J-WO
Author of 'Pennyblade' and 'Feral Space'
Re: Surface Detail
They've both got a taste for black humour, that's for sure. Glad you're liking it.
They've both got a taste for black humour, that's for sure. Glad you're liking it.
I'm struggling with it, I have to admit. I'm on about page 220, having been slowly grinding to a halt for the last few days
Please tell me this book gets better, it's just dragging now. On page 200 of the hardback version and I still fail to see what is happening with the plot.
Just finished the book. Easily in my top 3 Culture novels, and the twist in the very last word of the story blew my mind.
MOOOOOOOOONNBAAAAAAT!!!!!!!!! (or anyone else)
I'm struggling with it, I have to admit. I'm on about page 220, having been slowly grinding to a halt for the last few days, and the only sections so far I've really enjoyed have been Vateuil(sp?)'s and the very first one. Coincidentally or not, these seem to also be the only sections where anyone actually does anything. Otherwise it's just page after page after page of chattily written backstory, fine in small doses but less engaging en masse. Does the book overcome this (for me) problem, or is it pointless for me to carry on?
I've been a bit naughty and looked at the last page yesterday.
I just finished this book yesterday. I've been really wanting to read the whole of this thread for weeks but after reading just a few posts I held back in case it ruined the book for me. In actual fact it is not so great a spoiler really.Please don't skip to it.
All that final sentence hints at is that the Culture were not neutral in the war between the pro-Hell and anti-Hell, as they claimed they were, and that SC most likely planned large parts of this affair, if not every single event. That would be par for the course with SC and is totally believable.What do you think?
I'm on about page 220, having been slowly grinding to a halt for the last few days, and the only sections so far I've really enjoyed have been Vateuil(sp?)'s and the very first one. Coincidentally or not, these seem to also be the only sections where anyone actually does anything. Otherwise it's just page after page after page of chattily written backstory, fine in small doses but less engaging en masse. Does the book overcome this (for me) problem, or is it pointless for me to carry on?
That is a really interesting observation by dnunn0 actually, and HareBrain, you must go back and finish if only to understand your own insightful comments. Personally, I didn't find Vatueil's exploits to be that exciting, nor did I reach the same stalling somewhere around 200 pages in.If you did finish the book, you may not have HareBrain's excellent insight to see just how awesome a job Banks did on this book. What Subtlety! What Deception!
Enjoyed this as it brought me back to the earlier feel and reading of Ian M Banks.
Total agreement. I couldn't put his books in any order but this would be near the top of the pile while Matter was just a pile....This was a marked improvement on Matter and while there were a few moments of wondering "what the virtual hell is going on?" it all tied together at the end.
I agree with you on the Hell descriptions, but there were too many strands and characters for my liking. Rather than the usual Banksian two or three stands, this was a little like that film It's a Mad, Mad, Mad, Mad World with everyone racing cross-galaxy to the prize hidden under the gardens of the planet Sichult.The descriptions (early on) of Pavulean Hell are brilliant and the book follows Bank's best culture novels with several separate strands being woven into one galaxy spanning tale.
I wondered if Banks had based him on anyone in particular - some rich industrialist, the Russian Mafia or a certain newspaper magnate, for instance. Maybe its his agent! I guess if I mentioned any names that would be libellous. Maybe it is because he is such an amalgam of everything bad that he just seemed pantomime to you. No one is quite that bad.Veppers was a bit of a pantomime character for me.
Demeisen as the avatar of the Abominator Class war ship "Falling Outside Normal Moral Constraints" was truly a delight.
Demeisen steals the book!Demeisen is awesome.
That is a really interesting observation by dnunn0 actually, and HareBrain, you must go back and finish if only to understand your own insightful comments. Personally, I didn't find Vatueil's exploits to be that exciting, nor did I reach the same stalling somewhere around 200 pages in.
Ian, I read your Blog and I think I see your point of view, but don't agree. I think the idea that no one would suspect the substrate for the Hells to be hidden under Vesper's precious estates to be quite conceivable. You also say that "there is no ethical or moral argument which can be used to justify the existence of the virtual Hells", and that" Banks attempt to have a pro-Hell Pavulean senator do just that to Prin" was "empty blustering." But he did justify them all the same, and as you say, "either Banks is spoofing the empty rhetoric of the right-wing when they attempt to rationalise military adventures like the invasion of Iraq. Or, he is showing that there is no acceptable argument for morally repugnant acts." Or, that he is spoofing religion more generally. It is an argument that the 'afterlife' was a technique by Medieval nobles and religious leaders to regulate the behaviour of their subjects. The Hindu concepts of life after death, planes of existence and reincarnation, certainly have a parallel within Bank's Culture.
Banks would have no problem with that, being a committed celebrity atheist and an honorary associate of the National Secular Society.And yes, Banks could have been - and probably was - spoofing religion. But religion is based upon formalised moral frameworks, and if you attack those frameworks you are by definition attacking religion.
And Harebrain, just finish the book. If you are up to page 500, then the most action packed parts are still to come. I assume you have also read Use of Weapons with a double or triple agent who never really knows what side he's supposed to be on or even who he really is.
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