Christopher Priest

So much so he's in my small group of authors of whose entire oeuvre I'm actively collecting. Others in mainstream SFF include gaiman, dunsany, mckillip, Williams, Wolfe, martin, m john Harrison and Jeff vandermeer.
I don't think there are any authors that I am hell bent on collection their entire works but he is definitely one of those authors that I will happily pick up any book by them I see, safe with the knowledge that it will likely be a good read.
 
I don't think there are any authors that I am hell bent on collection their entire works but he is definitely one of those authors that I will happily pick up any book by them I see, safe with the knowledge that it will likely be a good read.
Yeh well, people who know me say I have an obsessive nature. I can't see it myself but there you go....:p

Scurries off to await the latest Masterwork, NYRB and Wordsworth Tales of Mystery and the Supernatural releases....
 
Well, I've just finished "The Glamour", another excellent piece of work from Priest.

One thing niggled me when I read it though. Despite being first published in 1984, the story referrs to mobile phones to mobile phones, apple macs and Euros being the currency in France! surely these are changes made subsequent to it's original text and if so it makes me wonder what else has been changed...
 
Well, I've just finished "The Glamour", another excellent piece of work from Priest.

One thing niggled me when I read it though. Despite being first published in 1984, the story referrs to mobile phones to mobile phones, apple macs and Euros being the currency in France! surely these are changes made subsequent to it's original text and if so it makes me wonder what else has been changed...

It's not unusual for authors to revise their work for a new edition, FE, especially if it first came out a few decades ago. I suspect that Chris would have revised the trimmings to make the story more contemporary, with the intention of appealing to a wider readership, but I strongly doubt he would have tinkered with the central elements of the story itself.
 
It's not unusual for authors to revise their work for a new edition, FE, especially if it first came out a few decades ago. I suspect that Chris would have revised the trimmings to make the story more contemporary, with the intention of appealing to a wider readership, but I strongly doubt he would have tinkered with the central elements of the story itself.
I must admit that I'd rather they wouldn't!
 
Isn't it cheating a bit though?

One of the, dare I say it, fun things about reading sf, especially older books, is to see just how much the author's future vision differs from the real thing. If all sf authors went back and future-proofed their novels by editing, well, I for one would become very confused and unhappy.

I think Priest is a very good writer. But if he's actually going back and editing his books to make them appear 'innovative', I'm afraid that's not acceptable. I can see it becoming a common thing - a bit like time travel within a body of work - if you go back and change even the tiniest detail, surely it would affect the plot in ways you couldn't possibly predict.
 
Well, I should make it clear to anybody who hasn't read "The Glamour", it's not really SF at all. The story isn't explicit with dates but appears to be set at the time it was written so it's not like Priest was attempting to anticipate the future and has gone back to correct his mistakes.
 
I'm very interested to read this thread. I've never read any of Priest's stuff, but after having a look at some reviews on Amazon, I certainly will be!
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I recently finished another novel: "The Fugue of a Darkening Island". Apparently a very early novel by him and quite different from anything else of his I have read. A very bleak apocalyptic story with England collapsing into civil war and barbarity.

Not my favourite book of his I've read but still very good.
 
I just stumbled upon a novel of his I hadn't heard of in the library: "The Quiet Woman" and picked it up on an impulse. Has anyone else read this?

Here are my thoughts:

Towards the end of this book, when the protagonist Alice finally manages to drag out of her antagonist George some kind of explanation as to why her manuscript has been seized, she is told this:

"The depiction of characters is sketchey, and only the most shallow of motives are attributed to them to explain their actions[...]The text changes direction unexpectedly[...]Parts of the story appear to have been left out. There are implausible coincidences. You seem anxious to explain many things, but the reader is left unsatisfied[...]At the end of the book there is a feeling of dissatisfaction, a sense that the book has been leading nowhere, that it is an artificial construct with no adequate purpose."

The above criticisms might well have been leveled against the very book one is reading and, one feels, the author's intended effect.

So then, one shouldn't approach this book expecting anything like a conventionally written novel or they will be heavily disappointed. But people don't approach Priest's work expecting that, do they? Let's just say I wouldn't suggest this book as a place to start with his work. But to one seasoned with Priest's writing, one will find an exploration of familiar themes that he has explored many times elsewhere, but in a new and intriguing way.

There are hints throughout the narrative that suggest that Priest might be casting himself as the protagonist and that this is in some way autobiographical but we are also warned that any truths will be wrapped in deceptions and contradictory points deliberately included. And are there not some aspects of the antagonist that we might imagine the author also relates to? And how much of Tom's conspiracy theories reflect the author's own view of Britain and the way it is developing?

