follow up, which she claims will share elements with this novel, is as enjoyable.
It's a very straightforward, linear narrative, although it shifts between 4 main characters - the two magicians of the title, and two other key characters. The supporting cast is very strong, and included both Duke Wellington and Lord Byron, as well mad King George 3.
I'd find it hard to call this one the greatest fantasy novel, or debut of recent times in a time that has seen the arrival of talents like Jeff VanderMeer and China Mieville. It may well have been last year's best debut, though, and marks Clarke as a writer to watch out for if you like your fantasy entertainment lavishly detailed and envelopingly lengthy. It certainly is the most English (the nation, not the language) fantasy novel I've read in a while, and I suspect that people who enjoy Hope Mirrlees' Lud-in-the-Mist or the stories of Lord Dunsany will love this book. I certainly enjoyed it immensely, and hope that Clarke's follow up, which she claims will share elements with this novel, is as enjoyable.