Warren_Paul
Banishment this world!
It was a reference to all those tubes used to personalise the ships.
oh, ic...
droll humour by the bear...
It was a reference to all those tubes used to personalise the ships.
THE FIRST GROUP out was the two-year-old class. Five little girls in pink tights with sparkly itty-bitty tutus walked onstage holding hands in a line. The audience did a group “Awww.” They were almost illegally cute. The dance teacher was at the front of the stage, visible to the audience and the wide-eyed little girls
The Dance of the Sugar Plum Fairy from Tchaikovsky’s Nutcracker filled the air. It was one of the few classical pieces I knew well enough to name. The teacher began to move her arms. Most of the tiny girls followed her, but one of them just stared off at the audience with huge, fear-filled eyes. Were the toddlers good? No. But at that age it’s not about being a prodigy, it’s about showing up and being too cute for words. I wasn’t much for babies, older was definitely better, but even I couldn’t deny they were nearly painfully adorable
So did she really want to be in the play, or had she been forced into acting? Is she hoping that the person playing her part (her understudy? her friend?) will not shine, so that she will be reinstated for the next performance (assuming there is one)? Or is she pleased for her friend? Or relieved? Or worried that her friend will make a fool of herself (and it will be all her fault)?Well the story is written in first person present tense and my character is supposed to be in the play but showed up late due to the prologue getting in her way. I kind of want to write it like she would see it but also sort of in third person with her thoughts interrupting every so often. I'll only make her watch one scene before she heads backstage.
I think this is the first time I'm gonna use the thread for its purpose since starting it! But I think it's a good sign that I am again. I hope.
Anyway, this may be changed to something more simple, but here goes.
When I were a wee lass, we had a gas fire, and on the pipe leading to it, there was a little tap like fixture halfway along it. My parents used to tell me not to touch it (it had a loose top that was fun to wobble, but I didn't ever dare turn it). If it were to be turned, would it let gas through?
I have a question or two on atmosphere behaviour, or rather artificial atmosphere behaviour.
Given a cylindrical habitat such as an O'Neill Cylinder that is 10km diameter and 20km long and is spun to give a pseudo gravity of 1g on its inner surface, I'm trying to figure out how the air inside would behave.
Vertigo, I'd love to help, but I don't understand the question.
I've heard of a functioning alcoholic, but I'm wondering can you have someone who functions for a period during a semi breakdown. The character has had a breakdown perviously, alluded to, partially seen by the reader, about a decade before, and lives with very little sleep, a difficult relationship background, and generally high levels of stress. Now, the ante is upped for a space of 10 days, and he's threatening another breakdown.
There is a doctor who knows him well offering support - mostly emotional - and he is pretty resilient and has a lot of coping mechanisms off pat, but even so, is 10 days pushing it - allowing for a fair bit of adrenalin to keep him going.
Does your character's name begin with K?
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