A befuddling novel that will leave the reader pondering it's meaning for some time afterwards.
 
Sounds intriguing Fried Egg and your somewhat rhetorical question is well made. Priest's unconventionality (re: intellectual inventiveness) is one of the aspects that appeals to me most about his writing. I've almost completed collecting Priest's entire ouevre but Quiet Woman is one of the books I don't yet have.

Thank you for bringing it to the attention of the forum.
 
Read Priest first in the 1980s, beginning with The Affirmation and then went on to The Glamour and The Prestige. Such an original voice -- I must read his more recent works.
 
Got my latest Priest fix with "The Separation". Here are my thoughts:

An alternative history story with a difference, one that focuses on the time of divergence (and the lead up to it) more than the after effects. Most alternative histories posit a critical decision in the past that if made differently would have caused a very different subsequent chain of events. Here the author explores what might have happened (and what might have made it happen) if Churchill had accepted Rudolph Hess's plan for peace in 1941.

The story focuses on two identical twins that become estranged and go on to live quite different lives into the second world war, one becoming a RAF bomber pilot, the other a conscientious objector working for the red cross. But they seem to become separated not only in space but in time-lines as well.

The author brings many of his trademark themes and ideas to this book; the question of identity and the unreliability of memory. He handles these with his usual restraint and subtlety, paying huge attention to detail in what seems to me a well researched book.

As with all alternative history stories, it helps if you have at least a general knowledge and interest in the time in question and this is definitely the case here with large parts of the narrative focusing on day to day life in WWII.

It seems to me that Priest was making the case that Britain should have made peace with Germany after the fall of France and that it was only Churchill's warmongering ways that prevented it. I'm not so sure but he does make quite a good case for it. Would Germany really have liberated Western Europe in exchange for peace with Britain?

But all in all, another very good read from one of my favourite authors who never fails to impress.
 
I've long been intrigued by a number of Priest's books, but have never thus far picked one up. Reading the comments in this thread he seems like he'd be right up my alley. Am I right in saying that he shares a lot with the magical realists? That's the impression I'm getting.
 
I've long been intrigued by a number of Priest's books, but have never thus far picked one up. Reading the comments in this thread he seems like he'd be right up my alley. Am I right in saying that he shares a lot with the magical realists? That's the impression I'm getting.

Kind of. He's difficult to quantify in that respect - some are and most aren't, I'd say. I highly recommend Inverted World (an early one) and, later, The Glamour and The Prestige.
 
How about this for the crudest of analogies (apologies in advance):

In some ways Christopher Priest is like a cross between Philip K. Dick and Robert Aickman. He explores many of the same themes as Philip K. Dick but executed with the subtlety and restraint, the clean and elegant overtly British prose style, and the deliberate ambiguity of Robert Aickman.

As I said, a deeply crude comparison, but it gives one at least an idea of what to expect if one knows the works of those two authors.
 
He explores many of the same themes as Philip K. Dick but executed with the subtlety and restraint, the clean and elegant overtly British prose style, and the deliberate ambiguity of Robert Aickman.

That's very interesting FE. I have not heard of Aickman before, but what you said makes me want to learn more.

I have read a few of Priest's books since I last posted on this thread (June 2011) and I have a hard-back copy of The Adjacent which I have not got around to reading yet. I've recently watched the film of The Prestige which I enjoyed (although Bale's English accent was almost bad enough to spoil it for me). That, of course, made me want to re-read the novel (which I loved). Either way, I will read some Priest again fairly soon!

EDIT:
Just been to have a look on the wikipedia page for Aickman. There's a great quotation from Gaiman comparing him to a stage magician - which of course fits beautifully with the experience of reading The Prestige.
 
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It seems to be a matter of opinion or perspective with Christopher Priest's work. A few years ago various genre critics were quite dismissive of his early work, mostly because it was written and marketed as science fiction (in particular books like The Space Machine and The Inverted World).

The Affirmation seems to be the Critical cut-off point, when he moved from sf and into more 'serious and speculative' novels, although The Affirmation contains a great deal of what you could call science fiction and is the jumping off point for The Dream Archipelago.

The notion of Christopher Priest as an 'English Philip K. Dick' is an interesting one, and I've never really thought of him that way before (probably because I've only read a few of his novels and a clutch of short stories) and in terms of how reality shifts, how memory affects reality and the frequent use of (fairly) common men/ women as characters there is certainly a comparison to be drawn.

On a personal level, The Affirmation is the novel that really blew me away. The Glamour and The Prestige are easily its equals, though and (critical opinion to one side, The Space Machine and The Inverted World are wonderfully literate science fiction novels).
 

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